India, 3400 BCE. India is beset with divisions, resentment and poverty. The people hate their rulers. They despise their corrupt and selfish elite. Chaos is just one spark away. Outsiders exploit these divisions. Raavan, the demon king of Lanka, grows increasingly powerful, sinking his fangs deeper into the hapless Sapt Sindhu. Two powerful tribes, the protectors of the divine land of India, decide that enough is enough. A saviour is needed. They begin their search. An abandoned baby is found in a field. Protected by a vulture from a pack of murderous wolves. She is adopted by the ruler of Mithila, a powerless kingdom, ignored by all. Nobody believes this child will amount to much. But they are wrong. For she is no ordinary girl. She is Sita. Continue the epic journey with Amish's latest: A thrilling adventure that chronicles the rise of an orphan, who became the prime minister. And then, a Goddess. This is the second book in the Ram Chandra Series. A sequel that takes you back. Back before the beginning.

Sita by Bhanumathi-ji is deeply stirring and weaves an intricate tapestry of sensitivity with strength and wisdom as the story unfolds

Presents moment-by-moment record of the fading of love, with all of its agony and false-dawn respites. This book follows the disintegration of the author's love affair with a woman who is ten years her senior, a veteran of several marriages, and the mother of grown children.

The Ramayana is an epic poem by the Hindu sage Valmiki, written in ancient Sanskrit sometime after 300 BC. It is an allegorical story that contains important Hindu teachings, and it has had great influence on Indian life and culture over the centuries. Children are often encouraged to emulate the virtues of the two main characters -- Rama and Sita. The Ramayana is frequently performed as theater or dance, and two Indian festivals -- Dussehra and Divali -- celebrate events in the story. This version of The Ramayana is told from the perspective of Sita, the queen. After she, her husband Rama and his brother are exiled from their kingdom, Sita is captured by the proud and arrogant king Ravana and imprisoned in a garden across the ocean. Ravana never stops trying to convince Sita to be his wife, but she steadfastly refuses his advances. Eventually Rama comes to her rescue with the help of the monkey Hanuman and his army. But Rama feels he can't trust Sita again. He forces Sita to undergo an ordeal by fire to prove herself to be true and pure. She is shocked and in grief and anger does so. She emerges unscathed and they return home to their kingdom as king and queen. However, suspicion haunts their relationship, and Sita once more finds herself in the forest, but this time she is pregnant. She has twins and continues to live in the forest with them. The story is exciting and dramatic, with many turns of plot. Magic animals, snakes, divine gods, demons, sorcerers and a vast cast of characters all play a part in the fierce battles fought to win Sita back. And in the process the story explores ideas of right vs. wrong, compassion, loyalty, trust, honor and the terrible price of war.

The US premiere of an internationally acclaimed a novel, called "beautifully written, powerful, and wise." --Booklist

Gandhi's Tiger and Sita's Smile presents a collection of compelling essays which interrogate a variety of Indian texts and contexts along intersecting axes of gender, nation, and desire. The primary theme that weaves these varied essays together, written at different points of time with varying focal points of interest, is intertextuality. Vanita examines the way in which medieval texts speak to each other and draw on earlier canonical works, rewriting and transforming narrative in a spirit of respectful conversation. She also looks at modern texts, such as nineteenth-century poetry and twentieth-century fiction and cinema, as they converse with each other and with older texts. In doing so, she tries to explore how such pre-modern and modern texts are received in later periods or by other cultures in the same period. These captivating and intensely thought-provoking writings demonstrate the author's superb ability to turn the norm, whether Right-wing or Left-Wing, on its head, and find a fresh way to appreciate diversity and change, and the valuable dialogue they give rise to.

It is significant that the only character in Hindu mythology, a king at that, to be given the title of ekam-patni-vrata, devoted to a single wife, is associated with the most unjust act of abandoning her in the forest to protect family reputation. This seems a deliberate souring of the narrative, made even more complex by Ram’s refusal to remarry despite the pressure on royalty to produce an heir. The intention seems to be to provoke thought on notions of fidelity, property and self-image. And so mythologist and illustrator Devdutt Pattanaik narrates the Ramayan, drawing attention to the many oral, visual and written retellings composed in different times by different poets, each one trying to solve the puzzle in their own unique way. This book approaches Ram by speculating on Sita—her childhood with her father, Janak, who hosted sages mentioned in the Upanishads; her stay in the forest with her husband who had to be a celibate ascetic while she was in the prime of her youth; her interactions with the women of Lanka, recipes she exchanged, emotions they shared; her connection with the earth, her mother; her role as the Goddess, the untamed Kali as well as the demure Gauri, in transforming the stoic prince of Ayodhya into God.