[Webnovel provides the latest update of genuine She Becomes Glamorous After The Engagement Annulment novels] The fat and ugly Nora Smith is the laughingstock of the town when her fiancé breaks off their engagement. He says, “The sight of your gigantic face and thunder thighs disgusts me! Don't ever pester me again!" “What an idiot.” Nora scoffs and turns around, her lips curling up into a smile. Later, when Nora successfully slims down, she returns as an astounding beauty. Her ex-fiancé comes to her bearing flowers and begs, "I was wrong, Nora. I’m willing to do anything as long as you come back to me.” Nora rests her chin in her hands and smiles as she replies, “Real men don’t dwell on the past.” Angered, he says, “You’re just a dimwit saddled with baggage that I dumped, Nora. No one will want you except me!" But following that… A young and popular singer tweets: “Nora Smith is my goddess!" An internationally renowned surgeon asks, “Are you free tonight, Nora?” Even the rich and influential hotshot whom everyone is scared of comes forward and says, ”I can take care of my wife and children myself, thank you very much.”

"Barthes's most popular and unusual performance as a writer is "A Lover's Discourse," a writing out of the discourse of love. This language primarily the complaints and reflections of the lover when alone, not exchanges of a lover with his or her partner is unfashionable. Thought it is spoken by millions of people, diffused in our popular romances and television programs as well as in serious literature, there is no institution that explores, maintains, modifies, judges, repeats, and otherwise assumes responsibility for this discourse . . . Writing out the figures of a neglected discourse, Barthes surprises us in "A Lover's Discourse" by making love, in its most absurd and sentimental forms, an object of interest." Jonathan Culler

Written between 1944 and 1947, Minima Moralia is a collection of rich, lucid aphorisms and essays about life in modern capitalist society. Adorno casts his penetrating eye across society in mid-century America and finds a life deformed by capitalism. This is Adorno's theoretical and literary masterpiece and a classic of twentieth-century thought.

History of Eastern Europe, Russia.

Most discussions about approaches to regulating prostitution occur at the national level--battles, for example, between prohibition and legalization. In reality, however, the impact of prostitution is felt most keenly at the local level, and it is local measures that can have the greatest effect. This book explores various approaches to regulating prostitution and other sex work at the local level, analyzing their aims and outcomes and offering guidance on designing effective regulations through available policy instruments.

In the history of electronic communication, the last quarter of the nineteenth century holds a special place, for it was during this period that the telephone, phonograph, electric light, wireless, and cinema were all invented. In When old Technologies Were New, Carolyn Marvin explores how two of these new inventions--the telephone and the electric light--were publicly envisioned at the end of the nineteenth century, as seen in specialized engineering journals and popular media. Marvin pays particular attention to the telephone, describing how it disrupted established social relations, unsettling customary ways of dividing the private person and family from the more public setting of the community. On the lighter side, she describes how people spoke louder when calling long distance, and how they worried about catching contagious diseases over the phone. A particularly powerful chapter deals with telephonic precursors of radio broadcasting--the "Telephone Herald" in New York and the "Telefon Hirmondo" of Hungary--and the conflict between the technological development of broadcasting and the attempt to impose a homogenous, ethnocentric variant of Anglo-Saxon culture on the public. While focusing on the way professionals in the electronics field tried to control the new media, Marvin also illuminates the broader social impact, presenting a wide-ranging, informative, and entertaining account of the early years of electronic media.