Based on a true story, this edition of Devil's Knot will tie-in to a major motion picture starring Academy Award winners Reese Witherspoon and Colin Firth. This riveting portrait of a small Arkansas town recounts the all-too-true story of a brutal triple murder and the eighteen-year imprisonment of three innocent teenagers. For weeks in 1993, after the grisly murders of three eight-year-old boys, police in West Memphis, Arkansas, seemed stumped. Then suddenly, detectives charged three teenagers - alleged members of a satanic cult - with the killings. Despite the witch-hunt atmosphere of the trials and a case that included stunning investigative blunders, the teenagers, who became known as the West Memphis Three, were convicted. Jurors sentenced Jason Baldwin and Jessie Misskelley to life in prison and Damien Echols, the accused ringleader, to death. The guilty verdicts were popular in their home state - even upheld on appeal - and all three remained in prison until their unprecedented release in August 2011. In Devil's Knot, award-winning investigative journalist Mara Leveritt presents the most comprehensive, insightful reporting ever done on this story - one of the greatest miscarriages of justice in American legal history. In-depth research, meticulous reconstruction of the investigation and close-up views of its key participants unravel the many tangled knots of this endlessly shocking case.

So much to read, so little time? This brief overview of Devil’s Knot tells you what you need to know—before or after you read Mara Leveritt’s book. Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader. This short summary and analysis of Devil’s Knot by Mara Leveritt includes: • Historical context • Chapter-by-chapter summaries • Character profiles • Timeline of major events • Important quotes • Fascinating trivia • Supporting material to enhance your understanding of the original work About Mara Leveritt’s Devil’s Knot: The True Story of the West Memphis Three: In 1993, the brutal murders of three eight-year-old boys shocked the small town of West Memphis, Arkansas. Under pressure to solve the case, and lacking physical evidence to identify any suspects, authorities set their sights on a local trio of misfit teenagers, Damien Echols, Jason Baldwin, and Jessie Misskelley, later dubbed the West Memphis Three. Leveritt’s account of the case, which resulted in one death sentence and two life sentences, is by turns a shocking, appalling, and heartbreaking work of true crime writing. Likening the Three’s plight to the Salem Witch Trials, she calls America’s justice system into question, arguing that these three young men were condemned simply for being different. The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of nonfiction.

When detectives respond to a crime scene in Orlando, Florida, during the "summer of hurricanes" in 2004, they find Charlie Brandt hanging from the rafters in the garage of his niece, Michelle Jones' home. Inside the house, they find a scene of horror that reminds them of other murders. In 1978, 13-year-old Carol Lynn Sullivan's head was found inside a rusty paint can in Osteen, Florida; her body was never found. Homeless transient Sherry Perisho was murdered in 1989, after moving to Florida from Illinois. Finally, in 1995, Miami prostitute Darlene Toler was deposited on the side of the road, wrapped up "like a package." Perisho and Toler had their hearts removed; all three had been decapitated; and all three are believed by investigators to have been the prior victims of Charlie Brandt. Invisible Killer is the true story of crimes committed by Brandt with insight from an FBI profiler and forensic psychologist, victim's friends and relatives, and the unique writings from victims themselves before their deaths.

Science projects at Hemlock require more than a fizzy volcano to impress the class, so naturally Kazu introduces them to Pandora, whose violent streak and impressive strength cause more destruction in his already chaotic school life. Braving runaway science experiments, howling apparitions and a deadly fashion show, Pandora learns that life at a devil high school is a day-to-day struggle for survival. -- VIZ Media

The explosive story of four talented, handsome, and charismatic young men--best friends whose bond is shattered when one among them becomes consumed by lethal greed and twisted desire.

