The residents of a quiet Japanese neighborhood have slowly come to realize that inauspicious, paranormal forces are at play in the most unlikely of places: the local playground. Two friends, a young boy and girl, resolve to exorcise the evil that inhabit it, including a snaggle-toothed monster. In Animus, a beautiful but spooky young adult graphic novel of everyday hauntings, Antoine Revoy delivers an eerie tale inspired by the Japanese and French comics of his childhood.

A girl tries to make friends with a chained dog she meets along her path. When she realizes that the dog growls at others and is not going to accept her offers of friendship, she learns to accept that she cannot make every encounter a friendly one and continues to enjoy the friendly animals she does meet.

Barbara Hannah was a straightforward, modest, yet a grand woman, a lover of literature, and a colleague and friend of C. G. Jung, Emma Jung, and Marie-Louise von Franz. A first-generation Jungian psychologist, she was an original member of the Psychological Club of Zurich and a founder of the Jung Institute in Zurich. She lectured extensively in Switzerland and England and wrote several books on C. G. Jung and Jungian psychology. The Animus, in two volumes, presents her psychological analysis of the animus, gleaned from handwritten notes, typed manuscripts, previously published articles, her own drafts of her lectures, and notes taken by those present. She tackled the theme of the animus with a comprehensiveness unsurpassed in Jungian literature. Her insights and vigor stem from personally grappling with her own animus, while integrating the experience and reflections of many psychotherapists who worked directly with C. G. Jung. Authenticity and comprehensiveness were priorities in editing this work, as well as the preservation of the excellence of her work on the animus--a complex and vexing topic--while retaining the wonderfully natural spirit of Barbara Hannah herself. Themes include the case of the sixteenth-century nun, Jeanne Fery; the animus in the Book of Tobit (or Tobias); literature in general (the Brontes in particular); and the meaning of the animus for modern women. The Animus, volumes 1 and 2 are part of the "Polarities of the Psyche" series from Chiron Publications. Other books in the series are Lectures on Jung's Aion and The Archetypal Symbolism of Animals."

Become a part of history in this visually stunning exploration of the art and creation of the Assassin’s Creed film. Almost a decade after the release of Ubisoft’s massively popular action-adventure game, the world of Assassins and Templars now comes to the big screen with Assassin’s Creed, directed by Justin Kurzel. With two protagonists separated by centuries of history yet linked by their DNA, the film represents a uniquely intricate filmmaking experience, necessitating the re-creation of a historically accurate fifteenth-century Spain and a technologically advanced present. Assassin’s Creed: Into the Animus tells the full story behind the filmmaking journey, from the in-depth research into the horrors of the Spanish Inquisition to the intense shooting process in present-day Spain. Featuring the vivid concept art that helped bring the film to life, this deluxe volume also includes comprehensive imagery of the Assassins’ signature weapons, behind-the-scenes details on the creation of the Animus, and photography of the death-defying stunts that are a hallmark of the franchise. Also featuring exclusive interviews with Kurzel, the films’ incredible stunt and creative team, and key cast members—including Michael Fassbender and Marion Cotillard—Assassin’s Creed: Into the Animus captures the enthusiasm and vivid detail that Kurzel and his team brought to every stage of the film. Complete with removable artifacts such as parkour stunt schematics and Callum Lynch’s Animus Report, Assassin’s Creed: Into the Animus is the ultimate companion to this historic movie event.

An introduction to the legal concept of unconstitutional bias. If a town council denies a zoning permit for a group home for intellectually disabled persons because residents don’t want “those kinds of people” in the neighborhood, the town’s decision is motivated by the public’s dislike of a particular group. Constitutional law calls this rationale “animus.” Over the last two decades, the Supreme Court has increasingly turned to the concept of animus to explain why some instances of discrimination are unconstitutional. However, the Court’s condemnation of animus fails to address some serious questions. How can animus on the part of people and institutions be uncovered? Does mere opposition to a particular group’s equality claims constitute animus? Does the concept of animus have roots in the Constitution? Animus engages these important questions, offering an original and provocative introduction to this type of unconstitutional bias. William Araiza analyzes some of the modern Supreme Court’s most important discrimination cases through the lens of animus, tracing the concept from nineteenth century legal doctrine to today’s landmark cases, including Obergefell vs. Hodges and United States v. Windsor, both related to the legal rights of same-sex couples. Animus humanizes what might otherwise be an abstract legal question, illustrating what constitutes animus, and why the prohibition against it matters more today than ever in our pluralistic society.

"The animus is the deposit, as it were, of all woman's ancestral experiences of man-and not only that, he is also a creative and procreative being." -C.G. Jung Inextricably enmeshed in the life of every woman is a constellation of autonomous energy that Jung called animus, her masculine side. As a woman develops psychologically, animus changes, appearing and reappearing as child or adult, lover or enemy, king or slave, animal or spirit. All these manifestations of animus energy are reflected in her experience of masculinity, both in herself and in others. Animus Aeternus weaves developmental theories from depth psychology with the poetry of women-including Sylvia Plath, Adrienne Rich, Emily Dickinson, Teresa of Avila and Edna St. Vincent Millay-to trace the history and meaning of this lifetime companion, illustrating how animus participates in a woman's life, whether we are conscious of it or not. Like dreams and active imagination, poetry speaks in images from the soul. In choosing women's poetry as well as their dreams to illustrate the essence of animus, the author adds the immediacy of soul-made truths to the lucidity of her conceptual matrix.