Historically, there has been reluctance, from mainstream IR scholars as well as feminists, to seriously engage with women’s agency in warfare. Instead, scholarship has tended to focus on women’s activism for peace or to ignore women’s agency altogether. This book rectifies this omission by exploring the cultural understanding of actors, agents and structures of war and how can we make sense of attitudes towards women, agency and war today. By using a poststructuralist feminist perspective and by analysing empirical cases from a Western ‘war on terror’ cultural context, Ahall argues that all types of stories are informed by ideas about motherhood and maternal reproduction as the foundation of sexual difference. This does not only mean that women are judged/read/valued based on the shape of their, maternalised, bodies, rather than what they actually do, but, it means that ideas about motherhood, not motherhood itself, function to police contemporary gender norms and contemporary understandings of agency in war. Overall, this book argues that maternalist war stories function to reiterate traditional heteronormative gender roles. This is how a ‘body politics’ of war is not only policing gender norms but actually writing ‘sex’ itself. The body politics of war told through maternalist war stories is a process in which the sexing of war means the policing of gender borders, with motherhood acting as the border agent. This work will be of interest to students and scholars in areas such as gender, political violence and international relations.

Historically, there has been reluctance, from mainstream IR scholars as well as feminists, to seriously engage with women's agency in warfare. Instead, scholarship has tended to focus on women's activism for peace or to ignore women's agency altogether. This book rectifies this omission by exploring the cultural understanding of actors, agents and structures of war and how can we make sense of attitudes towards women, agency and war today. By using a poststructuralist feminist perspective and by analysing empirical cases from a Western 'war on terror' cultural context, Ahall argues that all typ.

The ebook edition of this title is Open Access, thanks to Knowledge Unlatched funding, and freely available to read online.Drawing on historical and contemporary case studies, this book delves into visual and text-based materials to unpack gender-based violence(s) perpetrated and experienced by both sexes within and beyond the conflict zone.

This interdisciplinary Handbook offers a comprehensive and detailed overview of the relationship between gender and war, exploring the conduct of war, its impact, aftermath and opposition to it. Offering sophisticated theoretical insights and empirical research from the First World War to contemporary conflicts around the world, this Handbook underscores the centrality of gender to critical examinations of war.

This book explores the role of gender in influencing war-fighting actors’ strategies toward the attack or protection of civilians. Traditional narratives suggest that killing civilians intentionally in wars happens infrequently and that the perpetration of civilian targeting is limited to aberrant actors. Recently, scholars have shown that both state and non-state actors target civilians, even while explicitly deferring to the civilian immunity principle. This book fills a gap in the accounts of how civilian targeting happens and shows that these actors are in large part targeting women rather than some gender-neutral understanding of civilians. It presents a history of civilian victimization in wars and conflicts and then lays out a feminist theoretical approach to understanding civilian victimization. It explores the British Blockade of Germany in World War I, the Soviet ‘Rape of Berlin’ in World War II, the Rwandan genocide, and the contemporary conflict in northeast Nigeria. Across these case studies, the authors lay out that gender is key to how war-fighting actors understand both themselves and their opponents and therefore plays a role in shaping strategic and tactical choices. It makes the argument that seeing women in nationalist and war narratives is crucial to understanding when and how civilians come to be targeted in wars, and how that targeting can be reduced. This book will be of much interest to students of critical security, gender studies, war studies, and International Relations in general.

The Palgrave International Handbook of Gender and the Military provides a comprehensive overview of the multiple ways in which gender and militaries connect. International and multi-disciplinary in scope, this edited volume provides authoritative accounts of the many intersections through which militaries issues and military forces are shaped by gender. The chapters provide detailed accounts of key issues, informed by examples from original research in a wealth of different national contexts. This Handbook includes coverage of conceptual approaches to the study of gender and militaries, gender and the organisation of state military forces, gender as it pertains to military forces in action, transitions and transgressions within militaries, gender and non-state military forces, and gender in representations of military personnel and practices. With contributions from a range of both established and early career scholars, The Palgrave International Handbook of Gender and the Military is an essential guide to current debates on gender and contemporary military issues.

New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media. The authors concentrate on the untold narratives of those who fought in combat and were affected by its brutal consequences. Chapters discuss the historically under-represented stories of individuals including women, African-American and Indigenous Soldiers. Issues of homosexuality and gender relations in the military, colonial subjects and child soldiers, as well as the changing nature of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives.