The color line, once all too solid in southern public life, still exists in the study of southern history. As distinguished historian Nell Irvin Painter notes, historians often still write about the South as though people of different races occupied entirely different spheres. In truth, although blacks and whites were expected to remain in their assigned places in the southern social hierarchy throughout the nineteenth and much of the twentieth century, their lives were thoroughly entangled. In this powerful collection, Painter reaches across the color line to examine how race, gender, class, and individual subjectivity shaped the lives of black and white women and men in the nineteenth- and twentieth-century South. Through six essays, she explores such themes as interracial sex, white supremacy, and the physical and psychological violence of slavery, using insights gleaned from psychology and feminist social science as well as social, cultural, and intellectual history. At once pioneering and reflective, the book illustrates both the breadth of Painter's interests and the originality of her intellectual contributions. It will inspire and guide a new generation of historians who take her goal of transcending the color bar as their own.

The color line, once all too solid in southern public life, still exists in the study of southern history. As distinguished historian Nell Irvin Painter notes, we often still write about the South as though people of different races occupied entirely different spheres. In truth, although blacks and whites were expected to remain in their assigned places in the southern social hierarchy throughout the nineteenth century and much of the twentieth century, their lives were thoroughly entangled. In this powerful collection of pathbreaking essays, Painter reaches across the color line to examine how race, gender, class, and individual subjectivity shaped the lives of black and white women and men in the nineteenth- and twentieth-century South. She explores such themes as interracial sex, white supremacy, and the physical and psychological violence of slavery, using insights gleaned from psychology and feminist social science as well as social, cultural, and intellectual history. The book illustrates both the breadth of Painter's interests and the originality of her intellectual contributions. This edition features refreshed essays and a new preface that sheds light on the development of Painter's thought and our continued struggles with racism in the twenty-first century.

"Across the Color Line: Reporting 25 Years in Black Cincinnati pulls together newspaper reporter Mark Curnutte's stories published in The Cincinnati Enquirer over a 25-year period starting in 1993. With hard-won insights learned from years of in-the-community reporting, Curnutte describes the African American experience through personality and neighborhood profiles, the community institutions, historical perspectives and issue stories. The anthology tells a sweeping narrative of a city suffering and maturing through turn-of-the-century racial growing pains, increased racial sophistication and diversity, and Curnutte's personal journey as a white man and reporting making the intentional decision to work and live across the color line"--

Provides a history of interracial sexual relationships during the era of slavery.

"Historians, sports scholars, and students will refer to Benching Jim Crow for many years to come as the standard source on the integration of intercollegiate sport."ùMark S. Dyreson, author of Making the American Team: Sport, Culture, and the Olympic Experience --

Once labeled the most dangerous black man in America, A. Philip Randolph was a tireless crusader for civil rights and economic justice. In Marching Across the Color Line: A. Philip Randolph and Civil Rights in the World War II Era, author David Welky examines Randolph's central role in the African American struggle for equality during the World War II era. Frustrated by unequal treatment in the military and civilian life, Randolph threatened to march 100,000 African Americans to Washington, DC, unless President Franklin Roosevelt expanded employment opportunities for blacks. Roosevelt backed down following a tense standoff, issuing an executive order guaranteeing equal opportunities for all Americans to get jobs in the growing defense industry. Armed with this victory, Randolph led wartime charges to integrate the military, further expand job opportunities, and end discrimination against minorities. He staged massive rallies, badgered political leaders, and pricked the conscience of a nation fighting for democracy overseas while reluctant to create it at home. A lively, engaging narrative set against a turbulent backdrop of political maneuvering, race riots, and the largest war in human history, Marching Across the Color Line exposes students to an array of fascinating characters who wrote the dramatic opening chapters in America's civil rights saga.

"Although it is commonly known that college students and other activists, as well as politicians, actively participated in the fight for and against civil rights in the middle decades of the twentieth century, historical accounts have not adequately focused on the roles that the nation's college presidents played in the debates concerning racism. Focusing on the period between 1948 and 1968, The Campus Color Line sheds light on the important place of college presidents in the struggle for racial parity. College presidents, during a time of violence and unrest, initiated and shaped racial policies and practices inside and outside of the educational sphere. The Campus Color Line illuminates how the legacy of academic leaders' actions continues to influence the unfinished struggle for Black freedom and racial equity in education and beyond."--