They did it. The West Memphis 3 are guilty. They are guilty despite what the documentaries, books and news stories have said over and over. Guilty beyond a reasonable doubt. Damien Echols, Jason Baldwin and Jessie Misskelley Jr. killed three 8-year-olds, Christopher Byers, Michael Moore and Stevie Branch, on May 5, 1993, in a wooded area in West Memphis, Ark. The murders were thrill kills, according to Echols himself. But they were much more than that. Police were struck by the ritualistic aspects. Local dabblers in the occult immediately came under suspicion. Under questioning, Echols, already acknowledged as a witch, flaunted his knowledge of the occult, his theories of how the killings could have "magickal" implications and his insights into how the killer would think and feel. He demonstrated special knowledge about the case beyond the little publicly known. He gave out signals that he was a prime suspect; a series of witnesses further implicated him. A confession broke open the case. The widely accepted WM3 storyline is that inept police and prosecutors, with a howling mob of religious fanatics to placate, somewhat arbitrarily picked out three innocent boys to blame for horrific murders because Damien and his best pal Jason wore black T-shirts, listened to heavy metal music and had funny haircuts and because the third boy, Little Jessie, was practically retarded and thus easily manipulated. Almost every element in that storyline has little relation to reality. The weirdness that drew the attention of authorities stemmed from bad choices by the suspects rather than clothing, haircuts or rocking out to Megadeth. The West Memphis police did their duty in a diligent if imperfect manner. The investigation was professional and painstaking. Detectives took many statements, followed strange and unpromising leads and administered the polygraph dozens of times. All three of the teens from the trailer parks were convicted. The convictions held up on appeal. Eventually, thanks to Hollywood celebrities and misleading documentaries that left out crucial evidence, the killers who became the West Memphis 3 walked free. No exonerating evidence, despite many years of investigation and a defense fund in the millions of dollars, has been produced. None of the three has a credible alibi. The mainstream media bought into the premise that "those boys were innocent." By putting the focus on mullet-headed rednecks, drawling overweight cops and righteously angry Christians, the media played upon the most egregious stereotypes of Southern whites, while positioning a murdering sociopath as a hip kid who was just too cool for the uptight hometown idiots. The West Memphis 3 myth was made to order for the familiar narrative of the perceptive young outsider that every hipster and aspiring artist imagines himself to have been. Among the sensitive souls who found a doppelganger of their teen selves in Echols were professional outsiders - such as Johnny Depp and Henry Rollins. In Aleister Crowley's "magickal" system, which Echols embraced in his preteen years, orgasm and ecstasy are equated with death and sacrifice and the sexual fluids are often represented as blood or water. Echols felt he was in transition to a state of being a god, something other than human; he believed that drinking blood invested him with spiritual energy. Echols and "blood brother" Jason formed a pathological dyad, cultivating elaborate violent fantasies. Via the ritual torture, killing and eating of dogs, cats and other animals, they educated themselves in the curriculum of occult murder. The lurking allure of a "thrill kill" finally became irresistible when the killing time coincided with sunset, the rise of a full moon and the pagan holiday of Beltane.

"You can't truly understand the country you're living in without reading Williamson." —Rich Lowry, National Review "His observations on American culture, history, and politics capture the moment we're in—and where we are going." —Dana Perino, Fox News An Appalachian economy that uses cases of Pepsi as money. Life in a homeless camp in Austin. A young woman whose résumé reads, “Topless Chick, Uncredited.” Remorselessly unsentimental, Kevin D. Williamson is a chronicler of American underclass dysfunction unlike any other. From the hollows of Eastern Kentucky to the porn business in Las Vegas, from the casinos of Atlantic City to the heroin rehabs of New Orleans, he depicts an often brutal reality that does not fit nicely into any political narrative or comfort any partisan. Coming from the world he writes about, Williamson understands it in a way that most commentators on American politics and culture simply can’t. In these sometimes savage and often hilarious essays, he takes readers on a wild tour of the wreckage of the American republic—the “white minstrel show” of right-wing grievance politics, progressive politicians addicted to gambling revenue, the culture of passive victimhood, and the reality of permanent poverty. Unsparing yet never unsympathetic, Big White Ghetto provides essential insight into an enormous but forgotten segment of American society.