DIVDIVThe late seventeenth and eighteenth centuries are known as the Age of Enlightenment, a time of science and reason. But in this illuminating book, Paul Monod reveals the surprising extent to which Newton, Boyle, Locke, and other giants of rational thought and empiricism also embraced the spiritual, the magical, and the occult./divDIV /divDIVAlthough public acceptance of occult and magical practices waxed and waned during this period they survived underground, experiencing a considerable revival in the mid-eighteenth century with the rise of new antiestablishment religious denominations. The occult spilled over into politics with the radicalism of the French Revolution and into literature in early Romanticism. Even when official disapproval was at its strongest, the evidence points to a growing audience for occult publications as well as to subversive popular enthusiasm. Ultimately, finds Monod, the occult was not discarded in favor of “reason� but was incorporated into new forms of learning. In that sense, the occult is part of the modern world, not simply a relic of an unenlightened past, and is still with us today./div/div

Belief in magic was, until relatively recent times, widespread in Britain; yet the impact of such belief on determinative political events has frequently been overlooked. In his wide-ranging new book, Francis Young explores the role of occult traditions in the history of the island of Great Britain: Merlin's realm. He argues that while the great magus and artificer invented by Geoffrey of Monmouth was a powerful model for a succession of actual royal magical advisers (including Roger Bacon and John Dee), monarchs nevertheless often lived in fear of hostile sorcery while at other times they even attempted magic themselves. Successive governments were simultaneously fascinated by astrology and alchemy, yet also deeply wary of the possibility of treasonous spellcraft. Whether deployed in warfare, rebellion or propaganda, occult traditions were of central importance to British history and, as the author reveals, these dark arts of magic and politics remain entangled to this day.

A myth-busting journey through the twilight world of fringe ideas and alternative facts. Is a secret and corrupt Illuminati conspiring to control world affairs and bring about a New World Order? Was Donald Trump a victim of massive voter fraud? Is Elizabeth II a shapeshifting reptilian alien? Who is doing all this plotting? In Hope and Fear, Ronald H. Fritze explores the fringe ideas and conspiracy theories people have turned to in order to make sense of the world around them, from myths about the Knights Templar and the Ten Lost Tribes of Israel, to Nazis and the occult, the Protocols of Zion and UFOs. As Fritze reveals, when conspiracy theories, myths, and pseudo-history dominate a society’s thinking, facts, reality, and truth fall by the wayside.

Excerpt from The Greater Key of Solomon: Including a Clear and Precise Exposition of King Solomon's Secret Procedure, Its Mysteries and Magic Rites; Original Plates, Seals, Charms and Talismans IN presenting this celebrated Magical work to the Disciple of Occultism some few prefatory remarks are necessary. The key OF solomon, save for a curtailed and incomplete copy published in France in the seventeenth century, has never yet been printed, but has for centuries remained in Manuscript form inaccessible to all but the few fortunate scholars to whom the inmost recesses of the great libraries were open. I therefore consider that I am highly honored in being the individual to whose lot it has fallen to edit and publish the American Edition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book explores how Romanticism was shaped by practices of popular magic. It seeks to identify the place of occult activity and culture – in the form of curses, spells, future-telling, charms and protective talismans – in everyday life, together with the ways in which such practice figures, and is refigured, in literary and political discourse at a time of revolutionary upheaval. What emerges is a new perspective on literature’s material contexts in the 1790s – from the rhetorical, linguistic and visual jugglery of the revolution controversy, to John Thelwall’s occult turn during a period of autobiographical self-reinvention at the end of the decade. From Wordsworth’s deployment of popular magic as a socially and politically emancipatory agent in Lyrical Ballads, to Coleridge’s anxious engagement with superstition as a despotic system of ‘mental enslavement’, and Robert Southey’s wrestling with an (increasingly alluring) conservatism he associated with a reliance on ultimately incarcerating systems of superstition.

This book addresses magical ideas and practices in early modern Norway. It examines a large corpus of Norwegian manuscripts from 1650-1850 commonly called Black Books which contained a mixture of recipes on medicine, magic, and art. Ane Ohrvik assesses the Black Books from the vantage point of those who wrote the manuscripts and thus offers an original study of how early modern magical practitioners presented their ideas and saw their practices. The book show how the writers viewed magic and medicine both as practical and sacred art and as knowledge worth protecting through encoding the text. The study of the Black Books illuminates how ordinary people in Norway conceptualized magic as valuable and useful knowledge worth of collecting and saving despite the ongoing witchcraft prosecutions targeting the very same ideas and practices as the books promoted. Medicine, Magic and Art in Early Modern Norway is essential for those looking to advance their studies in magical beliefs and practices in early modern Europe as well as those interested in witchcraft studies, book history, and the history of knowledge.

Despite supernatural scepticism, stories about spirits were regularly printed and shared throughout the 18th and 19th centuries. This case-study in the transmission of a single story (of a young gunsmith near Bristol conjuring spirits, leading to his early death) reveals both how and why successive generations found meaning in such accounts.