(Guitar Recorded Versions). Over 20 songs in accurate notes and tab from the hard rocker's various projects: Anastasia * Beggars and Hangers On * Civil War * Dirty Little Thing * The Godfather (Love Theme) * Mr. Brownstone * November Rain * Paradise City * Patience * Slither * Sweet Child O' Mine * Used to Love Her * Welcome to the Jungle * and more.

The legendary punk and new wave alternative weekly magazine Slashwas founded in Los Angeles in 1977 by Steve Samiof, and published a total of 29 print issues before its demise in 1980 (though it had a second life as the punk label Slash Records, which was eventually bought by Warner Bros. Records in 1999). In its brief run, Slashdefined the punk subculture in Los Angeles and beyond with the comic strip Jimboby Gary Panter and photographs by Melanie Nissen, the cofounding publisher and longtime photo editor. Writing by Jeffrey Lee Pierce, Chris D., Pleasant Gehman and Claude “Kickboy Face” Bessy explored reggae, blues and rockabilly in addition to punk and new wave. Slashdiagnosed the nascent punk scene’s challenge to the music industry and established its own oppositional voice in the editorial of its very first issue, staking a position against disco, Elvis and concept albums, and declaring: “Enough is enough, partner! About time we squeezed the pus out and sent the filthy rich old farts of rock ’n’ roll to retirement homes in Florida where they belong.” Slash: A Punk Magazine From Los Angeles, 1977–80pays homage to the magazine’s legacy with facsimile reproductions of every cover from the publication’s run and reprints of some of the magazine’s best articles and interviews. These are interspersed with new essays, reportage and oral histories from Exene Cervenka, KK Barrett, Gary Panter, Vivien Goldman, Richard Meltzer, Cali Thornhill DeWitt, Chris D., Bryan Ray Turcotte, Chris Morris, Ann Summa and Allan MacDowell, among others, telling the story of this critical chapter in the history of American media.

A woman fights to keep her daughters safe in the wake of war and political trauma in Central/ Latin America.

Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.

Some of the greatest hounds in the southwest match wits, courage, and endurance with the elusive cougar, bear, and wildcat. New Mexico and Arizona have produced some truly exceptional hounds and houndsmen over the years, and the Slash Ranch hounds were among the best. Over much of the first half of the 1900’s these hounds with Dub Evans were making a name for themselves all over the southwest. People coming from far and wide to witness them in action as well as for the chance to harvest bear and lion. The Black Range and Gila Wilderness of New Mexico where much of this book takes place, is still as wild and remote today as it was in the previous century. The bottomless labyrinths of canyons and snow-capped peaks a paradise for the sportsman. Home to such famous mountain men and frontiersmen as Ben Lilly, Nat Straw, and Montague Stevens, it is a place that can only be experienced. And what better way to experience it then to follow a pack of great hounds in pursuit? The answer is, there is none. The chase will take you places that few people have seen, and fewer still have tread. A Classic among hound books Slash Ranch hounds details much lion-lore mixed in with great stories of the chase. Much can be learned about the complex workings of the chase, as well as gaining a greater respect for the hounds and houndsmen. Without exaggeration, Evans describes his adventures with truth that can be felt through the pages. From tales of roping lions to catching stock-killing bear and cougar. This is adventure on the western frontier at its finest. So, saddle up, as this is a book for the modern houndsman as well as the armchair adventurer. This is a book to read next the campfire or fireplace, dreaming of hunts bygone and hunts still to come.