This in-depth study of the essay as a form of literary and philosophical expression examines the links between essay writing and the concept of friendship over a long textual tradition running from Plato's Phaedrus through Montaigne's Essais to Derrida's Politiques de l'amitié. Literary critic and philosopher Kuisma Korhonen suggests that the search for textual friendship motivates essayists as diverse as Bacon, Saint-Évremond, Mme de Lambert, Emerson, and Derrida. All of these writers have written at least one essay about friendship, and in each case, Korhonen interprets the notion of friendship as a figure for the textual encounter, both between the writer and reader and between each text and its many referenced predecessors.Korhonen points out that despite the boundary of text separating writer and reader, the essay invites friendship. Through its references to other writers it links readers and writers across boundaries of time and space. Korhonen discusses at length these impossible encounters, drawing on the ethical thought of Emmanuel Levinas, especially his emphasis on the ethical implications of the Other.Korhonen goes on to construct an ethical genealogy of the essay, focusing mainly on Montaigne. He notes three textual strategies in Montaigne's essay: the use of rhetoric in producing a friendly ethos, the philosophical dialogue going back to Plato as a subtext for the essay form, and a Pyrrhonian skepticism that questions the status of propositional language.Finally Korhonen examines specific texts on friendship, including Plato, Cicero, Seneca, Augustine, Montaigne, Bacon, Emerson, Saint-Évremont, Mme de Lambert, and Derrida.This is a work of great erudition that makes a significant contribution to our understanding of the expressive possibilities and philosophical implications of the essay.Kuisma Korhonen, Ph.D. (Helsinki, Finland) is a Fellow at the Helsinki Collegium for Advanced studies, a Docent in Comparative Literature at the University of Helsinki, and the author of numerous articles and book chapters on literary theory, philosophy, and comparative literature.

Textual Intercourse proposes that the language and practice of writing plays in early modern England was inextricably linked to languages and practices of eroticism, sexuality and reproduction. Jeffrey Masten reads a range of early modern materials - burial records, contemporary biographical anecdotes and theatrical records, essays, conduct books and poems; the printed apparatus of published plays, and the plays themselves - to illustrate the ways in which writing for the theatre shifted from a model of homoerotic collaboration toward one of singular authorship on a patriarchal-absolutist model. Plays and collections of plays by Shakespeare, Shakespeare and Fletcher, Beaumont and Fletcher, Margaret Cavendish, and others, are considered. Textual Intercourse illustrate the ways in which methods attuned to sexuality and gender can illuminate more traditional questions of authorship, attribution, textual editing and intellectual property.

This book explores the reciprocal influence of friendship ideals and narrative forms in eighteenth-century British fiction. It examines how various novelists, from Samuel Richardson to Mary Shelley, drew upon classical and early modern conceptions of true amity as a model of collaborative pedagogy. Analyzing authors, their professional circumstances, and their audiences, the study shows how the rhetoric of friendship became a means of paying deference to the increasing power of readerships, while it also served as a semi-covert means to persuade resistant readers and confront aesthetic and moral debates head on. The study contributes to an understanding of gender roles in the early history of the novel by disclosing the constant interplay between male and female models of amity. It demonstrates that this gendered dialogue shaped the way novelists imagined character interiority, reconciled with the commercial aspects of writing, and engaged mixed-sex audiences.

A timely and engrossing critique of the New Americanists

Early modern books were not stable or settled outputs of the press but dynamic shape-changers, subject to reworking, re-presentation, revision, and reinterpretation. Their history is often the history of multiple, sometimes competing, agencies as their texts were re-packaged, redirected, and transformed in ways that their original authors might hardly recognize. Processes of editing, revision, redaction, selection, abridgement, glossing, disputation, translation, and posthumous publication resulted in a textual elasticity and mobility that could dissolve distinctions between text and paratexts, textuality and intertextuality, manuscript and print, author and reader or editor, such that title and author's name are no longer sufficient pointers to a book's identity or contents. This collection brings together original essays by an international team of eminent scholars in the field of book history that explore these various kinds of textual inconstancy and variability. The essays are alive to the impact of commercial and technological aspects of book production and distribution (discussing, for example, the career of the pre-eminent bookseller John Nourse, the market appeal of abridgements, and the financial incentives to posthumous publication), but their interest is also in the many additional forms of agency that shaped texts and their meanings as books were repurposed to articulate, and respond to, a variety of cultural and individual needs. They engage with early modern religious, political, philosophical, and scholarly trends and debates as they discuss a wide range of genres and kinds of publication including fictional and non-fictional prose, verse miscellanies, abridgements, sermons, religious controversy, and of authors including Lucy Hutchinson, Richard Baxter, John Dryden, Thomas Burnet, John Tillotson, Henry Maundrell, Jonathan Swift, Samuel Richardson, John Wesley, and Samuel Taylor Coleridge. The result is a richly diverse collection that demonstrates the embeddedness of the book trade in the cultural dynamics of early modernity.

Religious dissenters and their literary and social heritage are the principal subjects of this book. At its heart is a group of English men whose activities were local, transcontinental and circum-Atlantic. Drawing on letters, lecture notes, manuscript accounts of academies, and a range of printed texts and paratexts The Textual Culture of English Protestant Dissent 1720-1800 explores the connections between dissent, education, and publishing in the eighteenth century. By considering Isaac Watts and Philip Doddridge in relation to their mentors, students, friends, and readers it emphasizes the importance they and their associates attached to personal relationships in their private interactions and in print. It argues that this contributed to a distinctive literary style as well as particular modes of textual production for moderate, orthodox dissenters which reached beyond their own community to address and influence global discourses about education, enlightenment, and history. The book's focus on 'textual culture' foregrounds relationships between forms as well as considering texts as they existed in one form or another. In examining textual culture, this book emphasises adaptation, transformation, fluidity and communality: it approaches the human relationships that make texts (including friendships, reading communities, intellectual exchange and business arrangements) with as much care as the content of the texts themselves. The book demonstrates that models of family and social authorship among Romantic-era dissenters advanced by Michelle Levy, Daniel White and Felicity James were rooted in the domestic culture at earlier academies and in the example of members of the Watts-Doddridge circle.

This book discusses the elusive centrality of silence in modern literature and philosophy, focusing on the writing and theory of Jean-Luc Nancy and Roland Barthes, the prose of Samuel Beckett, and the poetry of Wallace Stevens. It suggests that silence is best understood according to two categories: apophasis and reticence. Apophasis is associated with theology, and relates to a silence of ineffability and transcendence; reticence is associated with phenomenology, and relates to a silence of listenership and speechlessness. In a series of diverse though interrelated readings, the study examines figures of broken silence and silent voice in the prose of Samuel Beckett, the notion of shared silence in Jean-Luc Nancy and Roland Barthes, and ways in which the poetry of Wallace Stevens mounts lyrical negotiations with forms of unsayability and speechlessness.