No writer has ever been as famous as Sir Walter Scott once was; and no writer has ever enjoyed such huge acclaim followed by such absolute neglect and outright hostility. But Scotland would not be Scotland except for Scott. All the icons of Scottishness have their roots in Scott's novels, poems, public events and histories. It's a legacy both inspiring and constraining, and just one of the ironies that fuse Scott and Scotland into Scott-land. In this book Stuart Kelly reveals Scott the paradox: the celebrity unknown, the nationalist unionist, the aristocrat loved by communists, the forward-looking reactionary. Part literary study, part biography, part travelogue, part surreptitious autobiography, Scott-land unveils a complex, contradictory man and the complex contradictory country he created. Insightful, accessible, witty and melancholy, this is a 'voyage around my fatherland' like no other.

The work of Walter Scott, one of the most globally influential authors of the nineteenth century, provides us with a unique narrative of the changing ecologies of Scotland over several centuries and writes this narrative into the history of environmental literature. Farmed environments, mountains, moors and forests along with rivers, shorelines, islands and oceans are explored, situating Scott's writing about shared human and nonhuman environments in the context of the emerging Anthropocene. Susan Oliver attends to changes and losses acting in counterpoint to the narratives of 'improvement' that underpin modernization in land management. She investigates the imaginative ecologies of folklore and local culture. Each chapter establishes a dialogue between ecocritical theory and Scott as storyteller of social history. This is a book that shows how Scott challenged conventional assumptions about the permanency of stone and the evanescence of air; it begins with the land and ends by looking at the stars.

This lively and erudite cultural history examines how Scottish identity was experienced and represented in novel ways.