This book is concerned with the Arabic versions of the Gospels. It is an attempt to examine a substantial number of Arabic manuscripts which contain the continuous text of the canonical Gospels copied between the eighth and the nineteenth centuries and found in twenty-one different library collections in Europe and the Orient. Following the introduction, Chapter Two presents the state of research from the middle of the nineteenth century to the present time. Chapter Three introduces and reflects on the two hundred plus manuscripts examined in this work. Chapters Four to Eight concentrate on grouping these manuscripts into twenty-four families and examining their Vorlagen (Greek, Syriac, Coptic and Latin). In order to examine the relationship between the families, phylogenetic software is used. Consequently, the manuscripts are grouped into seven different mega clusters or tribes. Finally the date of the first translation of the Gospels into Arabic is addressed and (a) provisional date(s) suggested based on the textual and linguistic analyses of the manuscripts. The conclusion in Chapter Ten gives the overall contribution made by this thesis and also future avenues for the study of the Arabic versions of the Gospels.

Medieval Jerusalem was a vibrant international center, home to multiple cultures, faiths, and languages. Harmonious and dissonant voices from many lands, including Persians, Turks, Greeks, Syrians, Armenians, Georgians, Copts, Ethiopians, Indians, and Europeans, passed in the narrow streets of a city not much larger than midtown Manhattan. Patrons, artists, pilgrims, poets, and scholars from Christian, Jewish, and Islamic traditions focused their attention on the Holy City, endowing and enriching its sacred buildings, creating luxury goods for its residents, and praising its merits. This artistic fertility was particularly in evidence between the eleventh and fourteenth centuries, notwithstanding often devastating circumstances—from the earthquake of 1033 to the fierce battles of the Crusades. So strong a magnet was Jerusalem that it drew out the creative imagination of even those separated from it by great distance, from as far north as Scandinavia to as far east as present-day China. This publication is the first to define these four centuries as a singularly creative moment in a singularly complex city. Through absorbing essays and incisive discussions of nearly 200 works of art, Jerusalem, 1000–1400: Every People Under Heaven explores not only the meaning of the city to its many faiths and its importance as a destination for tourists and pilgrims but also the aesthetic strands that enhanced and enlivened the medieval city that served as the crossroads of the known world.

In Interpreting the Qurʾān with the Bible, R. Michael McCoy III examines the reception of the Arabic Bible in tafsīr literature by analyzing Ibn Barraǧān’s (d. 546/1141) and al-Biqāʿī’s (d. 885/1480) methods of scriptural engagement.

The contributions to this volume, which come from the Fifth Mingana Symposium, survey the use of the Bible and attitudes towards it in the early and classical Islamic periods. The authors explore such themes as early Christian translations of the Bible into Arabic, the use of verses from it to defend the truth of Christianity, to interpret the significance of Islam and to prove its error, Muslim accusations of corruption of the Bible, and the influences that affected production of Bibles in Muslims lands. The volume illustrates the centrality of the Bible to Arab Christians as a source of authority and information about their experiences under Islam, and the importance of upholding its authenticity in the face of Muslim criticisms. Contributors include: Samir Arbache, Mark Beaumont, Emmanouela Grypeou, Lucy-Anne Hunt, Juan Pedro Monferrer Sala, Said Gabriel Reynolds, Barbara Roggema, Harald Suermann and Mark Swanson.

From the first centuries of Islam to well into the Middle Ages, Jews and Christians produced hundreds of manuscripts containing portions of the Bible in Arabic. Until recently, however, these translations remained largely neglected by Biblical scholars and historians. In telling the story of the Bible in Arabic, this book casts light on a crucial transition in the cultural and religious life of Jews and Christians in Arabic-speaking lands. In pre-Islamic times, Jewish and Christian scriptures circulated orally in the Arabic-speaking milieu. After the rise of Islam--and the Qur'an's appearance as a scripture in its own right--Jews and Christians translated the Hebrew Bible and the Greek New Testament into Arabic for their own use and as a response to the Qur'an's retelling of Biblical narratives. From the ninth century onward, a steady stream of Jewish and Christian translations of the Hebrew Bible and New Testament crossed communal borders to influence the Islamic world. The Bible in Arabic offers a new frame of reference for the pivotal place of Arabic Bible translations in the religious and cultural interactions between Jews, Christians, and Muslims.

Beginning with Jesus' birth, Ken Bailey leads you on a kaleidoscopic study of Jesus throughout the four Gospels, examining the life and ministry of Jesus with attention to the Lord's Prayer, the Beatitudes, Jesus' relationship to women, and especially Jesus' parables. The work dispels the obscurity of Western interpretations with a stark vision of Jesus in his original context.