The precision of the tango…the rhythmic excitement of a flamenco guitarist…the clicking of wooden castanets…the whirling of great dancers. Such impressions of Spain are captured effectively by Catherine Rollin in this fantastic sequel to Sounds of Spain Book 1. Seven intermediate solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. All are very manageable technically, yet contain dramatic sections that sound difficult and showy. Great crowd-pleasers!

An “intricate literary mystery [of] wrenching effect” by the internationally acclaimed, bestselling author of The Club Dumas (The New Yorker). Someone has hacked into the pope’s personal computer—not to spy on the Vatican or to spread a virus, but to send an urgent plea for help: SAVE OUR LADY OF THE TEARS. The crumbling Baroque church in the heart of Seville is slated for demolition—and two of its defenders have suddenly died. Accidents? Or murders? And was the church itself somehow involved? The Vatican promptly dispatches Father Lorenzo Quart, their worldly and enormously attractive emissary, to investigate the situation, track down the hacker—known only as “Vespers”—and stay alive. Thus begins a sophisticated and utterly suspenseful page-turner that has taken its readers by storm. “An elegant thriller that is as much about the elusive quest for happiness as it is about solving the murders.” —The Denver Post “An indelible tale of love, faith, and greed.” —People, Page-Turner of the Week

Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville’s hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.

NOW A MAJOR TV DRAMA ON SKY ATLANTIC. The first crime novel in Robert Wilson’s Seville series, featuring the tortured detective Javier Falcon.

In this exploration of crisis in Counter-Reformation Spain, Mary Elizabeth Perry reveals the significance of gender for social order by portraying the lives of women who lived on the margins of respectability--prostitutes, healers, visionaries, and other deviants who provoked the concern of a growing central government linked closely to the church. Focusing on Seville, the commercial capital of Habsburg Spain, Perry uses rich archival sources to document the economic and spiritual activity of women, and efforts made by civil and church authorities to control this activity, during a period of local economic change and religious turmoil. In analyzing such sources as art and literature from the period, women's writings, Inquisition records, and laws and regulations, Perry finds that social definitions of what it meant to be a woman or a man persisted due to their sanctification by religious ideas and their adaptation into political order. She describes the tension between gender ideals and actual conditions in women's lives, and shows how some women subverted the gender order by using a surprisingly wide variety of intellectual and physical strategies.

Erected in 1401 on a long-time site of worship, the Cathedral is one of Europe's most impressive buildings. When the canons demanded a new church "such and so well that it should have no equal, " construction was started in a style that is an architectural collage: primarily Gothic with elements of Visigothic and Almohade (Moorish) art. The text traces the Cathedral's history from a 12th century mosque to its blessings in 1507. In addition, a "tour" of this magnificent structure is conducted with emphasis on its unusual architectural features.

This work is a complete English translation of the Latin Etymologies of Isidore, Bishop of Seville (c.560–636). Isidore compiled the work between c.615 and the early 630s and it takes the form of an encyclopedia, arranged by subject matter. It contains much lore of the late classical world beginning with the Seven Liberal Arts, including Rhetoric, and touches on thousands of topics ranging from the names of God, the terminology of the Law, the technologies of fabrics, ships and agriculture to the names of cities and rivers, the theatrical arts, and cooking utensils. Isidore provides etymologies for most of the terms he explains, finding in the causes of words the underlying key to their meaning. This book offers a highly readable translation of the twenty books of the Etymologies, one of the most widely known texts for a thousand years from Isidore's time.