One of the finest examples of Native American pictorial art, the seventy-six drawings illustrated here are the most complete visual record of Lakota art of the early Reservation period (1875 - 95).

Presents seventy-six images Black Hawk drew in the 1880s, detailing the culture and religion of the Lakota Sioux.

A powerful story of one man's redemption through the Lakota Sun Dance ceremony. • Written by the only white man to be confirmed as a Sundance Chief by traditional Lakota elders. • Includes forewords by prominent Lakota spiritual leaders Leonard Crow Dog, Charles Chipps, Mary Thunder, and Jamie Sams. The Sun Dance is the largest and most important ceremony in the Lakota spiritual tradition, the one that ensures the life of the people for another year. In 1988 Michael Hull was extended an invitation to join in a Sun Dance by Lakota elder Leonard Crow Dog-- a controversial action because Hull is white. This was the beginning of a spiritual journey that increasingly interwove the life of the author with the people, process, and elements of Lakota spirituality. On this journey on the Red Road, Michael Hull confronted firsthand the transformational power of Lakota spiritual practice and the deep ambivalence many Indians had about opening their ceremonies to a white man. Sun Dancing presents a profound look at the elements of traditional Lakota ceremonial practice and the ways in which ceremony is regarded as life-giving by the Lakota. Through his commitment to following the Red Road, Michael Hull gradually won acceptance in a community that has rejected other attempts by white America to absorb its spiritual practices, leading to the extraordinary step of his confirmation as a Sun Dance Chief by Leonard Crow Dog and other Lakota spiritual leaders.

Thomas Yellowtail-one of the most admired American Indian spiritual leaders of the last century-reveals the mystical beauty of the ancient Sun Dance ceremony, which still remains at the center of the spiritual life of the Plains Indians.

A fictionalized history of fourth-century Irish monks describes their spirituality and their influence on other areas of the world.

Native American spirituality is as rich and varied as the cultures wherein it is practiced. Unlike the ancient Greeks and Romans, who worshipped divine gods and goddesses, the indigenous people of North America revere a variety of non-deity spirit beings, which are entities with mystical powers. The crux of Native American spirituality and detailed entries regarding some of the most intriguing spirit beings are discussed in this book. Detailed material on Native American religious traditions, beliefs by culture area, and a complete chapter on nature worship are included in this informative package.

About 1875 the Crows abandoned their own Sun Dance, but they continued to carry out other traditional rites despite opposition from missionaries and the federal government. In 1941, Crow Indians from Montana sought out leaders of the Sun Dance among the Wind River Shoshonis in Wyoming and under the direction of John Truhujo, made the ceremony a part of their lives. In The Shoshoni-Crow Sun Dance, Fred W. Voget draws on forty years of fieldwork to describe the people and circumstances leading to this singular event, the nature of the ceremony, the reconciliation’s with Christianity and peyotism, the role of the Sun Dance as a catalyst for the reassertion of Crow cultural identity, and the place the Sun Dance now holds in Crow life and culture. Voget’s description includes photographs and diagrams of the Sun Dance.