When Richard Collier, a dying screenwriter, becomes infatuated with Elise McKenna, a celebrated actress at the turn of the century, his love proves strong enough to bring him through time to her side.

"Dana is my life force." --Christopher Reeve "A terrible thing happened. I wish it hadn't. But would I change who I married? Never." --Dana Reeve He was a hero in every sense of the word--the chiseled-from-granite star of four blockbuster Superman films and the romantic classic Somewhere in Time who, after being paralyzed in a freak horseback riding accident, became a symbol of hope for millions. Dana Reeve was no less heroic, standing steadfastly by her husband's side until his surprisingly sudden and unexpected death at age fifty-two. When Dana, a non-smoker, passed away from lung cancer just seventeen months after Chris's death, she left behind their thirteen-year-old son, Will, to be raised by friends and family. Dana was only forty-four years old. That fate could have dealt such a cruel hand to this golden couple seemed unfathomable. That they could endure it all with grace, courage, and humor defied belief. Yet for all the millions of words that have been written about their public causes and private struggles following Chris's accident, little is known about the lives they led as passionate young lovers. Now, in the manner of his poignant-yet-stirring bestsellers Jack and Jackie, Jackie After Jack, An Affair to Remember, The Day Diana Died, After Diana, and The Day John Died, No. l New York Times bestselling author Christopher Andersen draws on those who knew them best to examine in touching detail the Reeves' unique partnership and the romance, faith, and fortitude that defined it. Sometimes heartbreaking, often uplifting, always compelling, Somewhere in Heaven is more than just a portrait of a marriage. It is the profoundly human story of two souls whose brief lives made a difference, a bittersweet saga of tragedy, triumph, and loss, and--above all else--a love story for the ages.

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.

Jimmy hasn't seen his father in nine years.

A daring young woman will risk her life to find her destiny in this atmospheric, beautifully drawn historical debut novel—a tale of love, hope, and danger set during the First World War. Lady Elizabeth Neville-Ashford wants to travel the world, pursue a career, and marry for love. But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lilly from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front. Assigned to a field hospital in France, Lilly is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lilly’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart. In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war? The paperback includes a P.S. section with additional insights from the author, background material, suggestions for further reading, and more.