Get the Summary of Audrey Murray's Open Mic Night in Moscow in 20 minutes. Please note: This is a summary & not the original book. "Open Mic Night in Moscow" by Audrey Murray is a travel memoir that chronicles the author's year-long odyssey across the former Soviet Union. Murray, a stand-up comedian, begins her journey in Kazakhstan, where she performs in front of a drum circle, and continues through Central Asia, delving into the rich history and cultural complexities of each country she visits. From navigating language barriers and political landscapes to engaging with locals and grappling with personal reflections, Murray's adventure is filled with humor, cultural enlightenment, and self-discovery...

The raucous and surprisingly poignant story of a young, Russia-obsessed American writer and comedian who embarked on a solo tour of the former Soviet Republics, never imagining that it would involve kidnappers, garbage bags of money, and encounters with the weird and wonderful from Mongolia to Tajikistan. Kazakhstan, Belarus, and Siberia are not the typical tourist destinations of a twenty-something, nor the places one usually goes to eat, pray, and/or love. But the mix of imperial Russian opulence and Soviet decay, and the allure of emotionally unavailable Russian men proved strangely irresistible to comedian Audrey Murray. At age twenty-eight, while her friends were settling into corporate jobs and serious relationships, Audrey was on a one-way flight to Kazakhstan, the first leg of a nine-month solo voyage through the former USSR. A blend of memoir and offbeat travel guide, this thoughtful, hilarious catalog of a young comedian’s adventures is also a diary of her emotional discoveries about home, love, patriotism, loneliness, and independence. Sometimes surprising, often disconcerting, and always entertaining, Open Mic Night in Moscow will inspire you to take the leap and embark on your own journey into the unknown. And, if you want to visit Chernobyl by way of an insane-asylum-themed bar in Kiev, Audrey can assure you that there’s no other guidebook out there. (She’s looked.)

Turkmenistan, Kazakhstan, Tajikistan, Kyrgyzstan, and Uzbekistan became free of the Soviet Union in 1991. But though they are new to modern statehood, this is a region rich in ancient history, culture, and landscapes unlike anywhere else in the world. Traveling alone, Erika Fatland is a true adventurer in every sense. In Sovietistan, she takes the reader on a compassionate and insightful journey to explore how their Soviet heritage has influenced these countries, with governments experimenting with both democracy and dictatorships. In Kyrgyzstani villages, she meets victims of the tradition of bride snatching; she visits the huge and desolate nuclear testing ground "Polygon" in Kazakhstan; she meets shrimp gatherers on the banks of the dried out Aral Sea; she travels incognito through Turkmenistan, as it is closed to journalists, and she meets German Mennonites that found paradise on the Kyrgyzstani plains 200 years ago. We learn how ancient customs clash with gas production and witness the underlying conflicts in new countries building their futures in nationalist colors. Once the frontier of the Soviet Union, life follows another pace of time. Amidst the treasures of Samarkand and the brutalist Soviet architecture, Sovietistan is a rare and unforgettable travelogue.

A young bride shuts herself up in a bedroom on her wedding day, refusing to get married. In this moving and humorous look at contemporary Israel and the chaotic ups and downs of love everywhere, her family gathers outside the locked door, not knowing what to do. The bride's mother has lost a younger daughter in unclear circumstances. Her grandmother is hard of hearing, yet seems to understand her better than anyone. A male cousin who likes to wear women’s clothes and jewelry clings to his grandmother like a little boy. The family tries an array of unusual tactics to ensure the wedding goes ahead, including calling in a psychologist specializing in brides who change their mind and a ladder truck from the Palestinian Authority electrical company. The only communication they receive from behind the door are scribbled notes, one of them a cryptic poem about a prodigal daughter returning home. The harder they try to reach the defiant woman, the more the despairing groom is convinced that her refusal should be respected. But what, exactly, ought to be respected? Is this merely a case of cold feet? A feminist statement? Or a mourning ritual for a lost sister? This provocative and highly entertaining novel lingers long after its final page.

For lovers of Sloane Crosley and Samantha Irby, this hilarious and raw essay collection paints a recognizable and relatable portrait of life in the early aughts. Former Senior Editor for Gothamist Rebecca Fishbein’s adult life has been a dramatic reflection of New York media itself—constantly evolving in unexpected ways and seemingly always on the edge of disaster. In short, Rebecca has seen it all—from 3 bedbug infestations, to being fired, to being yelled at while working at American Apparel, to losing all her stuff in a freak fire, to being bullied online by angry Taylor Swift fans. But the real humor and meat of the collection come from Rebecca's unwavering honesty and unflinching examination of her struggles with alcohol, anxiety, depression, compulsive lying, female beauty standards, and a slew of failed cowoker/roommate/friend semi-relationships are dark, insightful, and hilarious. As Jia Tolentino commented, the era of the personal essay ended with the election—this is not your grandmother's millennial essay collection. Rebecca’s writing is relatable without being preachy and conveys a message of resilience by example, not by moral. Readers will recognize the world they themselves see—a disastrous president and a scary socioeconomic landscape—in Becca’s writing and find comfort in her humor and a snarky but incisive friend in her writing.

An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature" WINNER OF THE 2021 PEN TRANSLATION PRIZE Paris, Summer 2010. Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her. Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona. Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan. Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira. Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future."

The winners of the Nobel Prize show how economics, when done right, can help us solve the thorniest social and political problems of our day. Figuring out how to deal with today's critical economic problems is perhaps the great challenge of our time. Much greater than space travel or perhaps even the next revolutionary medical breakthrough, what is at stake is the whole idea of the good life as we have known it. Immigration and inequality, globalization and technological disruption, slowing growth and accelerating climate change--these are sources of great anxiety across the world, from New Delhi and Dakar to Paris and Washington, DC. The resources to address these challenges are there--what we lack are ideas that will help us jump the wall of disagreement and distrust that divides us. If we succeed, history will remember our era with gratitude; if we fail, the potential losses are incalculable. In this revolutionary book, renowned MIT economists Abhijit V. Banerjee and Esther Duflo take on this challenge, building on cutting-edge research in economics explained with lucidity and grace. Original, provocative, and urgent, Good Economics for Hard Times makes a persuasive case for an intelligent interventionism and a society built on compassion and respect. It is an extraordinary achievement, one that shines a light to help us appreciate and understand our precariously balanced world.