Hanne Loland studies gendered god-language in the Hebrew Bible. She offers a theoretical framework that is helpful for the interpretation of biblical language used in reference to God and for the broader theological and scholarly debate on God and gender. One of the main questions Loland discusses is whether and how gende r is salient - that is, of significance - when gendered god-language occurs in a text. This is a new line of questioning in Hebrew Bible research, which so far has been mostly concerned with mapping the occurrences of feminine god-language. The question of gender significance is debated both in theoretical discussions on God, gender and language, and in three case studies (Isa 42:13-14, 46:3-4, and 49:14-15). These texts are chosen primarily because of today's research situation, where there has been a claim that Isa 40-55 (or 40-66) differs from the rest of the Hebrew Bible in its use of feminine god-language. Loland argues that there is in principle no difference between god-language formulated in similes or metaphors. Further, there is no significant difference between male and female god-language in the Hebrew Bible. These findings are also relevant for the contemporary debate concerning god-language in academia, church, and synagogue. This volume was recognized with the John Templeton Award for Theological Promise in 2008.

This volume advances the scholarly discussion of Jeremiah via rigorous feminist and postcolonialist theorizing of texts and interpretive issues in that prophetic book. The essays here, by seasoned scholars of Jeremiah, offer significant traction on the biblical book's construction of the persona of Jeremiah and the subjectivity of Judah as subaltern; analysis of gendered imagery for the speaking subject in Jeremiah and for the Judean social body; exploration of rhetorics of imperialism and resistance; and theological implications of feminist-critical perspectives on YHWH and other deities represented in Jeremiah. Essays here deftly synthesize historical, literary, and ideological-critical insights in service of nuanced inquiry into Jeremiah as complex cultural production. The collection represents the growing edge of recent critical thinking on Jeremiah in the United States, Europe, and elsewhere. It should prove invaluable in shaping the parameters of the continuing scholarly conversation on the Book of Jeremiah.

Multifaceted insights into female life in prophetic contexts Both prophets and prophetesses shared God’s divine will with the people of Israel, yet the voices of these women were often forgotten due to later prohibitions against women teaching in public. This latest volume of the Bible and Women series focuses on the intersection of gender and prophecy in the Former Prophets (Joshua to 2 Kings) as well as in the Latter Prophets of the Hebrew Bible. Essays examine how women appear in the iconography of the ancient world, the historical background of the phenomenon of prophecy, political and religious resistance by women in the biblical text, and gender symbolism and constructions in prophetic material as well as the metaphorical discourse of God. Contributors Michaela Bauks, Athalya Brenner-Idan, Ora Brison, L. Juliana Claassens, Marta García Fernández, Irmtraud Fischer, Maria Häusl, Rainer Kessler, Nancy C. Lee, Hanne Løland Levinson, Christl M. Maier, Ilse Müllner, Martti Nissinen, Ombretta Pettigiani, Ruth Poser, Benedetta Rossi, Silvia Schroer, and Omer Sergi draw insight into the texts from a range of innovative gender-oriented approaches.

This book uses three examples of violent biblical stories about women, explored through the lens of conceptual metaphor theory in relation to culinary language used within these texts, to examine wider issues of gender and sexual violence in the Hebrew Bible. Utilising the tools of conceptual metaphor theory, feminist criticism, and classic textual analysis, Brownsmith interrogates some of the most troubling biblical passages for women—neither by redeeming them nor by condemning them, but by showing how they are intrinsically shaped by the enduring metaphor of woman as food in the Hebrew Bible, ancient Near East, and beyond. The volume explores three main case studies: the Levite’s “concubine” (Judges 19); Tamar and Amnon (2 Sam 13); and the life and death of Jezebel (primarily 1 Kings 21 and 2 Kings 9). All depict violence toward a woman as perpetrated by a man, interwoven with culinary language that cues their metaphorical implications. In these sensitive but critical readings of violent tales, Brownsmith also draws on a broad range of interdisciplinary connections from Ricoeur to ancient Ugaritic epics to modern comic books. Through this approach, readers gain new insights into how the Bible shapes its narratives through conceptual metaphors, and specifically how it makes meaning out of women’s brutalized bodies. Gendered Violence in Biblical Narrative: The Devouring Metaphor is suitable for students and scholars working on gender and sexual violence in the Hebrew Bible and the ancient Near East more broadly, as well as those working on conceptual metaphor theory and feminist criticism.

It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.

Our Divine Parent traces the metaphorical theme of God's burgeoning family that spans the entire Bible. The family of God is a place of being, belonging, and becoming; and relationship with the Triune God as Divine Parent is characteristic of value and dignity, provision and protection, transformation and maturation, purpose and calling. Not merely a series of events relegated to the past, the family of God is an ongoing, present phenomenon--a salvation-relationship into which God invites all peoples to be adopted, redeemed children of God.