A look at the history and customs of the Arapaho.

Told by Paul Moss (1911-1995), a highly respected storyteller and ceremonial leader, these twelve texts introduce us to an immensely rich literature. As works of an oral tradition, they had until now remained beyond the reach of those who do not speak the Arapaho language. Here, for the first time, these outstanding examples of Indigenous North American literature are printed in their original language (in the standard orthography used on the Wind River Reservation) but made accessible to a wider audience through English translation and comprehensive introductions, notes, commentaries and an Arapaho-English glossary. The Arapaho traditions chosen for this anthology tell of hunting, scouting, fighting, horse-stealing, capture and escape, friendly encounters between tribes, diplomacy and war, conflict with the U.S. and battles with its troops. They also include accounts of vision quests and religious rites, the fate of an Arapaho woman captured by Utes, and Arapaho uses of the "Medicine Wheel"in the Bighorn Mountains.

In what is now Colorado and Wyoming, the Northern Arapahos thrived for centuries, connected by strong spirituality and kinship and community structures that allowed them to survive in the rugged environment. By the mid-nineteenth century, however, as Anglo-Americans pushed west, Northern Arapaho life changed dramatically. Although forced to relocate to a reservation, the people endured and held on to their traditions. Today, tribal members preserve the integrity of a society that still fosters living ni'iihi', as they call it, "in a good way." Award-winning photographer Sara Wiles captures that life on film and in words in Arapaho Journeys, an inside look at thirty years of Northern Arapaho life on the Wind River Indian Reservation in central Wyoming. Through more than 100 images and 40 essays, Wiles creates a visual and verbal mosaic of contemporary Northern Arapaho culture. Depicted in the photographs are people Wiles met at Wind River while she was a social worker, anthropology student, and adopted member of an Arapaho family. Among others pictured are Josephine Redman, an older woman wrapped in a blanket, soft light illuminating its folds, and rancher-artist Eugene Ridgely, Sr., half smiling as he intently paints a drum. Interspersed among the portraits are images of races, basketball teams, and traditional games. Wiles's essays weave together tribal history, personal narratives, and traditional knowledge to describe modern-day reservation life and little-known aspects of Arapaho history and culture, including naming ceremonies and cultural revitalization efforts. This work broaches controversial topics, as well, including the 1864 Sand Creek Massacre of Cheyenne and Arapaho Indians. Arapaho Journeys documents not only reservation life but also Wiles's growth as a photographer and member of the Wind River community from 1975 through 2005. This book offers readers a journey, one that will enrich their understanding of Wiles's art—and of the Northern Arapahos' history, culture, and lived experience.

Tell Me, Grandmother is at once the biography of Goes-in-Lodge, a traditional Arapaho woman of the nineteenth century, and the autobiography of her descendant, Virginia Sutter, a modern Arapaho woman with a PhD in public administration. Sutter adeptly weaves her own story with that of Goes-in-Lodge -- who, in addition to being Sutter's great-grandmother, was first wife of Sharpnose, the last chief of the Northern Arapaho nation. Writing in a question-and-answer format between twentieth-century granddaughter and matriarchal ancestor, Sutter discusses four generations of home life, including details about child rearing, education, courtship, marriage, birthing, and burial. Sutter's portrait of Goes-in-Lodge is based on tribal history and interviews with tribal members. Goes-in-Lodge speaks of social and ceremonial gatherings, the Sun Dance, the sweat lodges, and the changes that took place on the Great Plains throughout her lifetime. Sutter details her own life as a child born in a teepee to a white mother and Indian father and the discrimination and injustice she faced struggling to make her way in an increasingly Euro-American world.

