From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.

"This illustrated volume presents highlights from the Victoria & Albert Museum's extensive collection of Japanese textiles and dress." "Ranging from embroidered kimono and woven actor's robes to the indigo-dyed textiles of rural Japan, this book explores the various patterning techniques that have been employed by Japanese textile artists from the seventeenth century to the present day. The richness and variety of the textiles are conveyed by the specially commissioned photographs, which include images of garments, bedding covers, gift covers, doorway curtains, decorative hangings, fabric lengths and samples." "Offering a wealth of inspiration to contemporary designers, this book provides an introduction to a vibrant cultural tradition, and should appeal to anyone interested in textiles or Japanese art and design." --Book Jacket.

Drawn from one of the world's leading textile collections, this magnificently presented array of traditional weavings from the Indonesian archipelago provides a unique window into the region's cultures, rites, and history. Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important privately owned collections of its type in the world. The objects comprise ritual clothing and ceremonial cloths that tell us much about the traditions of pre-Islamic Indonesian cultures, as well as about the influences of regional trade with China, India, the Arab world, and Europe. As with the earlier volume, Textiles of Japan (Prestel, 2018), the book focuses on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs, colors, patterns, and intricate details. Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor and other islands. Readers will learn about the intricate and highly developed traditions of dyeing, weaving, and beading techniques that have been practiced for centuries, resulting in a breathtaking collection of motifs, patterns, dyes, and adornments. Original texts by leading international experts draw on the latest research to offer historical context, unspool the mysteries behind ancient iconography, and provide new insights into dating and provenance. At once opulent and scholarly, this book arrives at a moment of growing interest in Southeast Asian culture and carries the imprimatur of one of the art world's leading collectors. Full List of Contributors: Lorraine Aragon, Joanna Barrkman, Chris Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Eric Kjellgren, Fiona Kerlogue, Brigitte Khan Majlis, Robyn Maxwell, Thomas Murray, and Sandra Sardjono.

History -- Yukata-cotton robes -- Nagajuban-undergarments -- Women's kimono -- Tomesode-kimono for formal occasions -- The obi and accessories -- Women's haori-short silk jackets -- Michiyuki-overcoats -- Men's apparel -- Uchikake and furisode -- Children's kimono -- Furoshiki & fukusa-ceremonial cloths -- Religious & ceremonial wear -- Fragments into finery-Japanese textiles renewed

The Japanese have traditionally viewed textiles as an embodiment of not only beauty but also family heirlooms and repositories of history, making the study of Japanese fabric a door into another culture, another people, another time. In Textile Art of Japan, Sunny Yang and Rochelle Narasin venture through that door, inviting the reader to follow them. They start with a brief but informative history of those most typical forms of Japanese dress, the kimono and the obi, and then move on to introduce the techniques of dyeing, weaving, and needlework that distinguish Japanese textiles, discussing their traditions, practical methods, and use on different types of fabrics. This richly illustrated volume, with over 200 color illustrations, is the perfect introduction to the subject of Japanese textiles. It includes examples of modern Japanese fabrics made according to or by adapting traditional methods, and shows them used in innovative ways: in quilts, screens, cushions, and hats. A list of museums all over Japan with fine fabric collections and a selected bibliography are helpful additions to this beautiful book.

Re-envisioning Japan is the first truly comprehensive book on Japanese export textiles of the Meiji period (1868-1912), featuring stunning examples from all over the country. Lavishly illustrated, the book features fabrics that explore the craftsmanship and remarkable talent of Meiji artists and artisans who produced goods for export markets. The makers of Meiji textiles sought to modernize traditional modes of visual representation, aspiring to create "paintings in silk thread," at times even replicating specific Western paintings. More often, they collaborated with contemporary Japanese painters to create dazzling new images that more than ever before realized the aesthetic potential of silk thread as an artistic medium. This book showcases these spectacular ornamental textiles in dazzling color reproductions and many close-up details.