Excerpt from Showmen's Trade Review, Vol. 48: April 3, 1948 Most of them feel that the picture companies have also_ reached the bottom of their economy activities and, once again, will be shouting the praises of their product from.the house_tops and the trade papers. The industry appears to be getting more and more public relations conscious. Which is a very encouraging sign. If any industry needs outstanding public relations, it is ours. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Showmen's Trade Review, 1948, Vol. 48: The Service Paper of the Motion Picture Industry Plant of the C. S. Ashcraft Manufacturing Company, manufacturers of projection lamps, was completely gutted by fire on Dec. 28. Firemen were hampered in reaching the blaze by the heavy snow. Exhibition - Guthrie Crowe is a young lawyer whose ideas sometimes startle the more conservative Of his motion picture as sociates in the Kentucky Association of The atre Owners over which Crowe presides. This week Crowe was in the news again - Ken tucky' s legislature Is to meet and both Crowe and the kato are determined to do some thing about checkers - by law. Their plan is to have a state board governing checkers' qualifications and to license anyone who checks for a picture. Kato is also going to fight to repeal 'the state admissions tax and to prevent the spread of city admission taxes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the New York Police Department, the medium was a means of making the agency world-famous as early as 1896. Beat cops became movie stars. Police chiefs made their own documentaries. And from Maine to California, state and local law enforcement agencies regularly fingerprinted filmgoers for decades, amassing enormous records as they infiltrated theatres both big and small. Understanding the scope of police power in the United States requires attention to an aspect of film history that has long been ignored. Screening the Police reveals the extent to which American cinema has overlapped with the politics and practices of law enforcement. Today, commercial filmmaking is heavily reliant on public policing-and vice versa. How such a working relationship was forged and sustained across the long twentieth century is the subject of this book"--

The first of its kind, this book traces the evolution of motion picture technology in its entirety. Beginning with Huygens' magic lantern and ending in the current electronic era, it explains cinema’s scientific foundations and the development of parallel enabling technologies alongside the lives of the innovators. Product development issues, business and marketplace factors, the interaction of aesthetic and technological demands, and the patent system all play key roles in the tale. The topics are covered sequentially, with detailed discussion of the transition from the magic lantern to Edison’s invention of the 35mm camera, the development of the celluloid cinema, and the transition from celluloid to digital. Unique and essential reading from a lifetime innovator in the field of cinema technology, this engaging and well-illustrated book will appeal to anyone interested in the history and science of cinema, from movie buffs to academics and members of the motion picture industry.