Alison Rumfitt’s Tell Me I’m Worthless is a dark, unflinching haunted house story that confronts both supernatural and real-world horrors through the lens of the modern-day trans experience. “A triumph of transgressive queer horror.” —Publishers Weekly, STARRED review “Easily one of the strongest horror debuts in recent memory.” —Booklist, STARRED review Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other. “Ambitious, brutal, and brilliant.” —Gretchen Felker-Martin, author of Manhunt Also by Alison Rumfitt: Brainwyrms At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Alison Rumfitt’s Tell Me I’m Worthless is a dark, unflinching haunted house story that confronts both supernatural and real-world horrors through the lens of the modern-day trans experience. "Ambitious, brutal, and brilliant.” —Gretchen Felker-Martin, author of Manhunt Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.

A tender, tragic, absurd and highly original voice, Liebegott's award-winning epic road poem has been compared to Kerouac and Wojnarowicz.

In a fantasy world where "jobs" are god-given from birth, heroes are born, not made...and Ein's job of "Appraiser" has put him about as far from the "hero" pedestal as possible. Used, abused, and eventually abandoned by his fellow adventurers, Ein decides it just isn't worth going on... Lucky for Ein, though, the end may just be the beginning...and a new lease on life. Turns out, his "worthless" job may just be the key to becoming a hero after all...

A Buzzfeed Best Fiction Book of 2017 • An Entropy magazine Best Book of 2017 “Jess Arndt’s Large Animals is wildly original, even as it joins in with the classics of loaded, outlaw literature. Acerbic, ecstatic, hilarious, psychedelic, and affecting in turn, this is an electric debut.” —Maggie Nelson, National Book Critics Circle Award–winning author of The Argonauts Jess Arndt's striking debut collection confronts what it means to have a body. Boldly straddling the line between the imagined and the real, the masculine and the feminine, the knowable and the impossible, these twelve stories are an exhilarating and profoundly original expression of voice. In “Jeff,” Lily Tomlin confuses Jess for Jeff, instigating a dark and hilarious identity crisis. In “Together,” a couple battles a mysterious STD that slowly undoes their relationship, while outside a ferocious weed colonizes their urban garden. And in “Contrails,” a character on the precipice of a seismic change goes on a tour of past lovers, confronting their own reluctance to move on. Arndt’s subjects are canny observers even while they remain dangerously blind to their own truest impulses. Often unnamed, these narrators challenge the limits of language—collectively, their voices create a transgressive new formal space that makes room for the queer, the nonconforming, the undefined. And yet, while they crave connection, love, and understanding, they are constantly at risk of destroying themselves. Large Animals pitches toward the heart, pushing at all our most tender parts—our sex organs, our geography, our words, and the tendons and nerves of our culture.

“Self-loathing is a dark land studded with booby traps. Fumbling through its dark underbrush, we cannot see what our trouble actually is: that we are mistaken about ourselves. That we were told lies long ago that we, in love and loyalty and fear, believed. Will we believe ourselves to death?” —from Unworthy As someone who has struggled with low self-esteem her entire life, Anneli Rufus knows only too well how the world looks through the eyes of those who are not comfortable in their own skin. In Unworthy, Rufus boldly explores how a lack of faith in ourselves can turn us into our own worst enemies. Drawing on extensive research, enlightening interviews, and her own poignant experiences, Rufus considers the question: What personal, societal, biological, and historical factors coalesced to spark this secret epidemic, and what can be done to put a stop to it? She reveals the underlying sources of low self-esteem and leads us through strategies for positive change.