Seventeen-year-old Imogene Rockford turned away from her family and their English country manor after her parents' death, but assumes her duty as the new Duchess of Wickersham despite threats and strange occurrences.

In 2014 Barbados introduced a vaccine to prevent certain strains of the human papillomavirus (HPV) and reduce the risk of cervical cancer in young women. Despite the disproportionate burden of cervical cancer in the Caribbean, many Afro-Barbadians chose not to immunize their daughters. In Suspicion, Nicole Charles reframes Afro-Barbadian vaccine refusal from a question of hesitancy to one of suspicion. Drawing on ethnographic fieldwork, black feminist theory, transnational feminist studies and science and technology studies, Charles foregrounds Afro-Barbadians' gut feelings and emotions and the lingering trauma of colonial and biopolitical violence. She shows that suspicion, far from being irrational, is a fraught and generative affective orientation grounded in concrete histories of mistrust of government and coercive medical practices foisted on colonized peoples. By contextualizing suspicion within these longer cultural and political histories, Charles troubles traditional narratives of vaccine hesitancy while offering new entry points into discussions on racialized biopolitics, neocolonialism, care, affect, and biomedicine across the Black diaspora. Duke University Press Scholars of Color First Book Award recipient

Lie to your daughter. Betray your friend. Trust no-one. His nightmare began with a quick handshake and a friendly smile... Danny Goodman would do anything for his teenage daughter Abby. So when his wife dies, and he can no longer afford the school she adores, he borrows money from Thomas Galvin, a well-known millionaire, and the father of Abby's best friend. But on the day he takes the loan, the authorities turn up at his door. Thomas Galvin is a wanted criminal – and they need Danny's help to bring him down. Now Danny is in an impossible dilemma. He can either go to prison for accepting dirty money, or he can go undercover in a dangerous sting operation to betray his new best friend... Recent reviews for Joseph Finder: 'Stunning... I can't remember when I last read a book so gripping and so satisfying' PETER JAMES. 'Smart, swift and well-informed' SCOTT TUROW. 'Terrific' IAN RANKIN. 'A writer at the top of his game' MARK BILLINGHAM. 'Fantastic... Kept me absolutely on the edge of my seat' MARTINA COLE. 'Timely, twisty and impossible to put down' KARIN SLAUGHTER. 'A masterclass in ratcheting up the tension... A classy, sophisticated thriller' J.P. DELANEY.

"This is a book about things that matter. Things like life, death, relationships, sex, suffering, meaning. A book about how the whole picture of your life looks from the perspective of the God who created it." --Back cover.

The first instalment in the bestselling Anna Travis series from the BAFTA-winning writer Lynda La Plante, author of Widows, now a major motion picture Young Anna Travis has been assigned to her first murder case - a series of killings that has shocked even the most hardened of detectives. They started eight years ago - now the body count is up to six. The method of killing is identical, the backgrounds of the girls identical - all drug-users and prostitutes. Then a seventh body is found. The modus operandi is the same - but the victim is a young student with the 'face of an angel'. The profile of the murderer has changed dramatically. Determined to earn the respect of her male colleagues, Anna stumbles on a vital piece of information which links one man to the killings, a much-loved actor on the brink of international stardom. His arrest would create a media frenzy. But if he were foundinnocent, his wouldn't be the only career over - Anna's hard fought for reputation would be destroyed once and for all … 'Lynda La Plante practically invented the thriller. Above Suspicion blew me away - it grabs you and doesn't let go until the last page' KARIN SLAUGHTER 'La Plante is building up an interesting body of writing that is underrated… Anna proves a resourceful and believable heroine and heralds the launch of a major new character' GUARDIAN 'The prime suspect here is an adored actor, poised to hit the big time. Could he really be behind a string of grisly murders? It's up to Anna Travis, La Plante's gutsy new heroine, to find out' MAIL ON SUNDAY 'Like Jane Tennison, Anna Travis has to work a world which is still rampantly chauvinistic… it is a novel to read about the complexity of relationships, as well as for its compelling plot' DAILY EXPRESS

Will a young mother's disappearance bring a bayou town together, or tear it apart?

This book revisits Paul Ricoeur's classification of Karl Marx, Friedrich Nietzsche, and Sigmund Freud as the “masters of suspicion”, and provides a thought-provoking critique for critical religious studies scholars, as well as anyone working in critical theory more broadly. Whereas Ricoeur saw suspicion as a mode of interpretation, Andrew Dole argues that the method common to his “masters” is better understood as a mode of explanation. Dole replaces Ricoeur's hermeneutics of suspicion with suspicious explanation, which claims the existence of hidden phenomena that are bad in some recognizable way. Each of the masters, Dole argues, offered a distinct kind of suspicious explanation. Reconstructing Marx, Nietzsche, and Freud in this way brings their work into conversation with conspiracy theories, which are themselves a type of suspicious explanation. Dole argues that conspiracy theories and other types of suspicious explanation are “cognitively ensnaring”, to borrow a term from Pascal Boyer. If they are true they are importantly true, but their truth or falsity can be very difficult to ascertain.