Sonny Good loved his life as an FBI agent, but when his father died and he was needed back home he quit the agency and became a rancher. Now several years later, Summerville, Nebraska is starting to seem a little isolated. An openly gay rancher in the middle of Nebraska just doesn't have many prospective dates. That is until Garron Greeley moves to town. Garron is the town's newest resident and bad boy bartender with shoulder-length dark brown hair and tribal tattoos. Sonny is struck by lust at first sight. Things between the two of them take off like a rocket until Sonny learns Garron is also the brother of the man who owns the neighbouring ranch. The man Sonny considers his enemy, which leaves Sonny to decide what's more important—the feud with his neighbour or a potentially blazing passion with Garron?

In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the many tropes and themes through which undead Westerns make the genre’s inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. The volume is divided into three sections: “Reanimating Classic Western Tropes” examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; “The Moral Order Under Siege” explores the ways in which the undead confront classic values and morality tales embodied in Western films; and “And Hell Followed with Him” looks at justice, retribution, and retaliation at the hands of undead angels and avenger. The subjects explored here run the gamut from such B films as Curse of the Undead and Billy the Kid vs. Dracula to A-list features like From Dusk ‘til Dawn and Jonah Hex, as well as animated films (Rango) and television programs (The Walking Dead and Supernatural). Other films discussed include Sam Raimi’s Bubba Ho-Tep, John Carpenter’s Vampires, George Romero’s Land of the Dead, andSergio Leone’s Once Upon a Time in the West. Featuring several illustrations and a filmography, Undead in the West will appeal to film scholars, especially those interested in hybrid genres, as well as fans of the Western and the supernatural in cinema.

An analysis of the ground-breaking author's vision and thematic concerns The Harlem-born son of a storefront preacher, James Baldwin died almost thirty years ago, but his spirit lives on in the eloquent and still-relevant musings of his novels, short stories, essays, and poems. What concerned him most—as a black man, as a gay man, as an American—were notions of isolation and disconnection at both the individual and communal level and a conviction that only in the transformative power of love could humanity find any hope of healing its spiritual and social wounds. In Understanding James Baldwin, Marc K. Dudley shows that a proper grasp of Baldwin's work begins with a grasp of the times in which he wrote. During a career spanning the civil rights movement and beyond, Baldwin stood at the heart of intellectual and political debate, writing about race, sexual identity, and gendered politics, while traveling the world to promote dialogue on those issues. In surveying the writer's life, Dudley traces the shift in Baldwin's aspirations from occupying the pulpit like his stepfather to becoming a writer amid the turmoil of sexual self-discovery and the harsh realities of American racism and homophobia. The book's analyses of key works in the Baldwin canon—among them, Go Tell It on the Mountain, Giovanni's Room, "Sonny's Blues," Another Country, The Fire Next Time, and The Devil Finds Work—demonstrate the consistency, contrary to some critics' claims, of Baldwin's vision and thematic concerns. As police violence against people of color, a resurgence in white supremacist rhetoric, and pushback against LGBTQ rights fill today's headlines, James Baldwin's powerful and often-angry words find a new resonance. From early on, Baldwin decried the damning potential of alienation and the persistent bigotry that feeds it. Yet, even as it sometimes wavered, his hope for both the individual and the nation remained intact. In the present historical moment, James Baldwin matters more than ever.

Protestants on Screen explores the Protestant contributions to American and European film from the silent era to the present day. The authors analyze how Protestant filmmakers, beliefs, theology, symbols, sensibilities, and cultural patterns have shaped the history of film. Challenging the stereotype of Protestants as world-denouncing-and-defying puritans and iconoclasts who stood in the way of film's maturation as an art, the authors contend that Protestants were among the key catalysts in the origins and development of film, bringing an identifiably Protestant aesthetic to the medium. The essays in this volume track key Protestant themes like faith and doubt, sin and depravity, biblical literalism, personal conversion and personal redemption, holiness and sanctification, moralism and pietism, Providence and secularism, apocalypticism, righteousness and justice, religion and race, the priesthood of all believers and its offshoots-democratization and individualism. Protestants, the essays in this volume demonstrate, helped birth and shape the film industry and harness the power of motion pictures for spiritual instruction, edification, and cultural influence.

Born into an affluent family, Locky never faced a problem his family money couldn't fix. Everything changed the night he stumbled upon a young gay man beaten to death and left in the parking lot beside his car. Unable to get the image of the boy out of his head, Locky quit his father's law practice and took a job at BK House. Adapting to a new way of life is difficult, and it's made even more so by a raven-haired hottie who pushes every one of Locky's buttons. College courses have been a breeze for junior, Becket Chandler. He's sailed through his classes with ease, despite their advanced subject matter. His love life, on the other hand, has been an ongoing struggle with no easy answers. While his former housemates enjoyed gaming, sports and drinking, Becket chose sex as his favourite extracurricular activity. When Becket arrives at the BK House, he's ready to tackle another year and a few more willing seniors. Younger men are fun to play with from time to time, but nothing satisfies him like an older, bigger man staring down at him, preferably with Becket's legs spread and draped over his broad shoulders. From the moment he shakes hands with Locky, all he can think about is getting the drop-dead sexy Director of Student Life into his favourite position. Despite Becket's continued interest, Locky continues to play hard to get. Luckily, Becket doesn't give up easily.

It isn't easy to cling to teenage promises when you become one of the forgotten. For Eli Barron, Jesse Clooney has always been the one. From their first day of kindergarten through their high-school graduation, the pair were inseparable. So, when a situation arises that splits the two men apart, it's up to Eli to keep the home fires burning as Jesse sets off to follow his dreams on the rodeo circuit. But how long can a man continue to stoke the fire before the flames die out?