The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique.

In this book, NPR social media chief Andy Carvin - hailed by The Guardian as 'the man who tweets revolutions' - offers a first hand recap of the Arab Spring. Part memoir, part history, the book includes intimate stories of the revolutionaries who fought for freedom on the streets and across the internet - stories that might have never been told before the days of social media.

The book explores the concept of artistic witnessing as political activity. In which ways may art and artists bear witness to political events? The Contributors engage with dance, film, photography, performance, poetry and theatre and explore artistic witnessing as political activity in a wide variety of case studies.

Karl Barth's lectures on the first chapter of the Gospel of John, delivered at Muenster in 1925-26 and at Bonn in 1933, came at an important time in his life, when he was turning his attention more fully to dogmatics. Theological interpretation was thus his primary concern, especially the relation between revelation and the witness to revelation, which helped to shape his formulation of the role of the written (and spoken) word vis-a-vis the incarnate Word. The text is divided into three sections - John 1:1-18, 19-34, 35-51, with the largest share of the book devoted to the first section. Each section begins with Barth's own translation, followed by verse-by -verse and phrase-by-phrase commentary on the Greek text. Although Barth's interpretation is decidedly theological, he does take up questions of philology and textual criticism more thoroughly than in his other works. Much has happened in Johannine scholarship since these lectures were first delivered, yet they remain valuable today - 100 years after Barth's birth - both for their insights into the gospel and into Karl Barth.

The Collected Works of Witness Lee, 1993, volume 2, contains messages given by Brother Witness Lee from May 28 through December 17, 1993. During the first eight months of 1993 Brother Lee was in Anaheim, California. At the beginning of September he visited Seattle, Washington, for one week, after which he returned to Anaheim and remained there until the end of the year. The contents of this volume are divided into nine sections, as follows: 1. Seven messages given in Anaheim, California, on May 28 through 30. These messages were previously published, along with the speaking of forty-six brothers from throughout Southern California, in a book entitled 1993 Blending Conference Messages concerning the Lord's Recovery and Our Present Need and are included in this volume under the same title. Only the outlines of the conference and the portions spoken by Brother Lee are included in The Collected Works of Witness Lee. 2. A message given in Anaheim, California, on May 28. This message is included in this volume as chapter 1 of the previous section entitled 1993 Blending Conference Messages concerning the Lord's Recovery and Our Present Need. Portions of this message were combined with other various writings by Brother Lee concerning the Triune God, and the compilation was previously published in a book entitled The Crucial Points of the Major Items of the Lord's Recovery Today. The contents of this book are included in this volume under the same title. 3. A message given in Anaheim, California, on July 3. This message was divided into two chapters and is included in this volume under the title Remaining in Life and Keeping the One Accord. 4. Four messages given in Anaheim, California, on August 13 through 15. These messages were previously published in a book entitled The Problems Causing the Turmoils in the Church Life and are included in this volume under the same title. 5. Fifteen messages given in Anaheim, California, on August 28 through December 17. These messages were previously published in a fourteen-chapter book entitled The Spirit with Our Spirit and are included in this volume under the same title. 6. Fourteen messages given in Anaheim, California, on September 1 through December 15. These messages were previously published in a thirteen-chapter book entitled The Training and the Practice of the Vital Groups and are included in this volume under the same title. 7. Six messages given in Seattle, Washington, on September 3 through 6. These messages were previously published in a book entitled The Organic Union in God's Relationship with Man and are included in this volume under the same title. 8. A message given in Seattle, Washington, on September 6. This message is included in this volume under the title Knowing and Experiencing the Organic Union in God's Relationship with Man. 9. Six messages given in Anaheim, California, on November 25 through 28. These messages were previously published in a seven-chapter book entitled The Issue of the Dispensing of the Processed Trinity and the Transmitting of the Transcending Christ and are included in this volume under the same title.

Mechanical Witness is the first cultural and legal history charting the changing role and theoretical implications of film and video use as courtroom evidence. Schwartz moves from the earliest employment of film in the courts of the 1920s to the notious 1991 Rodney Kind video, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media as a dominant mode of knowledge formation. At the same time, film and video in juridical contexts has developed a distinct theoretical legacy. The particular qualities of film as evidence both resonate with and contradict existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film change from its meanings when shown in a movie theater or broadcast on television, yet the public (and cinema scholars) tend to assume that the two are the same. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the full effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.