In the year 937, the new king of England, a grandson of Alfred the Great, readies himself to go to war in the north. His dream of a united kingdom of all England will stand or fall on one field—on the passage of a single day. At his side is the priest Dunstan of Glastonbury, full of ambition and wit (perhaps enough to damn his soul). His talents will take him from the villages of Wessex to the royal court, to the hills of Rome—from exile to exaltation. Through Dunstan’s vision, by his guiding hand, England will either come together as one great country or fall back into anarchy and misrule . . . From one of our finest historical writers, The Abbott’s Tale is an intimate portrait of a priest and performer, a visionary, a traitor and confessor to kings—the man who can change the fate of England.

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The Abbot (1820) is a historical novel by Sir Walter Scott. A sequel to The Monastery, it is one of Scott's Tales from Benedictine Sources and is set in the time of Mary, Queen of Scots. It is concerned mainly with Queen Mary's imprisonment at Loch Leven Castle in 1567, her escape, and her defeat. Parallel to this is the romance of Roland Graeme, a dim-witted but spirited youth. He is brought up at the castle of Avenel by Mary Avenel and her husband, Halbert Glendinning. Roland is sent by the Regent Murray to be page to Mary Stuart with directions to guard her. He falls in love with Catherine Seyton, who is one of the ladies-in-waiting to the queen. He is found later to be the heir to Avenel. Edward Glendinning, the brother of Halbert, is the abbot of the title, the last abbot of the monastery described in the preceding novel.

'Hugh de Singleton is a delight... the well-crafted plot, the excellent period detail and the flashes of humour.' Donna Fletcher Crow, author of The Monastery Murders "My life would have been more tranquil in the days after Martinmas had I not seen the crows. Whatever it was that the crows had found lay in the dappled shadow of the bare limbs of the oak, so I was nearly upon the thing before I recognized what the crows were feasting upon. The corpse wore black." Master Hugh is making his way towards Oxford when he discovers the young Benedictine - a fresh body, barefoot - not half a mile from the nearby abbey. The abbey's novice master confirms the boy's identity: John, one of three novices. But he had gone missing four days previously, and his corpse is fresh. There has been plague in the area, but this was not the cause of death: the lad has been stabbed in the back. To Hugh's sinking heart, the abbot has a commission for him ... A new and disturbing puzzle for the medieval surgeon-turned-sleuth.

The Last Abbot of Glastonbury is a biography by A.D. Crake. It covers the life and work of Richard Whiting, who was the last Abbot of Glastonbury before King Henry VIII dismantled them during the 16th century.

Montague Rhodes James OM, MA, FBA (1 August 1862 – 12 June 1936), who used the publication name M. R. James, was an English author, medievalist scholar and provost of King's College, Cambridge (1905–1918), and of Eton College (1918–1936). He is best remembered for his ghost stories, which are regarded as among the best in the genre. James redefined the ghost story for the new century by abandoning many of the formal Gothic clichés of his predecessors and using more realistic contemporary settings. However, James's protagonists and plots tend to reflect his own antiquarian interests. Accordingly, he is known as the originator of the "antiquarian ghost story".James was born in Goodnestone Parsonage, near Dover in Kent, England, although his parents had associations with Aldeburgh in Suffolk. From the age of three (1865) until 1909 his home, if not always his residence, was at the Rectory in Great Livermere, Suffolk. This had also been the childhood home of another eminent Suffolk antiquary, "Honest Tom" Martin (1696–1771) "of Palgrave." Several of his ghost stories are set in Suffolk, including "'Oh, Whistle, and I'll Come to You, My Lad'" (Felixstowe), "A Warning to the Curious" (Aldeburgh), "Rats" and "A Vignette" (Great Livermere). He lived for many years, first as an undergraduate, then as a don and provost, at King's College, Cambridge, where he was also a member of the Pitt Club. The university provides settings for several of his tales. Apart from medieval subjects, James studied the classics and appeared very successfully in a staging of Aristophanes' play The Birds, with music by Hubert Parry. His ability as an actor was also apparent when he read his new ghost stories to friends at Christmas time.In September 1873 he arrived as a boarder at Temple Grove School, one of the leading boys' preparatory schools of the day.James is best known for his ghost stories, but his work as a medievalist scholar was prodigious and remains highly respected in scholarly circles. Indeed, the success of his stories was founded on his antiquarian talents and knowledge. His discovery of a manuscript fragment led to excavations in the ruins of the abbey at Bury St Edmunds, West Suffolk, in 1902, in which the graves of several twelfth-century abbots described by Jocelyn de Brakelond (a contemporary chronicler) were rediscovered, having been lost since the Dissolution. His 1917 edition of the Latin Lives of Saint Aethelberht, king and martyr (English Historical Review 32), remains authoritative.He catalogued many of the manuscript libraries of the Cambridge colleges. Among his other scholarly works, he wrote The Apocalypse in Art, which placed illuminated Apocalypse manuscripts into families. He also translated the New Testament Apocrypha and contributed to the Encyclopaedia Biblica (1903). His ability to wear his learning lightly is apparent in his Suffolk and Norfolk (Dent, 1930), in which a great deal of knowledge is presented in a popular and accessible form, and in Abbeys (Great Western Railway, 1925).James also achieved a great deal during his directorship of the Fitzwilliam Museum in Cambridge (1893–1908). He managed to secure a large number of important paintings and manuscripts, including notable portraits by Titian.James was Provost of Eton College from 1918 to 1936. He died in 1936 and was buried in Eton town cemetery.