“Compelling...eloquent and compassionate...We learn as much about growing up in the Christian right as we do about gay life in Mel White’s heartfelt and revealing memoir.”—San Francisco Examiner Until Christmas Eve 1991, Mel White was regarded by the leaders of the religious right as one of their most talented and productive supporters. He penned the speeches of Ollie North. He was a ghostwriter for Jerry Falwell, worked with Jim Bakker, flew in Pat Robertson's private jet, walked sandy beaches with Billy Graham. What these men didn't know was that Mel White—evangelical minister, committed Christian, family man—was gay. In this remarkable book, Mel White details his twenty-five years of being counseled, exorcised, electric-shocked, prayed for, and nearly driven to suicide because his church said homosexuality was wrong. But his salvation—to be openly gay and Christian—is more than a unique coming-out story. It is a chilling exposé that goes right into the secret meetings and hidden agendas of the religious right. Told by an eyewitness and sure to anger those Mel White once knew best, Stranger at the Gate is a warning about where the politics of hate may lead America...a brave book by a good man whose words can make us richer in spirit and much wiser too.

From The New York Times best-selling author of Paris to the Moon and beloved New Yorker writer, a memoir that captures the romance of New York City in the 1980s. When Adam Gopnik and his soon-to-be-wife, Martha, first arrived in 1980, New York City was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a place where both life’s consolations and its necessities were increasingly going to the highest bidder. At the Strangers’ Gate is a vivid portrait of this time, told through the story of one couple’s journey—from their excited arrival as aspiring artists to their eventual growth into a New York family. Through a series of comic mini-anthropologies that capture the fashion, publishing, and art worlds of the era, Adam Gopnik transports us from his tiny basement room on the Upper East Side to a SoHo loft, from his time as a graduate student-cum-library-clerk to the galleries of MoMA. Filled with tender and humorous reminiscences—including affectionate reflections on Richard Avedon, Robert Hughes, and Jeff Koons, among many others—At the Strangers’ Gate is an ode to New York striving.

First published in 1966, and now available once more, this pioneering work examines the relationship between the Chinese civil and military authorities and the British trading community in Guangdong province on the eve of the Taiping Rebellion--one of the most calamitous events in Chinese history. The book explores the various factors that led to the progression of rebellion and the inevitability of revolution.

This book contains the products of work carried out over four decades of research in Italy, France, and the United States, and in the intellectual territory between social movements, comparative politics, and historical sociology. Using a variety of methods ranging from statistical analysis to historical case studies to linguistic analysis, the book centers on historical catalogs of protest events and cycles of collective action. Sidney Tarrow places social movements in the broader arena of contentious politics, in relation to states, political parties, and other actors. From peasants and communists in 1960s Italy, to movements and politics in contemporary western polities, to the global justice movement in the new century, the book argues that contentious actors are neither outside of nor completely within politics, but rather they occupy the uncertain territory between total opposition and integration into policy.

These essays look at U.S. immigration and the nexus between urban realities and immigrant destinies. They argue that immigration today is fundamentaly urban and that immigrants are flocking to places where low-skilled workers are in trouble.

Hospitality in a Time of Terror: Strangers at the Gate offers a reading of hospitality that suggests the encounter with strangers is at the core of cultural production and culture itself in the aftermath of the terrorist attacks of September 11, 2001. It documents the significance of hospitality after the terrorist attacks, particularly as such an ethics is so provocatively raised or disavowed by a predominantly visual and cultural archive that has been and continues to be consumed by millions of people around the world. This book utilizes works of cultural memory, film, art and literature that show the breadth of hospitality’s influence but that offer a depth of insight, historical specificity, and theoretical intensity that only a product created in the aftermath of 9/11 allows. The September 11 Memorial and Museum in New York City, for example, is best understood as an institution defined by the question of hospitality, particularly as hospitality is engaged or disavowed through an experience with loss. This bookalso considers how hospitality might function in consideration of the violence perpetuated against bodies marked by discourses of race, gender, and sexuality, as is the case in the 2011 film, Zero Dark Thirty, and separately explores how alternative modes of hospitality are enabled by the fluid and dynamic space of the street and the urban art found there. The final chapter examines Don DeLillo's 2007 novel Falling Man, and argues that the novel demonstrates a sustained engagement with hospitality through the figure of organic shrapnel, a metaphor that suggests the possibility of being literally and figuratively embedded by another. The purpose of this book is to point out the diverse and even devastating ways that hospitality appears in ways that remind us that, if hospitality as we understand it is failing, it matters more than ever how we deploy it.