This collection of wide-ranging essays offers a fascinating overview of current scholarly approaches to the ancient novel and related texts. These are discussed in their literary, cultural and social context, and as sources of inspiration for Byzantine and modern fiction.

From classics and history to Jewish rabbinic narratives and the canonical and noncanonical gospels of earliest Christianity, the relevance of studying the novel of the later classical periods of Greek and Rome is widely endorsed. Ancient novels contain insights beyond literary theories and philosophical musings to new sources for understanding the popular culture of antiquity. Some scholars, in fact, refer to ancient novels as “alternative histories,” for they tell history implicitly rather than with the intentional biases of the historian. The Novel in the Ancient World surveys the new approaches and insights to the ancient novel and wrestles with issues such as the development, transformation, and christianization of the novel (Spirit-inspired versus inspired by the Muses). This publication has also been published in hardback, please click here for details.

Ancient Roman authors are firmly established in the Western canon, and yet the birth of Latin literature was far from inevitable. The cultural flourishing that eventually produced the Latin classics was one of the strangest events in history, as Denis Feeney demonstrates in this bold revision.

This volume highlights the wealth of medieval storytelling and the fundamental unity of the medieval Mediterranean by combining in a comprehensive overview popular eastern tales along with their Greek adaptations and examining Byzantine love tales, both learned and vernacular, alongside their Persian counterparts and the later adaptations of Western romances.

This widely acclaimed book offers an introduction to the ancient novel and presents the latest research findings in the field. For this English translation, Professor Holzberg has substantially updated and expanded the German edition of 1986. Niklas Holzberg considers the ancient novel as encompassing idealistic and comic realistic narrative with central themes of love and adventure. He develops his definition of the genre and offers explanations of why this literary form was so popular during the Hellenistic period. He goes on to examine the individual texts in chronological order, providing a summary of the contents of each, relevant background information and interpretative pointers.

Katie discovers that the valley behind her grandmother's garden is more mysterious than it seems. After tumbling into tenth-century England and encountering Saint Edith of Wilton along with her wild animal menagerie, she is helped home, wondering whether her adventure was truly real. But after Katie, her cousins, and a neighborhood friend are drawn back in time once again, she realizes her grandmother's garden gate is a portal into faraway worlds, where patron saints are real people making real-life decisions.Join Katie and her cousins as they mingle with Rachel and Jacob, meet Saint Mary Magdalene up close, trek across the sand with the matriarchs Naomi and Ruth, and have a nail-biting adventure with the heroic Saint Katherine of Alexandria. In seeing the richness of the family of God, they glimpse how very much they are a part of it all.A chapter book for ages 9 to 15

Emotions are at the core of much ancient literature, from Achilles’ heartfelt anger in Homer’s Iliad to the pangs of love of Virgil’s Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.