Unlikely duo Pip and Flinx return to right another wrong in this all-new sci-fi adventure from one of the genre’s living legends. Fans of fun, fast-paced, imaginative science fiction adventure, rejoice! #1 New York Times bestselling author Alan Dean Foster returns to his much-loved Commonwealth series with a new novel starring the indefatigable Flinx and his venomous minidrag, Pip. Facing danger and doing good is their business . . . provided the price is right. The unexpected return of an old friend draws Flinx and Pip to the backward planet of Largess, whose seal-like denizens’ primitive technology and fractious clan politics have kept a wary Commonwealth from a profitable trade relationship. But now a rogue human employing forbidden advanced weaponry threatens to ignite a war among the Larians. And Flinx is just the man to stop it before it starts. But once on Largess, Flinx discovers that his empathic abilities—usually his greatest asset—are rendered useless by the natives’ unique language, which is sung rather than spoken. Worse, the abduction of a powerful chieftain’s daughter has raised tensions to the boiling point. Now Flinx must depend on his own mettle—and of course Pip, the devoted minidrag with the deadly edge—to right wrongs, mend fences, and battle a cold-blooded adversary armed with enough firepower to blow them all away . . . and destroy the chance for peace in Largess forever. Advance praise for Strange Music “Adventure-loving readers new to the series, as well as old fans, will enjoy [Alan Dean] Foster’s return to Commonwealth space.”—Publishers Weekly

In Laura Fish's ambitious and captivating novel, three very different women struggle for freedom. While Elizabeth Barrett Browning is confined to bed, chafing against the restriction of her doctors and writing poetry and fretful letters, at her family's Jamaican estate Kaydia, the Creole housekeeper, tries to protect her daughter from their predatory master; and a recently freed black slave, Sheba, mourns the loss of her lover. As Elizabeth, a passionate abolitionist, struggles to come to terms with the source of her wealth and privilege both Sheba and Kydia fight to escape a tragic past which seems ever-present. The resulting novel is an extraordinary evocation of the dark side of the nineteenth-century that is both horrifying and ultimately redeeming.

Go behind the scenes with the musician The New York Times called "a guitar God!" Oft-hailed as the Jimi Hendrix of his generation, living guitar legend Joe Satriani has long transcended stylistic boundaries with a sound that raises the bar like a new horizon for the broader genre of instrumental guitar rock. Joe's 6-string secrets have astounded listeners around the world for nearly 30 years. In Strange Beautiful Music: A Musical Memoir, Satriani and coauthor, music biographer Jake Brown, take fans on their first authorized tour of the story behind his climb to stardom and the creative odyssey involved in writing and recording a storied catalog of classics including "Surfing with the Alien," "Summer Song," "Satch Boogie," "Always With Me, Always With You," "The Extremist," "Flying in a Blue Dream," "Crowd Chant," and more. Featuring previously unpublished photos and hours of exclusive, firsthand interviews with Satriani, Strange Beautiful Music offers a unique look inside the studio with Joe, giving fans a chance to get up close and personal like never before. With insider details about his collaboration with multi-platinum supergroup Chickenfoot, exclusive interviews with Sammy Hagar and Michael Anthony of Van Halen and Chad Smith of the Red Hot Chili Peppers, commentary from fellow guitar legends such as Steve Vai, Metallica's Kirk Hammett, Primus's Larry LaLonde, and legendary music producers including Glynn Johns and the late Andy Johns, this memoir offers a rare inside look for die-hard Satriani fans, guitar enthusiasts, and anyone who loves to rock.

In Strange Sounds, Timothy D. Taylor explains the wonder and anxiety provoked by a technological revolution that began in the 1940s and gathers steam daily. Taylor discusses the ultural role of technology, its use in making music, and the inevitable concerns about "authenticity" that arise from electronic music. Informative and highly entertaining for both music fans and scholars, Strange Sounds is a provocative look at how we perform, listen to, and understand music today.

A Hugo Award-winning author and music journalist explores the weird and wild story of when rock ’n’ roll met the sci-fi world of the 1970s As the 1960s drew to a close, and mankind trained its telescopes on other worlds, old conventions gave way to a new kind of hedonistic freedom that celebrated sex, drugs, and rock ’n’ roll. Derided as nerdy or dismissed as fluff, science fiction rarely gets credit for its catalyzing effect on this revolution. In Strange Stars, Jason Heller recasts sci-fi and pop music as parallel cultural forces that depended on one another to expand the horizons of books, music, and out-of-this-world imagery. In doing so, he presents a whole generation of revered musicians as the sci-fi-obsessed conjurers they really were: from Sun Ra lecturing on the black man in the cosmos, to Pink Floyd jamming live over the broadcast of the Apollo 11 moon landing; from a wave of Star Wars disco chart toppers and synthesiser-wielding post-punks, to Jimi Hendrix distilling the “purplish haze” he discovered in a pulp novel into psychedelic song. Of course, the whole scene was led by David Bowie, who hid in the balcony of a movie theater to watch 2001: A Space Odyssey, and came out a changed man… If today’s culture of Comic Con fanatics, superhero blockbusters, and classic sci-fi reboots has us thinking that the nerds have won at last, Strange Stars brings to life an era of unparalleled and unearthly creativity—in magazines, novels, films, records, and concerts—to point out that the nerds have been winning all along.

H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.

Most readers acknowledge Brian Lumley as the superstar of British horror writers. With the great popularity of his Necroscope series, he is one of the best known horror authors in the world. Devoted fans know that his roots are deep in the Cthulhu Mythos, with which most of his early work deals. This volume contains eleven new tales in that vein, as well as three reprints of excellent but little-known stories by Mr. Lumley.