"History in North, Central, and South Americas. In the Bourbon New Spain (Mexico), taxes, including those from Mexicans of African descent who were free, were a rich, reliable source of revenue for the Crown. Taxing Blackness examines the experiences of Afromexicans and this tribute to get at the meanings of race, political loyalty, and legal privileges within the Spanish colonial regime. Gharala focuses on both the mechanisms officials used to define the status of free people of African descent as well as the responses of free-colored people to these categories and strategies. Her study spans the eighteenth century and focuses on a single institution to offer readers a closer look at the place of free-colored people in Mexico, which was the most profitable and populous colony of the Spanish Atlantic"--

"History in North, Central, and South Americas. In the Bourbon New Spain (Mexico), taxes, including those from Mexicans of African descent who were free, were a rich, reliable source of revenue for the Crown. Taxing Blackness examines the experiences of Afromexicans and this tribute to get at the meanings of race, political loyalty, and legal privileges within the Spanish colonial regime. Gharala focuses on both the mechanisms officials used to define the status of free people of African descent as well as the responses of free-colored people to these categories and strategies. Her study spans the eighteenth century and focuses on a single institution to offer readers a closer look at the place of free-colored people in Mexico, which was the most profitable and populous colony of the Spanish Atlantic"--

This book explores how taxation creates and maintains racial inequalities in the United States. It demonstrates why those interested in Black redemption should pay attention to tax law, explores tax systems of pre-colonial African civilizations, and sets forth an agenda for tax scholars to obliterate racial caste and march toward equal opportunity.

A groundbreaking exposé of racism in the American taxation system from a law professor and expert on tax policy NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND FORTUNE • “Important reading for those who want to understand how inequality is built into the bedrock of American society, and what a more equitable future might look like.”—Ibram X. Kendi, #1 New York Times bestselling author of How to Be an Antiracist Dorothy A. Brown became a tax lawyer to get away from race. As a young black girl growing up in the South Bronx, she’d seen how racism limited the lives of her family and neighbors. Her law school classes offered a refreshing contrast: Tax law was about numbers, and the only color that mattered was green. But when Brown sat down to prepare tax returns for her parents, she found something strange: James and Dottie Brown, a plumber and a nurse, seemed to be paying an unusually high percentage of their income in taxes. When Brown became a law professor, she set out to understand why. In The Whiteness of Wealth, Brown draws on decades of cross-disciplinary research to show that tax law isn’t as color-blind as she’d once believed. She takes us into her adopted city of Atlanta, introducing us to families across the economic spectrum whose stories demonstrate how American tax law rewards the preferences and practices of white people while pushing black people further behind. From attending college to getting married to buying a home, black Americans find themselves at a financial disadvantage compared to their white peers. The results are an ever-increasing wealth gap and more black families shut out of the American dream. Solving the problem will require a wholesale rethinking of America’s tax code. But it will also require both black and white Americans to make different choices. This urgent, actionable book points the way forward.

This book is based on my life story, having been raised in the system.

Blackness and Transatlantic Irish Identity analyzes the long history of imagined and real relationships between the Irish and African-Americans. Onkey examines how Irish and Irish-American identity is often constructed through or against African-Americans, mapping this through the work of writers, playwrights, political activists, and musicians.