Adopting an empirical and systematic approach, this interdisciplinary study of medieval Persian Sufi tradition and ʿAttār (1145-1221) opens up a new space of comparison for reading and understanding medieval Persian and European literatures. The book invites us on an intellectual journey that reveals exciting intersections that redefine the hierarchies and terms of comparison. While the primary focus of the book is on reassessing the significance of the concept of transgression and construction of subjectivity within select works of ʿAttār within Persian Sufi tradition, the author also creates a bridge between medieval and modern, literature and theory, and European and Middle Eastern cultures through reading these works alongside one another. Of significance to the author is ʿAttār's treatment of enlightenment with regard to class, religious, gender, and sexuality transgressions. In this book, the relation between transgression and the limit is not viewed as one of liberation from oppressive restrictions, but of undoing the structures that produce constraining binaries; it allows for alternatives and possibilities. In conjunction with the concepts of transgression and the limit, the presence of society's marginalized pariahs, outcasts, and untouchables are central to the book's main argument about construction of subjectivity, which the author believes is framed within ʿAttār's notion of mystical love and human diversity. The book addresses the question of whether concepts such as transgression, limit, and subjectivity are solely applicable to modern times, or they can shed light on our understanding of transgression and subjectivity from the past. The author's comparative inquiries aim to intensify our understanding of these notions advanced in both the medieval and the modern world. Through summoning works from various genres, disciplines, cultures, and times, the author posits that medieval literary works are living texts that can reveal as much about our present selves as they do about the past.

Sufism is often understood to be the mystical dimension of Islam, and many works have focused on the nature of "mystical experiences" and the relationship between man and God. Yet Sufism was a human response to a wide range of contexts and circumstances; the fact that Sufis lived in society and interacted with the community necessitating guidance on how to behave. This book examines the development of Persian Sufism, showing it to be a practical philosophy of the everyday rather than just a metaphysical phenomena. The author explores the ethic of futuwwat (or jawanmardi), an Iranian code of honour that emphasised loyalty, humility, generosity and bravery. Although inevitably some Sufis spiritualised this code of honour and applied it to their own relationship with God, the ethic continued to permeate Sufi behaviour on a more mundane level, typified by the strong links between Sufis and certain trades. Drawing on field research in Iran, as well as detailed analysis of both Arabic and Persian texts and new materials that have been published in Iran in recent years, this is the first book in English to provide a history of Persian Sufi-futuwwat, As such, this book is an important contribution to the study of Persian Sufism, and to the fields of Islam, history and religion.

"Farid al-Din 'Attar (d. 1221) was the principal Muslim religious poet of the second half of the twelfth century. Best known for his masterpiece "Mantiq al-tayr", or "The Conference of Birds", his verse is still considered to be the finest example of Sufi love poetry in the Persian language after that of Rumi. Distinguished by their provocative and radical theology of love, many lines of 'Attar's epics and lyrics are cited independently of their poems as maxims in their own right. These pithy, paradoxical statements are still known by heart and sung by minstrels throughout Iran, Afghanistan, Tajikistan, and wherever Persian is spoken or understood, such as in the lands of the Indo-Pakistani Subcontinent. Designed to take its place alongside "The Ocean of the Soul", the classic study of 'Attar by Hellmut Ritter, this volume offers the most comprehensive survey of 'Attar's literary works to date, and situates his poetry and prose within the wider context of the Persian Sufi tradition. The essays in the volume are grouped in three sections, and feature contributions by sixteen scholars from North America, Europe and Iran, which illustrate, from a variety of critical prespectives, the full range of 'Attar's monumental achievement. They show how and why 'Attar's poetical work, as well as his mystical doctrines, came to wield such tremendous and formative influence over the whole of Persian Sufism."--Bloomsbury publishing.

Initiates a wider development of inquiries into women's literary cultures to move the reader beyond single geographical, linguistic, cultural and period boundaries. Since the closing decades of the twentieth century, medieval women's writing has been the subject of energetic conversation and debate. This interest, however, has focused predominantly on western European writers working within the Christian tradition: the Saxon visionaries, Mechthild of Hackeborn, Mechthild of Magdeburg, Gertrude the Great, for example, and, in England, Julian of Norwich and Margery Kempe are cases in point. While this present book acknowledges the huge importance of such writers to women's literary history, it also argues that they should no longer be read solely within a local context. Instead, by putting them into conversation with other literary women and their cultures from wider geographical regions and global cultures - women from eastern Europe and their books, dramas and music; the Welsh gwraig llwyn a pherth (woman of bush and brake); the Indian mystic, Mirabai; Japanese women writers from the Heian period; women saints from across Christian Europe and those of eleventh-century Islam or late medieval Ethiopia; for instance - much more is to be gained in terms of our understanding of the drivers behind and expressions of medieval women's literary activities in far broader contexts. This volume considers the dialogue, synergies, contracts and resonances emerging from such new alignments, and to help a wider, multidirectional development of this enquiry into women's literary cultures.

An examination of temporary marriage, or sigheh, in Iran through the representation of women within modern novels, short stories and cinema.

CLASSIC PERSIAN SUFISM: FROM ITS ORIGINS TO RUMI is a unique introduction into the rise and development of Persian Sufi spirituality and literature. Written in the form of essays, the book focuses historically upon the first six Muslim centuries and captures the mood of the mystics' meditative, interiorized, highly sophisticated vision of Islam.