It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats or the morbids. 'Goth' did not gain lexical currency until the late 1980s. But no matter what term was used, 'postpunk' encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands and scenes. A book about the music, the individual and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.

Since it first emerged from Britain’s punk-rock scene in the late 1970s, goth subculture has haunted postmodern culture and society, reinventing itself inside and against the mainstream. Goth: Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon. Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. They examine goth’s many dimensions—including its melancholy, androgyny, spirituality, and perversity—and take readers inside locations in Los Angeles, Austin, Leeds, London, Buffalo, New York City, and Sydney. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences. The volume’s editors provide a rich history of goth, describing its play of resistance and consumerism; its impact on class, race, and gender; and its distinctive features as an “undead” subculture in light of post-subculture studies and other critical approaches. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Brite, and Nick Cave; discussions of goths on the Internet; and readings of iconic goth texts from Bram Stoker’s Dracula to James O’Barr’s graphic novel The Crow. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson. Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the 1980s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism. Contributors: Heather Arnet, Michael Bibby, Jessica Burstein, Angel M. Butts, Michael du Plessis, Jason Friedman, Nancy Gagnier, Ken Gelder, Lauren M. E. Goodlad, Joshua Gunn, Trevor Holmes, Paul Hodkinson, David Lenson, Robert Markley, Mark Nowak, Anna Powell, Kristen Schilt, Rebecca Schraffenberger, David Shumway, Carol Siegel, Catherine Spooner, Lauren Stasiak, Jeffrey Andrew Weinstock

Goth Chic is the first book to properly explore Gothic culture in the modern world. Gavin Baddeley unearths hidden gems from the underground alongside better-known manifestations, including horror comics, fetish clubs, Goth-rock superstars and vampire cultists. The result is a book that provides a peerless primer for Gothic culture novices and an incisive analysis to challenge and compel even the most seasoned veteran of this dark underworld.

Provides a photo-illustrated overview of the history of the goth subculture, discussing its origins, evolution, fashions, popularity, and other related topics.

At the height of the hair-metal craze, when the airwaves were dominated by ear-shredding guitar solos played by men clad in lace gloves, cowboy boots, and tight denim, when Aqua Net was more precious than gold, when MTV actually played music videos and not just shows like Pimp My Locker, a band named Onyxxx (one X wasn’t nearly enough) came close to making it big. What stopped Onyxxx from taking its place beside legendary bands like Poison, Guns N’ Roses, and Mötley Crüe? Sex, drugs, groupies, . . . and geometry homework. Craig Williams, Onyxxx’s red-haired, head-banging guitarist, tells his tale of near rock stardom in Mom, Have You Seen My Leather Pants? With a manager who was a dead ringer for Loni Anderson, club owners willing to offer sexual favors and limo rides, and scads of California girls lifting their shirts and screaming their names, Craig knew what it was to be a star—until he realized that Onyxxx wasn’t the second coming of Warrant. They just weren’t that good. And Craig wasn’t having fun anymore. A music memoir for any child of the 1980s and ’90s, a nostalgic trip down Sunset Strip, and a hilarious tribute to a musical era we can only hope will never have a resurgence, Mom, Have You Seen My Leather Pants? will give you an appetite for destruction.

Falling in love with a vampire bites-and sometimes loving a human bites back.Dorian Villeneuve is an unlucky vampire from the slums of Devil's Row. He makes ends meet for himself and his emotional support Chihuahua by working sleazy bars and nightclubs, doing what it takes to get by. Cash Leroy is a monster hunter from East Texas with a golden voice and an unrivaled devotion to Stevie Nicks. Hunting does not leave time for friends, let alone love.When their paths cross during a bloody run-in with the vampire mob, Cash upends Dorian's life-and takes Dorian under his wing to teach how to hunt monsters. The unlikely pair become partners, and soon, best friends. However, their deepening bond grows complicated when Dorian falls in love with Cash. Their friendship is too important to throw away over an interspecies attraction, especially in a career that is already nasty, brutish, and short.And things become even more complicated when Cash finds himself returning the vampire's affections.When an unusually deadly case lands in the hunters' laps, their ill-fated affair takes a backseat. A pair of man-eating weredeer are on the loose taking victims' hearts. With the pressure on to end the killing spree, Dorian and Cash must set aside their feelings and hunt down the blood-thirsty deer. Can Dorian and Cash's friendship survive this monstrous romance, or will they lose their hearts in the process?Originally seen in the Eisner-nominated TWISTED ROMANCE anthology from IMAGE COMICS, this is the full-length adaptation of the critically acclaimed short story.

This is the first book to look at the impact of the goth scene worldwide, from its origins right through to the present day. From the UK's sprawling post-punk scene, Japan's highly visual movement, the USA's deathrock explosion and Germany's extremely popular Schwarze Szene, Worldwide Gothic explores how they all came about and the influence they've had on contemporary music and fashion. Spat out of punk at the tail end of the 1970s, goth became a major subculture in the UK with bands like Siouxsie And The Banshees and The Sisters Of Mercy scoring Top Ten hits and its fashion inspiring catwalk collections. After the scene died down in the early 1990s, it spread out to Europe where it attracted hundreds of thousands of followers and became assimilated with other muscial genres. This book also looks at how goth is now returning to its roots now with the emergence of dark rock and indie bands who pay homage to gothic greats like Bauhaus and Joy Division.