A showrunner and her assistant give the world something to talk about when they accidentally fuel a ridiculous rumor in this debut romance. Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn't come at a worse time—threatening Emma's promotion and Jo's new movie. As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment”. With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all…but is acting on the spark between them worth fanning the gossip flames?

“WE NEED TO TALK.” In this urgent and insightful book, public radio journalist Celeste Headlee shows us how to bridge what divides us--by having real conversations BASED ON THE TED TALK WITH OVER 10 MILLION VIEWS NPR's Best Books of 2017 Winner of the 2017 Silver Nautilus Award in Relationships & Communication “We Need to Talk is an important read for a conversationally-challenged, disconnected age. Headlee is a talented, honest storyteller, and her advice has helped me become a better spouse, friend, and mother.” (Jessica Lahey, author of New York Times bestseller The Gift of Failure) Today most of us communicate from behind electronic screens, and studies show that Americans feel less connected and more divided than ever before. The blame for some of this disconnect can be attributed to our political landscape, but the erosion of our conversational skills as a society lies with us as individuals. And the only way forward, says Headlee, is to start talking to each other. In We Need to Talk, she outlines the strategies that have made her a better conversationalist—and offers simple tools that can improve anyone’s communication. For example: BE THERE OR GO ELSEWHERE. Human beings are incapable of multitasking, and this is especially true of tasks that involve language. Think you can type up a few emails while on a business call, or hold a conversation with your child while texting your spouse? Think again. CHECK YOUR BIAS. The belief that your intelligence protects you from erroneous assumptions can end up making you more vulnerable to them. We all have blind spots that affect the way we view others. Check your bias before you judge someone else. HIDE YOUR PHONE. Don’t just put down your phone, put it away. New research suggests that the mere presence of a cell phone can negatively impact the quality of a conversation. Whether you’re struggling to communicate with your kid’s teacher at school, an employee at work, or the people you love the most—Headlee offers smart strategies that can help us all have conversations that matter.

Something to Talk About provides teachers, students, and conversation partners with ready-to-use material for practicing conversation and language skills. Carefully designed questions for conversation as well as interesting and unusual related information about American culture provide lower-level ESL students with stimulating and engaging conversation topics. Thirteen content areas, ranging from personal to societal, are related to the non-native speaker's knowledge and experiences to ensure that mutual sharing and dialogue take place. Each unit of Something to Talk About focuses on a universally common topic and asks students to talk about their own experiences, thereby drawing on existingvocabulary while developing communicative competence. Students will have the opportunity to discuss birth order, organ transplants, learning styles, shopping, exercise, eating out, and job satisfaction, among other topics. Each activity is independent and may be used in any order. Something to Talk About is a photocopiable resource that can be used in conversation classes, as warm-up activities in intensive language programs, or in literacy or other one-on-one settings. Interesting content and approachable topics also encourage individual and independent work outside of the classroom.

Have you ever wondered what things would be like if you waited longer to make that decison, dreamed a little more or longer, asked more questions, said no to the person that made you feel like you should say yes? My Something To Talk About shares poetry, letters and notes that you would never dare share but think about in your mind. Explore inspiration, love and the not so nice truths that life does to all of us. Dig deeper into the life and mind of Cat Hurston, and perhaps your own. Prepare for an artistic, spirtual, romantic ride you will never forget!

Torn between friendship and desire, Alicia Fuentes discovers that she can no longer deny her attraction to her business partner Adam Cochran until a dark secret from his past resurfaces, calling everything into question. Original.

" When "Thelma & Louise" opened in 1991, it was greeted with acclaim and controversy, quickly earning first-time screenwriter Callie Khouri a reputation as one of the only writers of real movie roles for women. She lived up to expectations with "Something to Talk About, " which won praise for its originality and authenticity. Published here in one volume, these two screenplays gives us an opportunity to savor the work of a groundbreaking author."

The inspiration for the film starring Tilda Swinton and John C. Reilly, this resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them remains terrifyingly prescient. Eva never really wanted to be a mother. And certainly not the mother of a boy who murdered seven of his fellow high school students, a cafeteria worker, and a much–adored teacher in a school shooting two days before his sixteenth birthday. Neither nature nor nurture exclusively shapes a child's character. But Eva was always uneasy with the sacrifices and social demotion of motherhood. Did her internalized dislike for her own son shape him into the killer he’s become? How much is her fault? Now, two years later, it is time for her to come to terms with Kevin’s horrific rampage, all in a series of startlingly direct correspondences with her estranged husband, Franklin. A piercing, unforgettable, and penetrating exploration of violence and responsibility, a book that the Boston Globe describes as “impossible to put down,” is a stunning examination of how tragedy affects a town, a marriage, and a family.