Edited by Philip Thody, translated by Ellen Conroy Kennedy. "Here now, for the first time in a complete English translation, we have Camus' three little volumes of essays, plus a selection of his critical comments on literature and his own place in it. As might be expected, the main interest of these writings is that they illuminate new facets of his usual subject matter."--The New York Times Book Review "...a new single work for American readers that stands among the very finest."--The Nation

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation. “Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form. In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.

This book is an experiment. Inspired by the bizarre and uncanny, it is an attempt to use science and rationality to lift the veil off the irrational. Its ways are unconventional: weaving along its path one finds UFOs and fairies, quantum mechanics, analytic philosophy, history, mathematics, and depth psychology. The enterprise of constructing a coherent story out of these incommensurable disciplines is exploratory. But if the experiment works, at the end these disparate threads will come together to unveil a startling scenario about the nature of reality. The payoff is handsome: a reason for hope, a boost for the imagination, and the promise of a meaningful future. Yet this book may confront some of your dearest notions about truth and reason. Its conclusions cannot be dismissed lightly, because the evidence this book compiles and the philosophy it leverages are solid in the orthodox, academic sense. ,

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution that resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny. Translated from the French by Anthony Bower.

The Psychoanalysis of the Absurd offers an interdisciplinary study of Existentialism and Phenomenology and their importance to the clinical work of Contemporary Psychotherapy and Psychoanalysis. The concept of Absurdity, developed by Camus, has never been applied to the therapeutic situation or directly contrasted with its antithesis; the search for personal meaning. The book begins with narrative accounts of the historical development of Psychoanalysis, Existentialism and Phenomenology in 20th century Europe. The focus here is on fin de siècle Vienna and Paris between the Wars as the principal incubators of the two disciplines. Accompanied by composite case illustrations, Leffert then explores his own development of the Psychoanalysis of the Absurd, drawing on the work of Camus, Heidegger and Sartre. Absurdity is first discussed in relation to the Bio-Psycho-Social Self and Dasein is posited as a bridge concept, with personal meaning as the antithesis to Absurdity, before being discussed in relation to the world and how it impinges on self. A final chapter attempts to tie together particular issues raised by the book: Subjective well-being, Meaning, thrownness, Absurdity, Death and Death Anxiety and how we have become technologically enhanced human beings. Existential psychotherapy and psychoanalysis have, until now, largely gone their own way: the goal of this book is to fold them back into Contemporary Psychoanalysis. Establishing that the concept of Absurdity is of singular clinical importance to both diagnosis and therapeutic action, this book will be of great interest to clinicians, philosophers, and interdisciplinary scientists.