This book assesses the impact of presidential character on the popularity, productivity, and ethics of contemporary presidents. Through comparative analyses, author Lara Brown demonstrates that the character of a president’s leadership does not change in office and that the success of future presidents can be evaluated before they step into the White House. She traces the rise of “amateur outsiders,” like Donald Trump, and asserts the need for systemic reform and cultural reassessment of presidential character. Intended for students and scholars of the presidency, this book also holds appeal for general readers who seek understanding of past and future presidential elections.

“Kimberly Harrington deftly and hilariously uncovers all of the lies and bullshit women are told about motherhood. This book made me laugh, sure, but it also made me feel seen.” — Jennifer Romolini, chief content officer at Shondaland.com and author of Weird in a World That’s Not An emotionally honest, arresting, and funny collection of essays about motherhood and adulthood. “Being a mother is a gift.” Where’s my receipt? Welcome to essayist Kimberly Harrington’s poetic and funny world of motherhood, womanhood, and humanhood, not necessarily in that order. It’s a place of loud parenting, fierce loving, too much social media, and occasional inner monologues where timeless debates are resolved such as Pro/Con: Caving to PTO Bake Sale Pressure (“PRO: Skim the crappiest brownies for myself. CON: They’re really crappy.”) With accessibility and wit, she captures the emotions around parenthood in artful and earnest ways, highlighting this time in the middle—midlife, the middle years of childhood, how women are stuck in the middle of so much. It’s a place of elation, exhaustion, and time whipping past at warp speed. Finally, it’s a quiet space to consider the girl you were, the mother you are, and the woman you are always becoming.

It’s amateur hour at the White House. So says New York Times bestselling author Edward Klein in his new political exposé The Amateur. Tapping into the public’s growing sentiment that President Obama is in over his head, The Amateur argues that Obama’s toxic combination of incompetence and arrogance have run our nation and his presidency off the rails. “Obama was both completely inexperienced and ideologically far to the left of Americans when he entered the White House,” says Klein. “And he was so arrogant that he didn’t even know what he didn’t know.” Klein, who is known for getting the inside scoop on everyone from the Kennedys to the Clintons, reveals never-before-published details about the Obama administration’s political inner workings and about Barack and Michelle’s personal lives, including: The inordinate influence Michelle wields over Barack and her feud with a high-profile celebrity The real reason Rahm Emmanuel left the White House (it wasn’t for family reasons) Why Valerie Jarrett’s role is closer to that of Rasputin than impartial senior advisor Obama’s problems with American Jews How Obama has purposefully forgotten and ignored those that put him in power, including the Kennedys, and the Jewish and African American communities in Chicago From Obama’s conceited and detached demeanor, to his detrimental reliance on Michelle Obama and Valerie Jarrett’s advice, to the Obamas' extravagant and out-of-touch lifestyle, The Amateur reveals a president whose blatant ignorance and incompetence is sabotaging himself, his presidency, and America.

Amateur hour has arrived, and the audience is running the show In a hard-hitting and provocative polemic, Silicon Valley insider and pundit Andrew Keen exposes the grave consequences of today’s new participatory Web 2.0 and reveals how it threatens our values, economy, and ultimately the very innovation and creativity that forms the fabric of American achievement. Our most valued cultural institutions, Keen warns—our professional newspapers, magazines, music, and movies—are being overtaken by an avalanche of amateur, user-generated free content. Advertising revenue is being siphoned off by free classified ads on sites like Craigslist; television networks are under attack from free user-generated programming on YouTube and the like; file-sharing and digital piracy have devastated the multibillion-dollar music business and threaten to undermine our movie industry. Worse, Keen claims, our “cut-and-paste” online culture—in which intellectual property is freely swapped, downloaded, remashed, and aggregated—threatens over 200 years of copyright protection and intellectual property rights, robbing artists, authors, journalists, musicians, editors, and producers of the fruits of their creative labors. In today’s self-broadcasting culture, where amateurism is celebrated and anyone with an opinion, however ill-informed, can publish a blog, post a video on YouTube, or change an entry on Wikipedia, the distinction between trained expert and uninformed amateur becomes dangerously blurred. When anonymous bloggers and videographers, unconstrained by professional standards or editorial filters, can alter the public debate and manipulate public opinion, truth becomes a commodity to be bought, sold, packaged, and reinvented. The very anonymity that the Web 2.0 offers calls into question the reliability of the information we receive and creates an environment in which sexual predators and identity thieves can roam free. While no Luddite—Keen pioneered several Internet startups himself—he urges us to consider the consequences of blindly supporting a culture that endorses plagiarism and piracy and that fundamentally weakens traditional media and creative institutions. Offering concrete solutions on how we can reign in the free-wheeling, narcissistic atmosphere that pervades the Web, THE CULT OF THE AMATEUR is a wake-up call to each and every one of us.

"Paints a picture of fifty years of American music, set against a Harlem backdrop. From swing and bebop to R&B and rock and roll, soul, disco, funk, and rap ... "--Dust jacket.

Until the early twentieth century, teachers went abroad with assumptions of their own superiority. But by the mid-twentieth century, they became far more self-questioning about their social assumptions, their educational theories, and the complexity of their role in a foreign society. Drawing on extensive archives of teachers' letters and accounts, Zimmerman's narrative explores the teachers' shifting attitudes about their country and themselves, in a world that was more unexpected than they could have imagined.

Anyone studying the history of this institution in America must read Thelin's classic text, which has distinguished itself as the most wide-ranging and engaging account of the origins and evolution of America's institutions of higher learning.