A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth. How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks--and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras. This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

Studies the relation between teller and listener in a set of French, English, and American short stories from the nineteenth and early twentieth centuries.

If a story is going to fail, it will do so first at the premise level. Anatomy of a Premise Line: How to Master Premise and Story Development for Writing Success is the only book of its kind to identify a seven-step development process that can be repeated and applied to any story idea. This process will save you time, money, and potentially months of wasted writing. So whether you are trying to write a feature screenplay, develop a television pilot, or just trying to figure out your next story move as a writer, this book gives you the tools you need to know which ideas are worth pursuing. In addition to the 7-step premise development tool, Anatomy of a Premise Line also presents a premise and idea testing methodology that can be used to test any developed premise line. Customized exercises and worksheets are included to facilitate knowledge transfer, so that by the end of the book, you will have a fully developed premise line, log line, tagline, and a completed premise-testing checklist. Here is some of what you will learn inside: Ways to determine whether or not your story is a good fit for print or screen Case studies and hands-on worksheets to help you learn by participating in the process Tips on how to effectively work through writer’s block A companion website (www.routledge.com/cw/lyons) with additional worksheets, videos, and interactive tools to help you learn the basics of perfecting a killer premise line

This book takes the following question as its starting point: What are some of the crucial things the reader must do in order to make sense of a literary narrative? The book is a study of the texture of narrative fiction, using stylistics, corpus linguistic principles (especially Hoey’s work on lexical patterning), narratological ideas, and cognitive stylistic work by Werth, Emmott, and others. Michael Toolan explores the textual/grammatical nature of fictional narratives, critically re-examining foundational ideas about the role of lexical patterning in narrative texts, and also engages the cognitive or psychological processes at play in literary reading. The study grows out of the theoretical questions that stylistic analyses of extended fictional texts raise, concerning the nature of narrative comprehension and the reader’s experience in the course of reading narratives, and particularly concerning the role of language in that comprehension and experience. The ideas of situation, repetition and picturing are all central to the book’s argument about how readers process story, and Toolan also considers the ethical and emotional involvement of the reader, developing hypotheses about the text-linguistic characteristics of the most ethically and emotionally involving portions of the stories examined. This book makes an important contribution to the study of narrative text and is in dialogue with recent work in corpus stylistics, cognitive stylistics, and literary text and texture.

The true story of how lives were lost, taxpayer money squandered, and reputations destroyed as part of an ill-conceived effort to remake Afghanistan into something akin to our own image. What started as a project to reconstruct the highway between Kabul and Kandahar evolved into an ambitious effort to provide Afghanistan with new roads, bridges, schools, clinics, power plants, and irrigation projects. These assignments fell to a Texas-based security firm, US Protection & Investigation, LLC (USPI), which in the space of a few years rose to become the most pervasive and effective paramilitary force in Afghanistan. The initiatives required weapons, health and death benefits, ammunition, uniforms, and vehicles, which the underfunded Government of Afghanistan could not supply, but still mandated. Amendment 660 of the Foreign Assistance Act of 1972 prohibited USAID from funding these items. Aware of these Vietnam-era legal restraints, Del Spier of USPI alerted U.S. officials to the implications and was assured repeatedly that a way would be found to solve the problem. This is the unbelievable true story of a normal American couple, Del and Barbara Spier, in unfriendly enemy territory, in the middle of a war. Unknown to Barbara, Del was forced to take matters into his own hands to accomplish U.S. objectives. He was caught in the crossfire of Afghanistan's endemic corruption, criminals, and ethnic rivalries and Washington's shifting military strategies and bureaucratic inertia. USPI security personnel worked across the country, where they encountered ambushes, IEDs (improvised explosive devices), warlords, drug kingpins, criminals and ordinary Afghans coping with the horrors of everyday life. These horrors struck a humanitarian nerve in the Spiers and without any government assistance they provided clothing, medicine, training, fuel, food and shelter to the unfortunate. As American troops are being withdrawn from Afghanistan, one overriding question will occupy the public for years: How could an endeavor that began with the toppling of the Taliban regime in Kabul a decade ago have evolved into the longest war in American history? The Spiers' path ultimately led them into a protracted legal battle. USAID turned on the very company that for years had protected its construction sites in Afghanistan and enlisted the FBI and the Justice Department in a three-year, multi-million dollar investigation vendetta against the Spiers and their company. Only dramatic courtroom decisions handed down in March and July 2010 in U.S. District Court in Washington, D.C. brought the matter to a surprising conclusion. The Spiers' tragedy is a microcosm of America's misadventure in Afghanistan.