Describes the geography, climate, wildlife, natural resources, history, politics, culture, economy, and government of Somalia.

"Somali sideways has got to be one of the ground breaking creative projects ever created by a Somali for Somalis only. It shares powerful, sad, funny and hopeful global stories of Somalis. I was honoured to have been part of the work Mohamed created and it gave me the opportunity to share my journey with many other Somalis around the world." - Leyla Hussein; Lead Social Activist, Psychotherapist, Writer. "I think Somali Sideways was the first platform that allowed Somalis to connect with and be inspired by stories of strangers from around the world. I think the images of Somalis standing sideways were very powerful. To me it felt like they were allowing us into their lives but at the same time reminding that there is a lot more to them that we don't know." - Haweya Ismail; Founder of MUD & MUSK "Mohamed Mohamud is one of the smartest, inspiring and hardworking leaders you will ever meet. When Mohamed started Somali Sideways to shape the narrative and showcase positive images of the Somali experience globally, there were not many platforms that filled the need Mohamed saw. Mohamed was a young man ahead of his time. Hundreds of people have reached out to him to share their life experiences from all corners of the world. Somali Sideways brought us stories of Somalis in places we never imagine finding Somalis in the first place. With this book, Mohamed has chosen some of the best and inspiring stories that he hopes to share with the world." - Guled Ibrahim; Rotary Peace Fellow and One Young World Ambassador

A collection of articles that highlight Somalia's artistic and literary heritage.

Mogadishu, 1993. Paul is a Canadian photojournalist who is about to take a picture that will win him the Pulitzer Prize. Princeton, the present day, Dan is an American writer who is struggling to finish his play about ghosts. Both men live worlds apart but a chance encounter over the airwaves sparks an extraordinary friendship that sees them journey from some of the most dangerous places on earth to the depths of the human soul.Flying from Kabul to the Canadian High Arctic, The Body of an American sees two actors jump between more than thirty roles in an exhilarating new form of documentary drama. It urgently places these two men’s battles – both public and private –against a backdrop of some of the world’s most iconic images of war. The Body of an American is the recipient of the 2013 Edward M. Kennedy Prize for Drama Inspired by American History. It also received the PEN Center USA Award for Drama and the L. Arnold Weissberger Award, and premiered at Portland Center Stage in 2012, directed by Bill Rauch. The play was the recipient of the McKnight National Residency & Commission from the Playwrights’ Center, as well as a Sundance Institute Time Warner Storytelling Fellowship and a TCG Future Collaborations Grant. For further information and resources on this play, visit the Edward M Kennedy website: http://kennedyprize.columbia.edu/winners/2013/obrien/

The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.

In this book, scholars examine the many prevailing arguments about media bias from a non-polemical perspective. Essays cover individual forms of bias, including ideology, politics, television, photography, religion, abortion, homosexuality, gender, race, crime, environment, region, military, corporate ownership, labor and health. Each essay introduces the topic, presents arguments for and against the specific bias, assesses the evidence for all arguments, and includes a list of suggested readings. Two additional essays discuss the broader aspects of the bias debate and give a personal perspective on reporting the controversial Israeli-Palestinian conflict. Instructors considering this book for use in a course may request an examination copy here.