This book explores how memories and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare, offering a new approach to the cultural history of the Tudor era, whilst shedding fresh light on the sources and preoccupations of Shakespeare's play.

"As gripping as any detective fiction. Proof that one doesn't need to be fascinated with Richard III to be enthralled by the story of his body's discovery." —Publisher's Weekly In August 2012 a search began, and on February 4, 2013, a team from Leicester University delivered its verdict to a mesmerized press room and to the world: they had found the remains of Richard III, whose legacy was perhaps the most contested of all British monarchs. Prior to this major discovery, there had been little new information about Richard III for some time. With no new evidence to fuel it, the debate over what kind of man he might have been seemed to have stalled. Thus the story of the discovery of Richard III is a story of the value of archaeology—careful analysis of physical evidence backed up by the latest science and technology—and how it can change our understanding of history. Firsthand accounts from the team that found the king, along with photographs from the author’s own archives and an expanded epilogue incorporating new DNA evidence, augment this compelling detective story as the evidence is uncovered.

A deep dive into the text of Richard III's personal prayer and Book of Hours As a person's religious convictions can be considered fundamental to their character and behavior, the nature of King Richard III's piety has been the subject of considerable debate. Much of this controversy has focused on the Book of Hours adopted by the king for his own private use following his coronation, and to which certain prayers, including that known as the 'Prayer of Richard III', were added. This study explores the manuscript and the prayer's text. The manuscript (now preserved in Lambeth Palace Library) was originally produced in London around 1420. The text shows the preoccupations of a devout man of the fifteenth century and its decoration puts it in the context of the development of London manuscript illumination of the period. Moreover, in this analysis of the manuscript, the authors offer an insight into the personality of Richard III, one of the most controversial figures in medieval history.

The official inside story of the discovery of the bones of Richard III now a major motion picture starring Sally Hawkins and Steve Coogan The mystery of who Richard III really was has fascinated historians, readers and audiences familiar with Shakespeare's dastardly portrait of a hunchbacked monster of royalty for centuries. In 2012, the remains of a man with a curving spine, who possibly was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The Lost King will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

A historical play by William Shakespeare that portrays the Machiavellian rise to power and subsequent downfall of King Richard III of England. It is one of the Bard's most famous works and remains a staple of English literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its dramatic rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare—the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.