“I wish I could find the words to tell you the story of our village after you were killed.” So begins Senegal Taxi, the new work by one of contemporary poetry’s most vibrant voices, Juan Felipe Herrera. Known for his activism and writings that bring attention to oppression and injustice, Herrera turns to stories of genocide and hope in Sudan. Senegal Taxi offers the voices of three children escaping the horrors of war in Africa. Unflinching in its honesty, brutality, and beauty, the collection fiercely addresses conflict and childhood, inviting readers to engage in complex and often challenging issues. Senegal Taxi weaves together verse, dialogue, and visual art created by Herrera specifically for the book. Stylistically genre-leaping, these many layers are part of the collection’s innovation. Phantom-like televisions, mud drawings, witness testimonies, insects, and weaponry are all storytellers that join the siblings for a theatrical crescendo. Each poem is told from a different point of view, which Herrera calls “mud drawings,” referring to the evocative symbols of hope the children create as they hide in a cave on their way to Senegal, where they plan to catch a boat to the United States. This collection signals a poignant shift for Herrera as he continues to use his craft to focus attention on global concerns. In so doing, he offers an acknowledgment that the suffering of some is the suffering of all.

This book explores the intertwined histories of Saint-Louis, Senegal, and New Orleans, Louisiana. Although separated by an ocean, both cities were founded during the early French imperial expansion of the Atlantic world. Both became important port cities of their own continents, the Atlantic world as a whole, and the African diaspora. The slave trade not only played a crucial role in the demographic and economic growth of Saint-Louis and New Orleans, but also directly connected the two cities. The Company of the Indies ran the Senegambia slave-trading posts and the Mississippi colony simultaneously from 1719 to 1731. By examining the linked histories of these cities over the longue durée, this edited collection shows the crucial role they played in integrating the peoples of the Atlantic world. The essays also illustrate how the interplay of imperialism, colonialism, and slaving that defined the early Atlantic world operated and evolved differently on both sides of the ocean. The chapters in part one, “Negotiating Slavery and Freedom,” highlight the centrality of the institution of slavery in the urban societies of Saint-Louis and New Orleans from their foundation to the second half of the nineteenth century. Part two, “Elusive Citizenship,” explores how the notions of nationality, citizenship, and subjecthood—as well as the rights or lack of rights associated with them—were mobilized, manipulated, or negotiated at key moments in the history of each city. Part three, “Mythic Persistence,” examines the construction, reproduction, and transformation of myths and popular imagination in the colonial and postcolonial cities. It is here, in the imagined past, that New Orleans and Saint-Louis most clearly mirror one another. The essays in this section offer two examples of how historical realities are simplified, distorted, or obliterated to minimize the violence of the cities’ common slave and colonial past in order to promote a romanticized present. With editors from three continents and contributors from around the world, this work is truly an international collaboration.

Stroll, shop, dine and dance in fashionable Dakar. Reflect and recharge among the pastel-hued streets of tranquil Gorée. Seek out crumbling 19th-century mansions in Saint-Louis. Look out for rare birds in the wetlands of the Parc National des Oiseaux du Djoudj. Paddle upstream in a pirogue at Niokolo-Koba National Park, where lions still run wild. Bordered by the waves of the Atlantic, the deserts of Mauritania and the impenetrable forests of Guinea, Senegal packs in remarkable diversity — it's perfectly possible to trek the green Fouta Djallon foothills, catch some world-class surf and watch a sandstorm blow in from the Sahara within a day's journey of each other. Yet the country's greatest treasure is the hospitality extended everywhere, whether you've come to dance to mbalax beats in Dakar, loll in a hammock somewhere along the Petite Côte or escape to an island lost in the rivers of Casamance. In this, the very first standalone guide to Senegal, Sean Connolly provides you with all of the background information and practical advice you will need in this superlative and surprising nation at Africa's westernmost edge.

Showcases the ingredients and techniques elemental to Senegalese cooking, the food producers at the heart of its survival, and the unique cultural and historical context it exists in. You ll meet local farmers, fishermen, humble food producers, and home cooks each with stories to tell and recipes to share and savor. You won t just be learning to make a few dishes, you ll learn about the Senegalese people, the stories of their past, and importantly, the issues they face today and tomorrow.

Providing an in-depth comparative study of democracy formation, Gellar traces Senegal's movement from a pre-colonial aristocratic order towards a modern democratic political order. Inspired by Tocqueville's methodology, he identifies social equality, ethnic and religious tolerance, popular participation in local affairs, and freedom of association and the press as vital components of any democratic system. He shows how centralized state structures and monopoly of political power stifled local initiative and perpetuated neo-patrimonial modes of governance.

In 2002, a government-owned Senegalese ferry named the Joola capsized in a storm off the coast of The Gambia in a tragedy that killed 1,863 people and left 64 survivors, only one of them female. The Joola caused more human suffering than the Titanic yet no scholarly research to date has explored the political and environmental conditions in which this African crisis occurred. Africa’s Joola Shipwreck: Causes and Consequences of a Humanitarian Disaster investigates the roots of the Joola shipwreck and its consequences for Senegalese people, particularly those living in the rural south. Using three summers of field research in Senegal, Karen Samantha Barton unravels the geographical forces such as migration, colonial cartographies, and geographies of the sea that led to this humanitarian disaster and defined its aftermath. Barton shows how the Sufi tenet of “beautiful optimism” shaped community resilience in the wake of the shipwreck, despite the repercussions the event had on Senegalese society and space.

Dying to Count explores how national and global population politics collide in Senegalese hospitals as health workers treat and document women who present with complications of abortion. Siri Suh's ethnography illustrates political, economic, professional, and technological factors that jeopardize quality of and access to obstetric care in public hospitals despite national and global commitments to reproductive health.