They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history. In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

They began their existence as everyday objects, but in the hands of award-winning historian Laurel Thatcher Ulrich, fourteen domestic items from preindustrial America–ranging from a linen tablecloth to an unfinished sock–relinquish their stories and offer profound insights into our history. In an age when even meals are rarely made from scratch, homespun easily acquires the glow of nostalgia. The objects Ulrich investigates unravel those simplified illusions, revealing important clues to the culture and people who made them. Ulrich uses an Indian basket to explore the uneasy coexistence of native and colonial Americans. A piece of silk embroidery reveals racial and class distinctions, and two old spinning wheels illuminate the connections between colonial cloth-making and war. Pulling these divergent threads together, Ulrich demonstrates how early Americans made, used, sold, and saved textiles in order to assert their identities, shape relationships, and create history.

From admired historian—and coiner of one of feminism's most popular slogans—Laurel Thatcher Ulrich comes an exploration of what it means for women to make history. In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history." Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written. She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century’s Virginia Woolf, author of A Room of One's Own. Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did. And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.

"You have seen neglected oxbows, but what do you know of their making or of the training of a yoke of oxen?... What do you know of the rambling shoemakers who came to a farmhouse and stayed until each member of the family was newly shod with leather from the farm's cattle? Have you ever wondered about the processes by which our frontiersmen translated forest land into fields of wheat? What do you know about those two first crops of the pioneers, ashes and maple sugar? What do you know of log houses, of shingle making, bridges, and flax growing, of spinning and weaving cloth for a garment that was homegrown and homemade? Here is folk history, the accumulated memory of old men and women whom the author knew,... memories he has substantiated by a lifetime of research."—from the Foreword by Louis C. Jones The Golden Age of Homespun chronicles the occupations, handicrafts, and traditions that defined rural life in upstate New York—and throughout much of America—in the first half of the nineteenth century. First published in 1953, it is an engaging and affectionate account of how land was cleared, farms established, and homes built; of how each family fed, clothed, and warmed itself; and of the trades, crafts, and industries that augmented a primarily agrarian economy. Illustrated with 45 delightful line drawings that depict the activities and implements described by Jared van Wagenen, Jr., The Golden Age of Homespun is an invaluable record of how upstate New York farmers lived on and off the land in the decades before the Civil War—a vanished way of life that still holds strong appeal in the American imagination.

From the author of A Midwife's Tale, winner of the Pulitzer Prize and the Bancroft Prize for History, and The Age of Homespun--a revelatory, nuanced, and deeply intimate look at the world of early Mormon women whose seemingly ordinary lives belied an astonishingly revolutionary spirit, drive, and determination. A stunning and sure-to-be controversial book that pieces together, through more than two dozen nineteenth-century diaries, letters, albums, minute-books, and quilts left by first-generation Latter-day Saints, or Mormons, the never-before-told story of the earliest days of the women of Mormon "plural marriage," whose right to vote in the state of Utah was given to them by a Mormon-dominated legislature as an outgrowth of polygamy in 1870, fifty years ahead of the vote nationally ratified by Congress, and who became political actors in spite of, or because of, their marital arrangements. Laurel Thatcher Ulrich, writing of this small group of Mormon women who've previously been seen as mere names and dates, has brilliantly reconstructed these textured, complex lives to give us a fulsome portrait of who these women were and of their "sex radicalism"--the idea that a woman should choose when and with whom to bear children.

Coretta Scott King 2021 Honoree A winner of the ILA 2021 Children’s and Young Adults’ Book Awards in the fiction category. NCSS 2021 Notable Social Studies Book Maine Lupine Award Winner A CBC Recommended Book • A School Library Journal Best Book of the Year A New York Public Library Best Picture Book of 2020 Kirkus Starred Review PW Starred Review School Library Journal Starred Review Told by a succession of exuberant young narrators, Magnificent Homespun Brown is a story -- a song, a poem, a celebration -- about feeling at home in one’s own beloved skin. With vivid illustrations by Kaylani Juanita, Samara Cole Doyon sings a carol for the plenitude that surrounds us and the self each of us is meant to inhabit.

Simple rhyming text presents the everyday life of a young girl, living on a Pennsylvania farm in the early eighteenth century, who is quickly outgrowing all of her dresses.