Six Flags Great Adventure has been the premier destination for family fun in the Northeast for over 40 years. Created by Hollywood scion Warner LeRoy, the park’s mission from the very start was to be the biggest and best theme park with record-breaking thrills, spectacular shows, and unique experiences that could only be found at Great Adventure. As a part of the Six Flags family of theme parks, Great Adventure combines the world’s largest safari park outside of Africa, a world-class theme park, and one of the biggest and best water parks in the United States to create an experience like no other.

Marriott's Great America first opened in Gurnee, Illinois, on May 29, 1976. Located midway between Chicago and Milwaukee, it was the second of two Marriott Corporation theme parks. Great America was created to be a place where families could have fun together while gaining an appreciation for United States history. The park's five authentically themed areas based on America's past included the best in family and thrill rides, restaurants, specialty shops, artisans, and games. First-rate live entertainment included Broadway-style musicals, bands, parades, a circus, and the Warner Bros. characters featuring BUGS BUNNY. In 1984, the park became Six Flags Great America when it joined the Six Flags family of theme parks. Since then, the park has continued to innovate and expand. Today, including its 20-acre Hurricane Harbor water park, Six Flags Great America is one of the country's finest theme parks. Since 1976, the park has entertained more than 100 million guests.

When Six Flags Over Georgia opened in June 1967, it became the first theme park in the Southeast. Although the park is best known today for its high-speed roller coasters, this book recaptures its earlier years when it was devoted to the various periods of Georgia’s history. Six Flags Over Georgia revisits such classic rides and attractions as the Log Jamboree, Tales of the Okefenokee, Jean Ribaut’s Adventure, the Krofft Puppet Theater, the Happy Motoring Freeway, and many others. It also explores how the park’s focus changed and expanded over the decades and takes a look at some of its classic advertising and souvenirs.

Put Down the Pixie Dust and Step Away from the Mouse! The stuff that's NOT supposed to happen at amusement parks is often more AMAZING than the stuff that does. Death and dismemberment. World records and walks of shame. Civil rights and creepy rides. Melees and marriages. Sex, cockroaches, evangelists-you won't believe your eyes!

In an age before jets, air-conditioning, and superhighways, Lake Hopatcong was a major northeast resort. It lay within easy reach of large cities to the east, and its size and setting at over nine hundred feet above sea level made it a perfect holiday destination. From the late nineteenth century through World War II, more than forty lake hotels and rooming houses welcomed thousands of vacationers each year. After the war, the lake continued to be a popular spot for renting a bungalow or buying a summer cottage. But for many, Lake Hopatcong will always be remembered as the home of Bertrand Island Park. Although Bertrand Island Park closed in 1983, there is no place in northwestern New Jersey that is more fondly remembered. For some seventy years, the park thrilled youngsters and adults alike. The park opened during the peak of Lake Hopatcong's resort years, and its popularity continued as the lake evolved from a hotel resort to a community of second homes and finally into a year-round locale. Generations of school groups, church outings, company picnics, and residents from throughout the region delighted in the wooden roller coaster, the magical carousel, and the scores of other rides and games.

A beautiful scarf connects two women touched by tragedy in this compelling, emotional novel from the author of As Bright as Heaven and The Last Year of the War. September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carries...and finds herself caught in a dilemma that compels her to confront the truth about the assumptions she’s made. What she learns could devastate her—or free her. September 2011. On Manhattan’s Upper West Side, widow Taryn Michaels has convinced herself that she is living fully, working in a charming specialty fabric store and raising her daughter alone. Then a long-lost photograph appears in a national magazine, and she is forced to relive the terrible day her husband died in the collapse of the World Trade Towers...the same day a stranger reached out and saved her. But a chance reconnection and a century-old scarf may open Taryn’s eyes to the larger forces at work in her life. “[Meissner] creates two sympathetic, relatable characters that readers will applaud. Touching and inspirational.”—Kirkus Reviews

As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado. Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.