Ada and Harriet don't know what to expect when they meet their new guardian, Mr. Wolfson. Here is a strangely magnetic, darkly amusing man confined to a wheelchair and flanked by a pair of fierce, dangerous dogs—an enigmatic benefactor, at once welcoming and intimidating. Even more unsettling to the girls are Wolfson's two sons, Julian and Francis. One of them is warm and good-natured, the other is pure malevolence. But young Harriet is about to discover a frightening truth: that evil runs rampant throughout their mysterious new home, Abbey Manor, and the surrounding moors—especially when the moon comes out . . .

On the battlefield, Wulfhere fights for his life but elsewhere the enemy is closer to home, sinister and shadowy and far more dangerous than any war. 1054, pious King Edward sits on the throne, spending his days hunting, sleeping and praying, leaving the security of his kingdom to his more capable brother-in-law Harold Godwinson, the powerful Earl of Wessex. Against this backdrop we meet Wulfhere, a Sussex thegn who, as the sun sets over the wild forest of Andredesweald, is returning home victoriously from a great battle in the north. Holding his lands directly from the King, his position demands loyalty to Edward himself, but Wulfhere is duty-bound to also serve Harold, a bond forged within Wulfhere's family heritage and borne of the ancient Teutonic ideology of honour and loyalty. Wulfhere is a man with the strength and courage of a bear, a warrior whose loyalty to his lord and king is unquestionable. He is also a man who holds his family dear and would do anything to protect them. So when Harold demands that he wed his daughter to the son of Helghi, his sworn enemy, Wulfhere has to find a way to save his daughter from a life of certain misery in the household of the cruel and resentful Helghi without compromising his honour and loyalty to his lord, Harold. Sons of the Wolf is a panoramic snapshot of medieval life and politics as the events that lead to the downfall of Anglo Saxon England play out, immersing the reader in the tapestry of life as it was before the Doomsday Book. With depictions of everyday life experienced through the minds of the peoples of the time; of feasts in the Great Halls to battles fought in the countryside, it cannot help but enlighten, educate and entertain.

Science fiction-roman.

When Harry Walpole discovers he is a werewolf, his attempts to break the curse are unsuccessful until he is aided by his pushy friend Abby.

NYPD homicide detective Trina Baskin is having nightmares. Vivid ones. Full of blood, and snow, dead wolves...and a young man with pale hair who howls like an animal. She chalks them up to stress and an overactive imagination, too many Old Country stories from her Russian father who, when he's had too much vodka, starts to rave about dark forces and things that look like men...but aren't. But then a case hits her desk that can't be explained. A young man found outside a club with a nasty bite mark on his neck - and not a drop of blood left in his body. With no leads, no theories that bear exploring, too little sleep, and a partner who seems to be willfully throwing his career down the toilet, the last thing Trina needs is a full-on out of body experience...in which her family's past is revealed to her, and everything starts making a whole lot of terrifying sense. In 1942, Trina's great-grandfather, Nikita, is a captain of the Cheka, the Soviet political police - or so it seems. He and his men are sent to Siberia to retrieve a "volunteer," the boy who's going to win the war against the Nazis - and potentially unleash hell on earth. The world's immortal population has been living quietly, secretly, hiding from the wars of men, hoping the past can stay buried. But what happens on the Eastern Front in the winter of 1942 will change everything. In 2017, Trina is about to come face-to-face with her own past in a way she never thought possible. It turns out monsters are real - and they might be the only hope for survival.

Few names of the American frontier resonate like that of George Armstrong Custer. His fiery temperament and grand vision led him to triumph in one season and tragedy in another. Now best-selling chronicler Terry C. Johnston beings to life the Custer legacy as never before in a masterful new trilogy . . . . For a youth of the Cheyenne in the years between Little Big horn and Wounded Knee, life was brutal and dangerous. For Yellow Bird, who saw his father, George Custer, die on a blood-soaked field in 1876, survival is especially difficult, for--despite his own white heritage--he must live in the Cheyenne world. And so he grew to manhood, bound to his father by their warrior's spirit, preparing to fight for his home, his wife, and his own son.