Cynthia Hess offers a thoughtful reconstruction of Christian nonviolence through an examination of both theological and theoretical works. She shows how contemporary understandings of violence and the human person challenge traditional views of nonviolence as pacifism and the refusal of military violence. Hess begins with an analysis of the extensive writings on nonviolence by John Howard Yoder, one of the foremost twentieth-century thinkers on this subject. She then seeks to deepen his view by probing the insights of trauma scholars who explore the powerful and lasting effects of traumatic violence on individuals and communities. These scholars often maintain that many survivors continue to hold the reality of traumatic violence within their bodies and minds, so that it becomes part of them as they move through time. In light of this claim, Hess argues that Christian nonviolence must move beyond pacifism to directly address the problem of internalized violence. In conversation with resources in Yoder's work as well as feminist theory and trauma studies, she analyzes an often-overlooked dimension of religious nonviolence: the creation of communities in which traumatized persons can survive and flourish. With its highly interdisciplinary character, this book presents a fresh perspective on Christian nonviolence that not only challenges traditional views but also reclaims the centrality of nonviolence for contemporary Christian theology and practice.

Much like theology itself, the experience of trauma has the potential to reach into almost any aspect of life, refusing to fit within the tramlines. A follow up to the 2020 volume "Feminist Trauma Theologies", "Bearing Witness" explores further into global, intersectional, and as yet relatively unexplored perspectives. With a particular focus on poverty, gender and sexualities, race and ethnicity, and health in dialogue with trauma theology the book seeks to demonstrate both the far reaching and intersectional nature of trauma, encouraging creative and ground-breaking theological reflections on trauma and constructions of theology in the light of the trauma experience. A unique set of insights into the real-life experience of trauma, the book includes chapters authored by a diverse group of academic theologians, practitioners and activists. The result is a theology which extend far into the public square

In contemporary reflection on Christianity and politics, the work of realist, witness, and feminist theologians has been done in isolation. Christian Ethics at the Boundary offers the first collaborative approach to public and political theology. Extending the strong contextual work of Robin W. Lovin, Stanley Hauerwas, Kathryn Tanner, Monica A. Coleman, and Mary McClintock Fulkerson, author Karen V. Guth engages the prominent public theologians Reinhold Niebuhr, John Howard Yoder, and Martin Luther King Jr. to identify new trajectories for future work in Christian ethics.

Unspeakable probes the relationship between trauma theory and Christian theology in order to support preachers in the task of crafting sermons that adequately respond to trauma in the pews and the world at large. How might sermons contribute to resiliency and the repairing of wounds caused by traumatic experiences? This book seeks to provide a theological lens for preachers who wonder how their ‘beautiful words’ can address suffering amid traumatic wounding. Preaching is a healing discourse that proclaims gospel, or good news. Gospel is a complicated reality, especially in the face of trauma. Drawing on various theologies and insights from trauma theory, Unspeakable challenges the notion of a triumphant gospel, seeking an in-between perspective that honors both resurrection and the trauma that remains despite our desire to get to the good news. It builds on images of the preacher as witness and midwife in order to develop homiletical practices that acknowledge the limitations of language and imagination experienced by traumatized individuals.

The work of John Howard Yoder has become increasingly influential in recent years. Moreover, it is gaining influence in some surprising places. No longer restricted to the world of theological ethicists and Mennonites, Yoder has been discovered as a refreshing voice by scholars working in many other fields. For thirty-five years, Yoder was known primarily as an articulate defender of Christian pacifism against a theological ethics guild dominated by the Troeltschian assumptions reflected in the work of Walter Rauschenbusch and Reinhold and Richard Niebuhr. But in the last decade, there has been a clearly identifiable shift in direction. A new generation of scholars has begun reading Yoder alongside figures most often associated with post-structuralism, neo-Nietzscheanism, and post-colonialism, resulting in original and productive new readings of his work. At the same time, scholars from outside of theology and ethics departments, indeed outside of Christianity itself, like Romand Coles and Daniel Boyarin, have discovered in Yoder a significant conversation partner for their own work. This volume collects some of the best of those essays in hope of encouraging more such work from readers of Yoder and in hopes of attracting others to his important work.

Why go to church? What happens in church and why does it matter? The Empty Church presents fresh answers to these questions by creating an interdisciplinary conversation between theater directors and Christian theologians. This original study expands church beyond the sanctuary and into life. Shannon Craigo-Snell emphasizes the importance of liturgical worship in forming Christians as characters crafted by the texts of the Bible. This formation includes shaping how Christians know, in ways that involve the intellect, emotions, body, and will. Each chapter brings a theater director into dialogue with a theologian, teasing out the ways performance enriches hermeneutics, anthropology, and epistemology. Thinkers like Karl Barth, Peter Brook, Delores Williams, and Bertolt Brecht are examined for their insights into theology, worship, and theater. The result is a compelling depiction of church as performance of relationship with Jesus Christ, mediated by Scripture, in hope of the Holy Spirit. Liturgical worship, at its best, forms Christians in patterns of affections. This includes the cultivation of emotion memories influenced by biblical narratives, as well as a repertoire of physical actions that evoke particular affections. Liturgy also encourages Christians to step into various roles, enabling them to make intellectual and volitional choices about what roles to take up in society. Through liturgical worship, the author argues, Christians can be formed as people who hope, and therefore as people who live in expectation of the presence and grace of God. This entails a discipline of emptiness that awaits and appreciates the Holy Spirit. Church performance must therefore be provisional, ongoing, and open to further inspiration.

Rambo draws on contemporary studies in trauma to rethink a central claim of the Christian faith: that new life arises from death. Reexamining the narrative of the death and resurrection of Jesus from the middle day-liturgically named as Holy Saturday-she seeks a theology that addresses the experience of living in the aftermath of trauma. Through a reinterpretation of "remaining" in the Johannine Gospel, she proposes a new theology of the Spirit that challenges traditional conceptions of redemption. Offered, in its place, is a vision of the Spirit's witness from within the depths of human suffering to the persistence of divine love.