New York's social darling just woke up in a nightmare: Oklahoma. Problem is, it's right where God wants her. Bella Kirkwood had it all: A-list friends at her prestigious private school, Broadway in her backyard, and Daddy's MasterCard in her wallet. Then her father, a plastic surgeon to the stars, decided to trade her mother in for a newer model. When Bella's mom falls in love with a man she met on the Internet--a factory worker with two bratty sons--Bella has to pack up and move in with her new family in Truman, Oklahoma. On a farm no less! Forced to trade her uber-trendy NYC lifestyle for down-home charm, Bella feels like a pair of Rock & Republic jeans in a sea of Wranglers. At least some of the people in her new high school are pretty cool. Especially the hunky football player who invites her to lunch. And maybe even the annoying--but kinda hot--editor of the school newspaper. But before long, Bella smells something rotten in the town of Truman, and it's not just the cow pasture. With her savvy reporter's instincts, she is determined to find the story behind all the secrets. How can a girl go on when her charmed life is gone and God appears to be giving her the total smackdown?

After their long summer apart, Ally and Jake were hoping for a drama free senior year. Instead they are faced with a turn of events that threaten to tear them apart...for good. It turns out that Chloe is pregnant and says that Jake is the father. Hammond is pissed at his best friend, but mostly can't believe that Ally would stay with Jake. But Ally is tired of being apart from Jake and is willing to make it work. But that is easier said than done when Jake starts blowing Ally off to go to doctor's appointments with Chloe and Ally joins the school play and meets a new cute guy. As graduation approaches, new secrets come out and Ally realizes maybe Jake isn't the guy she thought he was. After everything they've been through can Ally and Jake get out of Orchard Hill with their relationship in tact?

THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, KID A. In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future. For more than a year, they battled writer's block, intra-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era-and it embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture. What they created was Kid A. Upon its release in 2000, Radiohead's fourth album divided critics. Some called it an instant classic; others, such as the UK music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory... whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the twenty-first century. Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture in time for its twentieth anniversary in 2020. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.

New York's social darling just woke up in a nightmare: Oklahoma. Problem is, it's right where God wants her. Bella Kirkwood had it all--A-list friends, Broadway in her backyard, Daddy's credit card. Then her father decided to trade in her mother for a newer model. After that, her mom fell in love with a man she met on the Internet and moved the family to Truman, Oklahoma. To a farm no less! But that's just the beginning of Bella's problems. Her semi-pro-wrestler stepdad signs up the family for a reality TV show. As if having a camera crew follow her around isn't bad enough, Bella discovers a conspiracy against the Truman High prom queen candidates. And that's before the arrival of the Fritz Family Carnival with its creepy clown. Bella is one skinny-mocha frappe away from a total meltdown. How can a girl go on when her charmed life is gone and God appears to be giving her the total smack down?

From New York Times bestseller Kody Keplinger comes an astonishing and thought-provoking exploration of the aftermath of tragedy, the power of narrative, and how we remember what we've lost. It's been three years since the Virgil County High School Massacre. Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...