Syncretic Islam is a fascinating and brilliant study of the religious thought and career of one of the doyens of Muslim traditionalism in South Asia, Imam Ahmad Raza Khan Barelvi. An Islamic scholar, jurist and an Urdu poet, Ahmad Raza Khan was the founder of the Barelvi movement whose defining feature of thought is the active veneration of the Prophet as the most exalted of all beings. This work overviews and analyses the multiple facets constituting Ahmad Raza Khan's intellectual life and, in extension, the Barelvi school of thought in an eminently accessible manner. It is the story of a remarkable revivalist, born in the North Indian town of Bareilly during British India, who grew up to be hailed by his followers as the mujaddid, or reviver, of Islam in nineteenth-century India. A Pathan by descent, Hanafi by religious mores, Qadiri by disposition and Barelvi by nativity, Syncretic Islam captures the astounding contribution of Ahmad Raza Khan and attempts to explain his spiritual influence that still binds millions of people in the Indian subcontinent.

The book by Magdalena Lubanska examines the role of religious syncretism in the social and religious life of Muslim-Christian communities in the Western Rhodopes. The author is interested mainly in the origins and motivations of various beliefs and behaviors which at first sight may appear to be syncretic. She looks at syncretism in the context of anti-syncretic tendencies, particularly pronounced among the Muslim neophytes and young members of the Muslim religious elite, who are not interested in the local forms of post-ottoman Islam (“Adat Islam”), preferring instead a “pure” form of religion, a class of fundamentalist religious movements rooted in orthodox Islam and seeking to remain faithful to mainstream Islamic thought and tradition (“Salafi Islam”). Lubanska findings offer an insight into the fact that although certain actions may appear syncretic in nature, their underlying intentions are often not in fact motivated by syncretic tendencies. This is the first study to look at syncretism in Bulgaria from this perspective.

This book traces the historical identity of Kashmir within the context of Islamic religious architecture between early fourteenth and mid-eighteenth century. It presents a framework of syncretism within which the understanding of this architectural tradition acquires new dimensions and possibilities in the region. In a first, the volume provides a detailed overview of the origin and development of Islamic sacred architecture while contextualizing it within the history of Islam in Kashmir. Covering the entirety of Muslim rule in the region, the book throws light on Islamic religious architecture introduced with the establishment of the Muslim Sultanate in the early fourteenth century, and focuses on both monumental and vernacular architecture. It examines the establishment of new styles in architecture, including ideas, materials and crafts introduced by non-Kashmiri missionaries in the late-fourteenth to fifteenth century. Further, it discusses how the Mughals viewed Kashmir and embellished the land with their architectural undertakings, coupled with encounters between Kashmir’s native culture, with its identity and influences introduced by Sufis arriving from the medieval Persianate world. The book also highlights the transition of the traditional architecture to a pan-Islamic image in the post-Independence period. With its rich illustrations, photographs and drawings, this book will interest students, researchers, and professionals in architecture studies, cultural and heritage studies, visual and art history, religion, Islamic studies and South Asian studies. It will also be useful to professional architecture institutes, public libraries, museums, cultural and heritage bodies as well as the general reader interested in the architectural and cultural history of South Asia.

Even a quick scan of today's headlines makes clear that the growth of fundamentalist versions of Islam is having a vast impact on our world. For Americans the rise of Christian fundamentalism, especially the Evangelical movement, is also socially and politically shaping the country, as debates about abortion, stem cell research and other important issues are often driven by fundamentalist notions. In profound ways, orthodox versions of Judaism have altered the fabric of Middle Eastern politics through the Israeli-Palestinian conflict, especially regarding settlements in Gaza and the West Bank, making peace there all the more difficult, and further destabilizing an already unstable region. The rise of fundamentalism in the three monotheistic faiths is fully examined in this textbook. It is not about fundamentalism however, it is about its opposite trend: religious syncretism. Syncretism describes the phenomenon of one religion borrowing elements from another, and it is part of religion that fundamentalists will seldom acknowledge. This textbook explores Judaism, Christianity and Islam, using compelling examples of how syncretism works and looks, to show how these three religions have adopted customs and conceptions of other religions, most often acquiring practices from pagan predecessors and neighbours. The book shows how these three faiths - despite how modern media would have us believe - have been willing, at various times and places, to borrow.

Study with reference to Marathwada, India.

This book traces the historical identity of Kashmir within the context of Islamic religious architecture between early fourteenth and mid-eighteenth century. It presents a framework of syncretism within which the understanding of this architectural tradition acquires new dimensions and possibilities in the region. In a first, the volume provides a detailed overview of the origin and development of Islamic sacred architecture while contextualizing it within the history of Islam in Kashmir. Covering the entirety of Muslim rule in the region, the book throws light on Islamic religious architecture introduced with the establishment of the Muslim Sultanate in the early fourteenth century, and focuses on both monumental and vernacular architecture. It examines the establishment of new styles in architecture, including ideas, materials and crafts introduced by non-Kashmiri missionaries in the late-fourteenth to fifteenth century. Further, it discusses how the Mughals viewed Kashmir and embellished the land with their architectural undertakings, coupled with encounters between Kashmir’s native culture, with its identity and influences introduced by Sufis arriving from the medieval Persianate world. The book also highlights the transition of the traditional architecture to a pan-Islamic image in the post-Independence period. With its rich illustrations, photographs and drawings, this book will interest students, researchers, and professionals in architecture studies, cultural and heritage studies, visual and art history, religion, Islamic studies and South Asian studies. It will also be useful to professional architecture institutes, public libraries, museums, cultural and heritage bodies as well as the general reader interested in the architectural and cultural history of South Asia.

Asim Roy argues that Islam in Bengal was not a corruption of the "real" Middle Eastern Islam, as nineteenth-century reformers claimed, but a valid historical religion developed in an area totally different from the Middle East. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.