Twenty-eight terrific interviews with some of the sharpest and most talkative stars and movie makers of the classic (and c-r-a-z-y!) SF and horror films of the past: Richard Matheson, Janet Leigh, Acquanetta, Hazel Court, Kim Hunter and others reminisce at length and with great good humor about their days on the sets of Psycho, Planet of the Apes, Superman; the Poe, Hammer and Lewton films, and exploitation greats like Attack of the 50 Foot Woman.

The people who directed, produced, and starred in the scary and fantastic movies of the genre heyday over thirty years ago created memorable experiences as well as memorable movies. This McFarland Classic brings together over fifty interviews with the directors, producers, actors, and make-up artists of science fiction and horror films of the 1940s, 1950s, and 1960s. From B movies to classics, Samuel Z. Arkoff to Acquanetta, these veteran vampire baits, swamp monsters, and flying saucers attackees share their memories. This classic volume represents the union of two previous volumes: Interviews with B Science Fiction and Horror Movie Makers ("more fun than the lovably cheap movies that inspired it"--Booklist/RBB); and Science Fiction Stars and Horror Heroes ("candid...a must" --ARBA). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences squeal with fear, and occasionally, howl with laughter.

In this jam-packed jamboree of conversations, more than 60 movie veterans describe their experiences on the sets of some of the world’s most beloved sci-fi and horror movies and television series. Including groundbreaking oldies (Flash Gordon, One Million B.C.); 1950s and 1960s milestones (The War of the Worlds, Psycho, House of Usher); classic schlock (Queen of Outer Space, Attack of the Crab Monsters); and cult TV favorites (Lost in Space, Land of the Giants), the discussions offer a frank and fascinating behind-the-scenes look. Among the interviewees: Roger Corman, Pamela Duncan, Richard and Alex Gordon, Tony “Dr. Lao” Randall, Troy Donahue, Sid Melton, Fess Parker, Nan Peterson, Alan Young, John “Bud” Cardos, and dozens more.

Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.

For fans of SF and horror films, will there ever be a decade to compare with the 1950s? Actors, directors, producers, and crews prevailed over microbudgets and four-day shooting schedules to create enduring films. This book turns a long-overdue spotlight on many who made memorable contributions to that crowded, exhilarating filmmaking scene. John Agar, Beverly Garland, Samuel Z. Arkoff, Gene Corman, and two dozen more reminisce about the most popular genre titles of the era. Lengthy, in-depth interviews feature canny questions, pointed observations, rare photos, and good fun.

Shadowed Stars: Book 1 by Steven Arlen Koutz In the twenty-first century, Earth experienced a rapid shift in political and technological developments. Reported sightings of UFO and alleged human abductions reached an alarming rate that governments decided to remove national boundaries and unite as one planet under one leader. The new government, the United Nations of Earth, made space exploration and the defense of the planet from alien invasion its top priority. Journeyer was one of the first ships sent into space to find new discoveries benefitting defense projects. It also hoped for a possible encounter with sentient life-forms for diplomatic reasons. Prior to its recall and permanent grounding, Journeyer was captured and destroyed by the Ubides, an alien race of the highest intellect and ally of the Derths, a carnivorous alien race dead set in conquering the universe. Its captain, Drew Cage, was forcibly taken for a reason. Meanwhile, the other crew members-including Lieutenant Eva Cusping-who were sent to an unnamed planet after the planet's sensors jammed the Journeyer's communication system, got caught between warring kingdoms that tore them apart from each other. Captain Drew Cage and Eva Cusping would learn something about themselves that would make them question their existence and beliefs, leading one to anger and despair while giving the other enlightenment. Both would undergo a transformation that would turn one into a vengeful malevolent scum, and the other into a hero who would lead the alliance of good against the forces of evil in an intergalactic war that threatens the survival of the human race and other life-forms. About the Author Steven Koutz is an avid fan of science fiction shows and movies. He is also an ardent collector of comic books, trading cards, and action figures. Writing stories has always been one of his interests and this book is brought forth by his desire to write his own sci-fi series.

This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998. For each director there is a complete filmography including television work, a career summary, a critical assessment, and behind-the-scenes production information. Seventy-nine directors are covered in especially lengthy entries and a short history of the science fiction film genre is also included.