Jean Pollack’s first book chronicles the story of a dissociative man who meets his future therapist at a ballroom dancing event. The reader is invited to therapy sessions where his intriguing and often harrowing story of abuse is told. The way his mind works reveals stark imagery, yet even when the feelings elicited are complex the reader wants to understand the patient’s troubled world. His uplifting story of abuse to integration through healing and dance is told by his therapist through her client’s eyes. This book is important and progressive.

"This 'playbook' (not a conventional workbook) guides individuals and organizations to master the art of change and make their lives count"--Page 112

Six outstandingly creative contributors, four who have been awarded Nobel prizes, share their personal experiences of creativity and their exceptional qualities of creative leadership.

How to achieve balance in your life through Tango .... even if you can't dance.

From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti

A wisecracking foreign correspondent recounts her experiences in Afghanistan and Pakistan while sharing cautionary observations about the region in its first post-Taliban years and the responsibilities of the U.S. and NATO.

This text explores the cultural politics of over 60 years of filmmaking in Argentina. The author explores how national culture on film has been shaped, articulated and debated through the lens of state policy and the dynamics of the global film market.