Shadow and Substance is the first book to present a sustained examination of the relationship between Eucharistic controversy and English drama across the Reformation divide. In this compelling interdisciplinary study, Jay Zysk contends that the Eucharist is not just a devotional object or doctrinal crux, it also shapes a way of thinking about physical embodiment and textual interpretation in theological and dramatic contexts. Regardless of one’s specific religious identity, to speak of the Eucharist during that time was to speak of dynamic interactions between body and sign. In crossing periodic boundaries and revising familiar historical narratives, Shadow and Substance challenges the idea that the Protestant Reformation brings about a decisive shift from the flesh to the word, the theological to the poetic, and the sacred to the secular. The book also adds to studies of English drama and Reformation history by providing an account of how Eucharistic discourse informs understandings of semiotic representation in broader cultural domains. This bold study offers fresh, imaginative readings of theology, sermons, devotional books, and dramatic texts from a range of historical, literary, and religious perspectives. Each of the book’s chapters creates a dialogue between different strands of Eucharistic theology and different varieties of English drama. Spanning England’s long reformation, these plays—some religious in subject matter, others far more secular—reimagine semiotic struggles that stem from the controversies over Christ’s body at a time when these very concepts were undergoing significant rethinking in both religious and literary contexts. Shadow and Substance will have a wide appeal, especially to those interested in medieval and early modern drama and performance, literary theory, Reformation history, and literature and religion.

Includes full set lists not included in the physical edition. In this final installment of his internationally bestselling three-part memoir—including The Hacienda and Unknown Pleasures—British rocker Peter Hook focuses on the 1980s New Wave and Dance Punk scene and the rise of one of the most influential bands of the Second British Invasion: New Order. 1980. Resurrected from the ashes of Joy Division after the suicide of its lead singer, Ian Curtis, New Order would become one most critically acclaimed and important bands of the decade and beyond. With their hits "Bizarre Love Triangle", "Perfect Kiss", and "Blue Monday"—the biggest-selling 12-inch single of all time—Peter Hook and company quickly rose to the top of the alternative music scene. Widely regarded as the godfathers of electronic dance music, their sound would influence Moby, The Chemical Brothers, The Postal Service, The Killers, and other acts that followed in their wake. Hook tells the complete, unvarnished story of New Order’s founding and evolution; the band’s experiences in the New York City club scene and rapid rise to international fame, its impact on house music, techno, and rave; and its eventual rancorous dissolution. Full of Hook’s "gleefully profane" (Entertainment Weekly) humor and vivid, witty storytelling, Substance is the most important and certainly the most controversial part of his story, emanating with drugs, booze, and sex. Complete with timelines, discographies, gigographies and track-by-track analysis, and exclusive photographs and archival images from Hook’s personal collection, it is the definitive, comprehensive history of New Order and a compelling snapshot of the '80s cultural scene in all its neon-hued glory.

A guide to the techniques and analysis of clinical data. Each of the seventeen sections begins with a drawing and biographical sketch of a seminal contributor to the discipline. After an introduction and historical survey of clinical methods, the next fifteen sections are organized by body system. Each contains clinical data items from the history, physical examination, and laboratory investigations that are generally included in a comprehensive patient evaluation. Annotation copyrighted by Book News, Inc., Portland, OR

Substance has been a leading idea in the history of Western philosophy. Joshua Hoffman and Gary S. Rosenkrantz explain the nature and existence of individual substances, including both living things and inanimate objects. Specifically written for students new to this important and often complex subject, Substance provides both the historical and contemporary overview of the debate. Great Philosophers of the past, such as Aristotle, Descartes, Spinoza, Leibnitz, Locke, and Berkeley were profoundly interested in the concept of substance. And, the authors argue, a belief in the existence of substances is an integral part of our everyday world view. But what constitutes substance? Was Aristotle right to suggest that artefacts like tables and ships don't really exist? Substance: Its Nature and Existence is one of the first non-technical, accessible guides to this central problem and will be of great use to students of metaphysics and philosophy.

A new approach to grammar and meaning of relational nouns is presented along with its empirical consequences.

What is the nature of matter? Within conventional science, the reductionist, materialist view asserts that matter is solely physical. Hauschka shows that open-minded study, based on qualitative observation and quantitative research, can overcome this now standardized view. Without denying the laws of matter, he shows the limitations of a science restricted by them, and points to new research that indicates the primal nature of spirit. This classic work, reprinted in its original form, is the result of Dr Hauschka's many years' research at the Ita Wegman Clinic in Arlesheim, Switzerland. Through decades of experimentation he came to radical conclusions that suggested potential new directions for science. This book includes the detailed results of Hauschka's experiments--although his approach is not restricted to measurement and outer observation. Based on the work of Goethe and Steiner, he encourages a method of seeing nature that has an artistic quality, and calls for direct experience rather than intellectual theorizing. The Nature of Substance is generally accessible. The author deliberately avoids technical terms and academic style in favor of vivid descriptions and lively discussions. His fascinating study takes in many substances, with chapters on plants, animals, oils, proteins, carbohydrates, vitamins, minerals, metals, carbon, oxygen, poisons, high dilutions, and much more. This book is a companion volume to the author's other work, Nutrition.

Squatters at a rural gas station try to find freedom and build something new on the ashes of our petrocivilization in this sensual novel. A community of outsiders takes over an abandoned gas station. They spend their days ripping up asphalt, drinking beer and eating hot dogs, and wandering through woods and towns in search of new ways of living. People come and go: a charismatic landscaper, Italian anarchists, a policewoman, travellers. A teenager drifts into homelessness. And The Girl With No Name keeps a journal of her attempts to meet new people and sleep with them, sex that is “not a sideline” but the motivating force in a story she is struggling to understand. Neighbors grow hostile. An investigation threatens the community. Tension builds between the surface violence of “normal life” and the attempt of these outsiders to experience freedom and build something new on the ashes of our oil-addicted society. With a character borrowed from Agnès Varda’s Vagabond and inspiration taken from Anne Boyer’s writings, Anne Lardeux’s highly original debut assembles elements of poetry, film, and visual arts into an exuberant choral novel, an ode to the daughters of fire and to the poetry of the body. Often funny, sometimes raunchy, consistently surprising, never flinching, The Second Substance heralds an important new voice in Quebec literature. "A revolutionary diary that parses the lines of sex and power, in language that pushes itself around on the page like paint. With echoes of Emma Goldman's if I can't dance, Lardeux's revolution has fucking at its core. The Second Substance is fleshy, cinematic, intuitive." -Tamara Faith Berger, author of Queen Solomon “A nomadic miscellany of gruff scavengers and would-be pioneers has commandeered the derelict filling station at 69 Rue Principale—an anonymous sensualist and moonlighting authoritarian among them—all jockeying for position at the nexus of self-determination and fate. In Anne Lardeux’s enigmatic debut, presented here in a translation by Pablo Strauss, the constant friction between societal strictures and communal revision spark a series of disorderly experiments, abstract epiphanies blasting off in every direction. The Second Substance is a novel about overriding our programming, rewriting our code in order to initiate an even more radical set of protocols for eroticism, destruction, and rebirth.” —Justin Walls, Bookshop.org