This feast of Middle Eastern folklore from an award-winning Iraqi storyteller is paired with vibrant cut-paper art. The twenty fables and folktales in this illustrated storybook have taken a long journey. Many have roots that stretch across Europe, Asia, and Africa, but when award-winning writer and gatherer of tales Rodaan Al Galidi learned them in his homeland of Iraq, it was as Arabic folktales and as part of the Arabic storytelling tradition. When he migrated to the Netherlands, he shaped twenty of those tales into his debut book for children, which was translated to English by Laura Watkinson. Filled with wisdom about love and acceptance, and warnings against folly, these elegantly translated stories—many unknown in the United States—of donkeys and roosters, kings, sheikhs, and paupers are exquisitely illustrated by cut-paper artist Geertje Aalders. Beautifully packaged, The Three Princes of Serendip is a rich and varied introduction to the world of Middle Eastern folklore.

Retelling of the a story of three princes from Serendip and their journeys.

The Tales of the Serendip take place in a virtual pub that exists only in the minds of the fantasy writers who crafted the Tales of the Serendip. Its a place where, given a few rules and a common backdrop, writers can create small vignettes to explore new story lines, break writers block, or experiment with new characters. Plus it helps to keep them all out of the psychiatric ward. Where else would you go to sip fine Akuvian cinnamon wine and have a heart-to-heart with one of your more troubling characters? Or maybe you choose to sit in the Writer's Nook discussing magic spells and comma usage with other writers while slugging down mugs of Korone Dwarven Dark Ale. Bar fights, bad puns, a bouncer named Grendel (yes, The Grendel), and a bartender who can dispense advice and drinks simultaneously, all exist inside this fabulous place. The Tales of the Serendip will bring you inside to see the fabulous writing treasures fueled by the collective imaginations of people who are destined to become tomorrows Asimovs, Heinleins and Le Guins.

This feast of Middle Eastern folklore from an Iraqi storyteller is paired with vibrant cut-paper art. The twenty fables and folktales in this illustrated storybook have taken a long journey. Many have roots that stretch across Europe, Asia, and Africa, but when writer and gatherer of tales Rodaan Al Galidi learned them in his homeland of Iraq, it was as Arabic folktales and as part of the Arabic storytelling tradition. When he migrated to the Netherlands, he shaped twenty of those tales into his debut book for children, which was translated to English by Laura Watkinson. Filled with wisdom about love and acceptance, and warnings against folly, these elegantly translated stories of donkeys and roosters, kings, sheikhs, and paupers are exquisitely illustrated by cut-paper artist Geertje Aalders. Beautifully packaged, Arabic Folktales is a rich and varied introduction to the world of Middle Eastern folklore.

From the names of cruise lines and bookstores to an Australian ranch and a nudist camp outside of Atlanta, the word serendipity--that happy blend of wisdom and luck by which something is discovered not quite by accident--is today ubiquitous. This book traces the word's eventful history from its 1754 coinage into the twentieth century--chronicling along the way much of what we now call the natural and social sciences. The book charts where the term went, with whom it resided, and how it fared. We cross oceans and academic specialties and meet those people, both famous and now obscure, who have used and abused serendipity. We encounter a linguistic sage, walk down the illustrious halls of the Harvard Medical School, attend the (serendipitous) birth of penicillin, and meet someone who "manages serendipity" for the U.S. Navy. The story of serendipity is fascinating; that of The Travels and Adventures of Serendipity, equally so. Written in the 1950s by already-eminent sociologist Robert Merton and Elinor Barber, the book--though occasionally and most tantalizingly cited--was intentionally never published. This is all the more curious because it so remarkably anticipated subsequent battles over research and funding--many of which centered on the role of serendipity in science. Finally, shortly after his ninety-first birthday, following Barber's death and preceding his own by but a little, Merton agreed to expand and publish this major work. Beautifully written, the book is permeated by the prodigious intellectual curiosity and generosity that characterized Merton's influential On the Shoulders of Giants. Absolutely entertaining as the history of a word, the book is also tremendously important to all who value the miracle of intellectual discovery. It represents Merton's lifelong protest against that rhetoric of science that defines discovery as anything other than a messy blend of inspiration, perspiration, error, and happy chance--anything other than serendipity.

Provides a guide to developing serendipity of the spirit in an effort to balance structure and spontaneity, harness time rather than manage it, and provide a bridge to God