In Wives and Husbands, distinguished anthropologist Loretta Fowler deepens readers’ understanding of the gendered dimension of cultural encounters by exploring how the Arapaho gender system affected and was affected by the encounter with Americans as government officials, troops, missionaries, and settlers moved west into Arapaho country. Fowler examines Arapaho history from 1805 to 1936 through the lens of five cohorts, groups of women and men born during different year spans. Through the life stories of individual Arapahos, she vividly illustrates the experiences and actions of each cohort during a time when Americans tried to impose gender asymmetry and to undermine the Arapahos’ hierarchical age relations. Fowler examines the Arapaho gender system and its transformations by considering the partnerships between, rather than focusing on comparisons of, women and men. She argues that in particular cohorts, partnerships between women and men — both in households and in the community — shaped Arapahos’ social and cultural transformations while they struggled with American domination. Over time Arapahos both reinforced and challenged Arapaho hierarchies while accommodating and resisting American dominance. Fowler shows how, in the process of reconfiguring their world, Arapahos confronted Americans by uniting behind strategies of conciliation in the early nineteenth century, of civilization in the late nineteenth century, and of confrontation in the early twentieth century. At the same time, women and men in particular cohorts were revamping Arapaho politico-religious ideas and organizations. Gender played a part in these transformations, giving shape to new leadership traditions and other adaptations.

This is the first biography of Chief Left Hand, diplomat, linguist, and legendary of the Plains Indians. Working from government reports, manuscripts, and the diaries and letters of those persons—both white and Indian—who knew him, Margaret Coel has developed an unusually readable, interesting, and closely documented account of his life and the life of his tribe during the fateful years of the mid-1800s. It was in these years that thousands of gold-seekers on their way to California and Oregon burst across the plains, first to traverse the territory consigned to the Indians and then, with the discovery of gold in 1858 on Little Dry Creek (formerly the site of the Southern Arapaho winter campground and presently Denver, Colorado), to settle. Chief Left Hand was one of the first of his people to acknowledge the inevitability of the white man’s presence on the plain, and thereafter to espouse a policy of adamant peacefulness —if not, finally, friendship—toward the newcomers. Chief Left Hand is not only a consuming story—popular history at its best—but an important work of original scholarship. In it the author: Clearly establishes the separate identities of the original Left Hand, the subject of her book, and the man by the same name who succeeded Little Raven in 1889 as the principal chief of the Southern Arapahos in Oklahoma—a longtime source of confusion to students of western history; Lays to rest, with a series of previously unpublished letters by George Bent, a century-long dispute among historians as to Left Hand’s fate at Sand Creek; Examines the role of John A. Evans, first governor of Colorado, in the Sand Creek Massacre. Colonel Chivington, commander of the Colorado Volunteers, has always (and justly) been held responsible for the surprise attack. But Governor Evans, who afterwards claimed ignorance and innocence of the colonel’s intentions, was also deeply involved. His letters, on file in the Colorado State Archives, have somehow escaped the scrutiny of historians and remain, for the most part, unpublished. These Coel has used extensively, allowing the governor to tell, in his own words, his real role in the massacre. The author also examines Evans’s motivations for coming to Colorado, his involvement with the building of the transcontinental railroad, and his intention of clearing the Southern Arapahos from the plains —an intention that abetted Chivington’s ambitions and led to their ruthless slaughter at Sand Creek.

The Arapahoes, who simultaneously occupy the three major divisions of the Great Plains, are typical but the least known of the Plains tribes. Overshadowed by their more hostile allies, the Sioux and Cheyennes, they have been neglected by historians. This book traces their history from prehistoric times in Minnesota and Canada to the turn of the century in Wyoming, Montana, and Oklahoma, when their cultural history ended and adjustment to the white man's way began. It covers their way of life, dealings with traders, treaties, battles, division into branches, and reservation life. There are detailed accounts of the Ghost Dance and peyote cult. A study of the two branches-Southern and Northern-is a dramatic lesson in the effects of acculturation. Forced to accept the white man's way, the Southern people, after losing their ceremonials and tribal lands in Oklahoma, have gradually resigned themselves to the alien culture. The Northern Arapahoes on the Wind River Reservation in Wyoming, however, still cling to their original traditions. They tell their time-honored tales, pour out their souls in music, and dance to their drums much as they did in pre-reservation days-although they dress in the manner of the white man and abide by his regulations. Flat-Pipe, the sacred palladium, said to have come to "our people" when the world began, stays in their safe-keeping, and they honor it in occasional ceremony. The Pipe is the unifying symbol of the two branches of the tribe.