'A page turner from beginning to end... A damn fine read' Ben Kane. Four Emperors. Two Friends. One Destiny. As twilight descends on the 3rd century AD, the Roman Empire is but a shadow of its former self. Decades of usurping emperors, splinter kingdoms and savage wars have left the people beleaguered, the armies weary and the future uncertain. And into this chaos Emperor Diocletian steps, reforming the succession to allow for not one emperor to rule the world, but four. Meanwhile, two boys share a chance meeting in the great city of Treverorum as Diocletian's dream is announced to the imperial court. Throughout the years that follow, they share heartbreak and glory as that dream sours and the empire endures an era of tyranny and dread. Their lives are inextricably linked, their destinies ever-converging as they rise through Rome's savage stations, to the zenith of empire. For Constantine and Maxentius, the purple robes beckon... Praise for Gordon Doherty and Simon Turney: 'A page turner from beginning to end... A damn fine read' Ben Kane, author of Lionheart 'The Rise of Emperors series is first-rate Roman fiction. Doherty and Turney each breathe life into their respective characters with insight and humanity' Matthew Harffy, author of Wolf of Wessex 'A nuanced portrait of an intriguing emperor' The Times (on Turney's Commodus) 'A meticulously researched and vivid reimagining of an almost forgotten civilisation' Douglas Jackson, author of Hero of Rome (on Doherty's Empires of Bronze) 'Sons of Rome is an intriguing and highly polished piece of historical fiction' James Tivendale from Grimdark Magazine

NYPD homicide detective Trina Baskin is having nightmares. Vivid ones. Full of blood, and snow, dead wolves...and a young man with pale hair who howls like an animal. She chalks them up to stress and an overactive imagination, too many Old Country stories from her Russian father who, when he's had too much vodka, starts to rave about dark forces and things that look like men...but aren't. But then a case hits her desk that can't be explained. A young man found outside a club with a nasty bite mark on his neck - and not a drop of blood left in his body. With no leads, no theories that bear exploring, too little sleep, and a partner who seems to be willfully throwing his career down the toilet, the last thing Trina needs is a full-on out of body experience...in which her family's past is revealed to her, and everything starts making a whole lot of terrifying sense. In 1942, Trina's great-grandfather, Nikita, is a captain of the Cheka, the Soviet political police - or so it seems. He and his men are sent to Siberia to retrieve a "volunteer," the boy who's going to win the war against the Nazis - and potentially unleash hell on earth. The world's immortal population has been living quietly, secretly, hiding from the wars of men, hoping the past can stay buried. But what happens on the Eastern Front in the winter of 1942 will change everything. In 2017, Trina is about to come face-to-face with her own past in a way she never thought possible. It turns out monsters are real - and they might be the only hope for survival.

Histories of Rome emphasize the ways the empire assimilated conquered societies, bringing civilization to “barbarians.” Yet these interpretations leave us with an incomplete understanding of the diverse cultures that flourished in the provinces. Andrew C. Johnston recaptures the identities, memories, and discourses of these variegated societies.

Their rivalry will change the world forever. As competition for the imperial throne intensifies, Constantine and Maxentius realise their childhood friendship cannot last. Each man struggles to control their respective quadrant of empire, battered by currents of politics, religion and personal tragedy, threatened by barbarian forces and enemies within. With their positions becoming at once stronger and more troubled, the strained threads of their friendship begin to unravel. Unfortunate words and misunderstandings finally sever their ties, leaving them as bitter opponents in the greatest game of all, with the throne of Rome the prize. It is a matter that can only be settled by outright war... 'A page turner from beginning to end... A damn fine read' Ben Kane, author of Lionheart (on Sons of Rome) 'The Rise of Emperors series is first-rate Roman fiction. Doherty and Turney each breathe life into their respective characters with insight and humanity' Matthew Harffy, author of Wolf of Wessex 'A nuanced portrait of an intriguing emperor' The Times (on Turney's Commodus) 'A meticulously researched and vivid reimagining of an almost forgotten civilisation' Douglas Jackson, author of Hero of Rome (on Doherty's Empires of Bronze) 'An intriguing and highly polished piece of historical fiction' James Tivendale from Grimdark (on Sons of Rome)

This groundbreaking study brings into dialogue for the first time the writings of Julian, the last non-Christian Roman Emperor, and his most outspoken critic, Bishop Gregory of Nazianzus, a central figure of Christianity. Susanna Elm compares these two men not to draw out the obvious contrast between the Church and the Emperor’s neo-Paganism, but rather to find their common intellectual and social grounding. Her insightful analysis, supplemented by her magisterial command of sources, demonstrates the ways in which both men were part of the same dialectical whole. Elm recasts both Julian and Gregory as men entirely of their times, showing how the Roman Empire in fact provided Christianity with the ideological and social matrix without which its longevity and dynamism would have been inconceivable.

The story of one of the most colorful dynasties in history, from Caesar's rise to power in the first century BC to Nero's death in AD 68 This engaging new study reviews the long history of the Julian and Claudian families in the Roman Republic and the social and political background of Rome. At the heart of the account are the lives of six men—Julius Caesar, Augustus, Tiberius, Caligula, Claudius, and Neromen—who mastered Rome and then changed it from a democracy to a personal possession. It was no easy task: Caesar and Caligula were assassinated, Nero committed suicide, and Claudius was poisoned. Only Augustus and Tiberius died natural deaths and even that is uncertain. The Julio-Claudian saga has a host of other intriguing characters, from Cicero, the last great statesman of the Republic, to Livia, matriarch of the Empire; the passionate Mark Antony and the scheming Sejanus; and Agrippina, mother of Nero and sister of Caligula, who probably murdered her husband and was in turn killed by her son. Set against a background of foreign wars and domestic intrigue, the story of Rome's greatest dynasty is also the story of the birth of an imperial system that shaped the Europe of today.

As Rome rose to power in the 3rd century BCE there was only one real rival in the Mediterranean—Carthage. In the First Punic War, the Roman legions defeated and humiliated Carthage. Now Hannibal, a brilliant young Carthaginian general, is out for revenge. Caught up in the maelstrom are two young boys, Hanno, the son of a distinguished soldier and confidant of Hannibal, and Quintus, son of a Roman equestrian and landowner. A disastrous adventure will see Hanno sold into slavery and bought by Quintus's father. Although an unexpected friendship springs up between the two boys—and with Quintus's sister, Aurelia—the fortunes of the two warring empires will tear them apart. In Ben Ken's Hannibal: Enemy of Rome, they find themselves on opposite sides of the conflict and an alliance forged through slavery will be played out to its stunning conclusion in battle.