Descriptions for more than 100 technical climbing routes on the best Sierra peaks. Most of these climbs have never before been described.

This new edition of the only guide to detail all the known routes on 570 peaks in the Sierra is completely reorganized to be even more user friendly and includes more than 100 new routes, route variations and winter ascents.The most popular guidebook to the magnificent Sierra mountains has been expanded and improved. There is 30 percent new content in this edition, including new route descriptions, additional peaks described, more historical information, and GPS-enabled driving directions. The content has also been completely rearranged to keep roads and trails, and passes and peaks together, making the book easier to use. Four of the 30 maps have been revised."The Sierra climbing bible" (The Los Angeles Times)"The best field guide to the region." (Men's Journal)"The guide to the Sierra nevada high country." (Climbing magazine)

50 Classic Backcountry Ski and Snowboard Summits in California offers some of the finest ski and snowboard descents in California, ranging over a 550-mile span from the Cascade Range in the north, to Mount Whitney, to the Sierra Nevada in the south. Grouped into nine geographical regions, these summits represent the best of the best from well-known destinations to more remote areas to a sampling of the highest peaks.

This title is currently available for printing and distribution. We would like to cancel that, since we are reversing the rights to the author and will no longer want it sold under our account.

Lines on the Land Writers, Art, and the National Parks Scott Herring The nineteenth-century photographer William Henry Jackson once complained of the skepticism with which early descriptions of Yellowstone were met: the place was too wondrous to be believed. The public demanded proof, and a host of artists and writers obliged. These early explorers possessed a vigorous devotion to the young nation's wilderness--the naturalist John Muir famously toured the land from Wisconsin to Florida on foot--and through their work established aesthetic categories that exist to this day. In Lines on the Land, Scott Herring contends that these writers and artists were canon makers, recognizing the national parks as naturally occurring works of art and conferring upon them a cultural prestige: the parks were the splendid focal points of the American landscape. These early, canonizing works are homages to a vast, untouched wilderness. This praise would gradually give way, however, to a distinctly American anger--what Herring calls "outraged idealism." Later generations were faced with a changing culture that had imperfectly absorbed, and even misrepresented, the national-park aesthetic. The postwar park was overrun by cars and tourists who could not possibly match the pioneering naturalists' profound commitment to and appreciation for their surroundings. The collective tone of the parks' chroniclers, as a result, evolved from celebration of awesome beauty to indignation over the perceived corruption of the parks, both as an ideal and as actual physical settings. Herring traces this shift through the work of a wide spectrum of creative minds, from early figures such as Muir and Thomas Moran to later observers of the parks such as Ansel Adams, Sylvia Plath, Edward Abbey, and Rick Bass. The text is punctuated by autobiographical "interchapters," in which Herring relates the book's chief themes to his own experiences in Yellowstone National Park. Under the Sign of Nature: Explorations in Ecocriticism