The hunter becomes prey, as a heist goes sour and Parker finds himself trapped in a shuttered amusement park, besieged by a bevy of local mobsters. There are no exits from Fun Island. Outnumbered and outgunned, Parker can't afford a single miscalculation. He’s low on bullets—but, as anyone who’s crossed his path knows, that definitely doesn’t mean he’s defenseless. “Nobody tops Stark in his objective portrayals of a world of total amorality.” —New York Times “Energy and imagination light up virtually every page, as does some of the best hard-boiled prose ever to grace the noir genre.” —Publishers Weekly

She shot him just above the belt and left him for dead. Then they torched the house, with Parker in it, and took the money he had helped them steal. It all went down just the way they'd planned, except for one thing: Parker didn't die. In The Hunter, the first volume in the Parker series, our ruthless antihero roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption. The volume that kickstarted Parker's forty-plus-year career of larceny—and inspired the 1967 motion picture Point Blank, starring Lee Marvin—The Hunter is back, ready to thrill a new generation of noir fans.

With over one million copies sold, this series of modern classics about the charming Penderwick family from National Book Award winner and New York Times bestseller Jeanne Birdsall is perfect for fans of Noel Streatfeild and Edward Eager. This summer the Penderwick sisters have a wonderful surprise: a holiday on the grounds of a beautiful estate called Arundel. Soon they are busy discovering the summertime magic of Arundel’s sprawling gardens, treasure-filled attic, tame rabbits, and the cook who makes the best gingerbread in Massachusetts. But the best discovery of all is Jeffrey Tifton, son of Arundel’s owner, who quickly proves to be the perfect companion for their adventures. The icy-hearted Mrs. Tifton is not as pleased with the Penderwicks as Jeffrey is, though, and warns the new friends to stay out of trouble. Which, of course, they will—won’t they? One thing’s for sure: it will be a summer the Penderwicks will never forget. Deliciously nostalgic and quaintly witty, this is a story as breezy and carefree as a summer day.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Darwyn Cooke's masterful and multi award-winning series of PARKER graphic novels continues with Slayground! Parker, whose getaway car crashes after a heist, manages to elude capture with his loot by breaking into an amusement park that is closed for the winter. But his presence does not go unnoticed a pair of cops observed the job and its aftermath. But rather than pursue their suspect— they decide to go into business for themselves, with the help of some "business associates." From then on it's a game of cat and mouse, one played out through closed rides of the abandoned carnival— a game that slowly starts to favor the mouse.

Sporting a brand new face and fierce determination, Parker plots revenge on Bronson--the criminal mastermind behind the Outfit who tried to kill him--by orchestrating twelve robberies in Outfit territory and waiting in the shadows for a one-on-one confrontation with Bronson--who is running scared. Reprint.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.